The term ‘authenticity’ can be used to describe a thing, including heritage objects, an experience, or a person. In all instances the term conjures up notions of originality, truth and sincerity, or a quality of being real as opposed to being fake. For example, we can speak about ‘an authentic tourist experience’ or about ‘the authentic self’ or ‘an authentic painting’. The notion of ‘authenticity’ has had a long history within the social sciences and humanities and is still commonly used in everyday life. Earlier definitions of authenticity eschewed ideas of commodification, placing greater emphasis on ideas of tradition. An object, for example an artefact in a museum, was deemed authentic if it was made by a traditional artist to serve a traditional function. Objects made for the consumer or tourist were deemed inauthentic. Such definitions have however come under significant criticism in recent years with some critics pointing out the socially-constructed nature of authenticity. Authenticity, in this sense, is negotiable. Such criticisms have led to the development of new ways of thinking about what is authentic, giving rise to terms such as ‘staged authenticity’, used, for example, to describe touristic experiences of particular cultural practices.
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- TEXTOUR Webinar, 19 September 2024
SECreTour project and its associated EUreka3D project participated in the Part 2 of the Webinar promoted by the TExTOUR Project and organised by the UNESCO Chair on Digital Cultural Heritage Lab at Cyprus University of Technology. The webinar explored the potential … Continue reading →
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We are delighted to announce the launch of Europeana Academy, the Europeana Foundation training programme for professionals working with, in and around cultural heritage. The Academy will support professionals in the sector to develop new skills and knowledge through a comprehensive … Continue reading →