Topic: riches other
Jepchumba of Africandigitalart.com presents us the digital collage, in Africa a growing form of art that utilises technology to produce a range of artworks, incorporating digital video, animation, photography, animated gif’s and digital photo manipulation. Through digital new stories of Africa emerge, setting an alternative – and often critical – narration against the image of Africa we think to know. Continue reading
teamLab, founded in 2001, is a collaborative creative group that brings together professionals from various fields of practice in the digital society: artists, programmers, engineers, CG animators, mathematicians, architects, web and print graphic designers and editors. Referring to themselves as “ultra-technologists” their aim is to achieve a balance between art, science, technology and creativity. teamLab ultratechnologists believe that digital technology can expand art and that digital art can create new relationships between people; they work for an interactive relationship between people and art and for children experiencing shared and co-creative spaces. Continue reading
Badilisha Poetry X-Change is both an online audio archive and Pan-African poetry show delivered in radio format. Now the largest online collective of African poets on the planet, Badilisha has showcased and archived over 350 Pan-African poets from 24 different countries. It reflects the myriad of rhythms and rhymes, voices, perspectives and aspirations from all corners of the globe. Continue reading
The Netherlands Institute for Sound and Vision (‘Nederlands Instituut voor Beeld en Geluid’), in short NISV, is a cultural-historical organization of national interest, collecting, preserving and opening the audiovisual heritage for as many users as possible: media professionals, education, science … Continue reading
CUTE is a yearly masterclass series on culture and technology, organized by the Numediart research institute, and brings together a panel of world-renowned experts in various high-tech fields and get them to meet all kinds of audiences (research, arts, industry) … Continue reading
There’s a big buzz currently going on about the issue of Freedom of Panorama, connected to the neverendig story of copyright in the changing digital world, and particularly connected to photography and to user-generated content. Freedom of Panorama is a … Continue reading
weLand Association is a cultural NGO founded in Asti, South Piedmont (Italy), in August 2012. Its aim is to develop a regional network of individuals and groups interested in aggregating, sharing and reusing open data for GLAMs, education institutions and tourism stakeholders. The idea of the association arises from the firm belief that innovation (and so the elements which innovation is generated by, culture and creativity) should take into account a bottom-up engagement of the community, in order to fully realise its potential and to become a real driver of social and economic development. Continue reading
The XX Conference on Cultural Heritage and New Technologies, organised by the Department of Urban Archaeology of Vienna’s Museum, is being held in the Vienna City Hall on 2-4 November 2015. The conference’s call for paper/poster/video expires on 15 June 2015 (deadline extended). This year, the event is dedicated to the theme “Urban Archaeology and Public Relations. New Technologies Enabling Archaeological Outreach” Continue reading
Prof. Lorenzo Cantoni of Università della Svizzera Italiana is glad to announce the Massive Open Online Course (MOOC) on eTourism Communication Perspectives. The course, fully free and open, will be delivered in October-November 2015; it will last 8 weeks and will require approximately three hours study time per week. This Swiss-made MOOC will take you on a terrific journey into eTourism and online communication. You will feel the pulse of ICTs and enjoy the beauty of Switzerland as a globally renowned tourism destination. Time to travel. Join today. Continue reading
In May, Europeana has launched its Business Plan 2015. This is the first year of the Europeana Strategy 2015-2020, which outlines how the company will transition into a multi-sided platform: a truly networked organisation working together to create the largest repository of trusted, accessible and re-usable digital heritage in the world. The Europeana Business Plan 2015 reflects this change in perspective. Continue reading
