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Upcoming events
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- The kick-off for the new project, continuation of the successful EUreka3D, is organized in Pisa by coordinator Photoconsoritum on 26-27 February 2025
EUreka3D-XR – European Union’s REKonstructed content in 3D to produce XR experiences EUreka3D-XR is the continuation project of EUreka3D, funded by the Digital Europe Programme of the European Union, to develop innovative re-use scenarios and tools that enable the creation … Continue reading →
- Siena (Italy), 8-13 September 2025
As the leading global event on digital technology for documenting, conserving, and sharing heritage—from landscapes and monuments to museums, collections, and intangible traditions—the Digital Heritage International Congress offers a unified stage for major world conferences, workshops, and exhibitions. … Continue reading →
Author Archives: valentina.bachi

A round table on the theme “OPEN (RE)SOURCE, valorizing e integrating the cultural heritage” has been held in Turin, organized by the heritage agency Promemoria in collaboration with Teatro Regio Torino. The event saw the participation and speeches by many … Continue reading

For the Internet Festival, closed on 13th October, Incubator was the keyword for 2013. The organizers have already published the first official data of the event: 60 countries directly or virtually represented; more than 23.000 devices connected (smartphones, pc, tablets); … Continue reading

A valuable workshop organized in the framework of EuropeanaPhotography took place in Paris on 14th-15th November 2013. The workshop was one day and half including presentations and round table discussion, focusing on IPR issues related to digital content and to the … Continue reading

The event is very wide. For this reason, to provide an effective way for participants to explore such a rich and diverse program, Digital Heritage 2013 built an interactive schedule featuring social networking, a personal agenda builder, dynamic attendee directories, and more. Users can view the schedule in list, grid, and other forms as well as on mobile devices. Continue reading

The session was intended to foster knowledge exchange and networking actions to address a very common and shared issue from different points of view and backgrounds, also in the light of enabling a true and exploitable creative re-use of the digital content available in Europeana and in other online collections. Continue reading

Intermediate objective is to deliver to Europeana a huge number of metadata, in order to publish a first batch of images to witness the history of Europe and the art of photography in the period 1839-1939. The images are supposed to be on line and accessible to everyone by early 2014, and for this reason EuropeanaPhotography content providers are working closely to the technical deadlines to allow this result. Continue reading

LAM is a national museum based in Vilnius, originally founded in 1933, it takes an active role in regularly organizing exhibitions and cultural events and in connection of the opening of a travelling exhibition and an internationa conference about ancient photography and digitization, it was chosen to host the third plenary meeting of EuropeanaPhotography project. Continue reading

The n. 21 issue of the Italian magazine Archeomatica includes as “guest paper” a wide overview about Linked Heritage. The article, in English language, was written by dr. Antonella Fresa and dr. Claudio Prandoni, the Technical Coordination of the project. Continue reading

Beside the core-activity related to project progress and achievements, the TUG team is doing a very important work of dissemination. Very recently, in particular, CULTURA was represented in 2 very valuable workshops (German language) related to humanities. Continue reading

Medelhavsmuseet – the Museum of Mediterranean and Near Eastern Antiquities in Stockholm will digitally place human mummies on a virtual autopsy table. The work is taking place in advance of a new exhibition on Egypt, which is due to open in 2014. It will be possible to zoom into very high resolution to see details like carving marks on a sarcophagus, and the true colors of the mummy. The 3D model also allows to “unwrap” a mummy by peeling off virtual layers of the wrapping to explore the mummy itself and the artifacts that were buried with the body. Continue reading