As EUreka3D-XR approaches its final stage, we can start to draw conclusions from a fruitful 18 months and are delighted to share the project’s work, achievements and resources: “EUreka3D-XR: exploring cultural heritage through 3D digitisation and XR experiences” is now … Continue reading
The MetaHeritage Webinar Series continues with its fifth session, focusing on the opportunities offered by EIT Culture & Creativity for European SMEs and organisations working across cultural heritage, tourism, and the creative industries. MetaHeritage aims to strengthen collaboration between cultural … Continue reading
Following the most recent (and still ongoing) aggregation of new objects digitized in the context of the EUreka3D-XR projects, four new galleries on Europeana were created by Bibracte. Start your journey: The Hidden Side of Bibracte A Gaulish public space: … Continue reading
Area: digital heritage
Organized by the Royal Anthropological Institute and the British Museum, this gathering of professionals from either the artistic/creative field or the academic world, offered the opportunity to anyone active at the crossroads of both disciplines to showcase an oeuvre or project to the conference attendants. In te Europeana Photography booth, the accent was on the project’s future activities: the upcoming Belgian production of the expo (Leuven, 30 January – 30 March 2015), as well as the upcoming future platform that is springing out of the project after the end of the EC funding period. Continue reading
Registration is now open for the exciting two day digital preservation conference ‘Investing in Opportunity: Policy Practice and Planning for a Sustainable Digital Future’ which will take place at the Wellcome Trust in London on 17th – 18th November 2014. Continue reading
Welcome to this special edition of the EUDAT News Bulletin, dedicated to the 3rd EUDAT Conference, which takes place at De Meervaart Conference Centre, Amsterdam, on 24 and 25 September 2014. Continue reading
The project “Navig@nagni” was born in 2009 to let the world know the artistic trasures of the “City of Popes” through the web. This has been by scanning the major historical and artistic sites with a laser scanner which, in addition to a perfect 3D modeling, has allowed a scan hundreds of equirectangular pictures, using a special software developed by Massimo Iachetta, head of the ICT department of the City of Anagni. Continue reading
This study, held in the framework of the RICHES Project, wants to explore the transformation of Dance and Performance practice as a result of digital technologies within the European context. If you are a dance and performance practitioner, performer, educator, or researcher and are willing to reflect on how digital technologies have impacted on your experience of performance practice, please share with us your views by completing our survey. Continue reading
The URLA 2014 Congress’ (Istanbul, OTTOMAN ARCHIVES BUILDING, 17-20 September 2014) main theme will be Management of Cultural Heritage and Cultural Memory Institutions, devoted to identifying best practice for an efficient management of preservation tools by cultural heritage institutions. RICHES partners Hakan Koray Özlük and Hasan Bahadir Aydinonat from KYGM will take part in the congress holding a speech on Preservation of Cultural Heritage and EU Projects, which will provide an interesting overview of the two professionals’ year experience and knowledge in research for innovative ways of cultural heritage’s preservation and enjoyment. Continue reading
This article gives some motivation for why open file formats are important to the EU and why open file formats and Open Source implementations are important for long-term sustainability.
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This webminar aims to demonstrate how to identify preservation risks in your content and, at the same time, share your content profile information with others to open new opportunities. There are 23 places available which will be allocated on a first come, first serve basis. Continue reading
Despite these facts, digital editions are often neglected by the established review institutions. This neglect has a number of consequences: digital editions are somewhat outside the established peer-control process; digital editors in spe cannot rely on criticisms that projects similar to their… Continue reading
Many of the objects within the archive collection have been sourced directly from Davies and her collaborators’ personal collections, whilst other items have been kindly lent by institutions and private contributors. Almost all of these objects that would otherwise remain inaccessible and unavailable appear online for the first time, and in many cases represent the first time objects have been viewed by anyone since their original date of creation. Continue reading
