The SECreTour Network is growing! The REMODEL project “Strengthening the Research Capacity of Turkey in Innovative Business Models for the Hospitality Sector” is a three-year HORIZON project funded by the European Union Research and Innovation programme under the call for HORIZON-WIDERA-2021-ACCESS-03-01. … Continue reading
In the modernist utopia, art was conceived as an all-encompassing transformative force, reshaping how mankind perceives and inhabits the world. Today, it is technology that shakes reality to its foundations and redefines the very paradigms through which art speaks to … Continue reading
Topic: art & new media technologies
by Kelly Mostert, NISV During the 2015 ACM TVX conference, hosted by the iMinds Digital Society Department, that took place on the 3rd – 5th of June at the Crown Plaza Hotel in Brussels the EuropeanaTV pilot of Europeana Space … Continue reading
When: Wednesday, May 20, 2015, 9:00 – 17:30 Where: Institut Méditerranéen des Métiers du Patrimoine (I2MP), 201 quai du Port 13002 Marseille What: Seminar on Technology in the Arts, Humanities and Cultural Heritage, entitled Museums as Cultural, Urban, Creative … Continue reading
Did ancient statues living in the traditional museums lose their radiance and divine feature? New technologies, combining 3D imagery and multisensory visitor experience, enable to recreate within an innovative space the ancient splendour of the Greek plastic. Sophie Montel recognises … Continue reading
FabLab.iMAL presents its next workshop on laser-cutting, 3D printing & CNC milling, being held in Brussels on 26 May 2015 from 10.00 to 13.00. In 3 hours, you will get introduced to the basics and the safety instructions that will make you able to use the laser-cutter, 3D printers and CNC milling machine. Continue reading
‘What’s next?’ for the museum sector? The Europe’s major conference on the future of Museums call for papers is out. The 2015 edition of MuseumNext will take place in the Swiss city of Geneva between April 19–21. Updates and latest news about the event at Facebook, Twitter and Linkedin. Continue reading
The impact of the distributed performance, as new forms of Cultural Heritage expression, is studied in the framework of the RICHES project. “ULTRAORBISM” opens new doors for experimental and creative formats using advanced visual environments in the field of telematics and distributed events. The potential utilities of the results are very rich from a technical point of view and also from an artistic perspective, and the excellent results of this experience present a very optimistic future in the development of co-creation environments in Europe and the use of ICT in the fields of culture and the arts. Continue reading
Last month EBN welcomed ADDICT – Creative Industries Portugal, the Creative Industries Agency in Portugal. ADDICT is a non-profit association created in 2008. It currently gathers around 100 members and is recognised by the Ministry for Economy as the coordinator of the Creative Industries Cluster in Portugal. ADDICT’s mission is to foster a favourable environment for culture and creative economy to thrive, advocating the sector interests and acting as platform for knowledge and innovation. Continue reading
Ultraorbism was an interactive distributed action between two networked connected spaces in two cities: Barcelona and Falmouth. The story was a linear interpretation of the first of the two books of True Story by Lucian of Samosata (a Syrian writer who lived in the second century AD), who tells an impossible journey on which everything is invented, with references to the mythology and literature of the era. Ultraorbism, a project directed by Marcel•lí Antúnez Roca, is part of the European project SPECIFI and case study of the RICHES European project’s research area. Continue reading
Ballade of Women is an interactive installation that explores perspectives on women’s rights. Through the lens of the personal experience of three women, the exhibition offers an interactive narration on three fundamental themes: emancipation, self-determination and violence. In the installation, representations of three paintings are fragmented and float in the space; set on rotating spindles, these fragments resist attempts by the viewer to capture them as a whole. Thus, the screens only provide a complete view of the paintings at selected times and from specific view-points in the room… Continue reading
The historically important city of Mosul holds artefacts of huge cultural and historical importance and the Mosul Museum is the second largest museum in Iraq after the National Museum of Iraq in Baghdad. Photo of Ishtar temple lion from Project Mosul website. Photo in public domain. Special thanks go to the volunteers who have submitted the images: Suzanne E. Bott, Col. Mary Prophit, and Diane Siebrandt
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