The Twin it! Part II – 3D for Europe’s culture campaign, invited the Ministries of Culture of the 27 EU Member States to submit at least one 3D digitised heritage asset to the common European data space for cultural heritage, … Continue reading
Celebrated annually, International Archives Week has been providing a global platform to highlight the societal functions of archives: enabling accountability, preserving memory, safeguarding rights, and supporting the rule of law. International Archives Week is coming back in 2026, with the … Continue reading
The 1st Immersive Heritage Conference will bring together leading experts, researchers, creatives and institutions in exploring the future of digital cultural heritage through immersive technologies – XR, AR, VR and gamification, and how new technologies are transforming the way heritage … Continue reading
Area: digital heritage
This is an initiative of the technological branch of Chasen Sino-Sin and related company Amber Digital, sponsored by an important group of Chinese corporations and enterprises, that are seeking in Europe for the museums and institutions that hold Chinese collection to offer them a zero-cost, advanced 3D digitization service. The museum keeps the full property of the digital objects for any purpose and exploitation, while the Chinese company is licensed to the re-use the 3D models in China for educational and research purposes, and for virtual exhibitions. Continue reading
This new book Geocoded Digital Cultural Content, edited by Franc J. Zakrajsek and Vlasta Vodeb (with a foreword curated by Antonella Fresa) focuses on Geographic location, which is a very important attribute of a cultural heritage item. The authors investigate … Continue reading
TERENA and SURFnet has organized the second VAMP workshop on September 30th & October 1st, 2013 in Helsinki, Finland. Goal of VAMP2013 was to foster the deployment of identity management and collaboration tools within the research communities. The organisers invited … Continue reading
The DCH-RP e-Culture Science Gateway (eCSG) is a standard-based web 2.0 demonstrative platform to show the Proofs of Concepts (PoCs) identified by the DCH-RP project and how they fit with the requirements defined in the Roadmap. Continue reading
The general architecture of the DCH-RP e-Culture Science Gateway (e-CSG) and its web-based and mobile app implementations are the subjects ot this webinar which is organised by the DCH-RP project and also supported by the European Grid Infrastructure. Live demonstrations about how to access and use the e-CSG, both as end-user and repository manager, will be provided. Continue reading
The Mobile Digital Museum was opened to the public on 18 May 2013 to commemorate World Museum Day. It is believed that it is the world first museum where no authentic physical artifacts are exhibited but only high resolution 3D models of them are presented. The Mobile Museum is equipped with the most advanced and engaging technologies for a truly interactive experience. Continue reading
In the framework of SIGIR conference, ENRICH workshop will be hosted in the Long Room Hub, at the Digital Arts and Humanities Research Institute of Trinity College Dublin, on August 1st 2013. ENRICH is supported by EU projects CULTURA and Paths. Call for papers is open until 9th June. Continue reading
The general architecture of the Catania Science Gateway Framework and some of its implementations are the subjects of this webinar which is jointly organised and supported by CHAIN-REDS, eI4Africa and EGI-InSpire projects. At the webinar attended more than 30 international experts worldwide. Continue reading
Florence hosted an international event that includes a Conference, Workshops, Meetings & an Exhibition. The Electronic Information, the Visual Arts and Beyond (EVA Conferences) are a series of international interdisciplinary conferences mainly in Europe, but also elsewhere in the world, for people interested in the application of information technology to the cultural and especially the visual arts field. Continue reading
The vocabulary has been completed in 12 languages and consists of over 500 concepts in three facets –photographic technique, photographic practice and keywords – that are structured in a multifaceted, hierarchical way. Discussions are on-going with other projects, in particular Linked Heritage, for improvement and further development of the EuropeanaPhotography Vocabulary, that can be a starting point for other valuable multilingual tools to enrich digitization activities (both for photography and for other cultural heritage). Continue reading
