-
Join the
Digital Meets Culture
Newsletter! -
Join the
If you have interesting news and events to point out in the field of digital cultural heritage, we are waiting for your contribution.
Digital Meets Culture
Open Newsroom! -
Free text
-
-
Upcoming events
-
- online, 13th December 2024
The PRESENCE project aims to enhance how people interact in XR environments by developing tools that make virtual experiences feel more realistic, immersive, and engaging. PRESENCE is working in three core areas: Holoportation: We aim to improve realistic visual interactions between … Continue reading →
- Collaboration agreement has started between CREATOUR Observatory at the Centre for for Social Studies, University of Coimbra, in November 2024
The SECreTour Network is growing! The SECreTour project has established a new collaboration with CREATOUR® Observatory on culture and tourism for local development at the Centre for Social Studies, University of Coimbra, Portugal. The CREATOUR Observatory is an internationally recognized … Continue reading →
Topic: audio video & music
We warmly invite you to the Open Source Preservation Workshop – Serving the Cultural Heritage. The Workshop will offer attendees the opportunity to learn how to use the conformance checkers and to meet the community which has been established around these tools. Don’t miss this opportunity to get to know us! Continue reading
Europeana Space and the Europeana TV pilot were extensively presented at DISH 2015 in Rotterdam, an important biannual conference about digital strategies for heritage. A table session was chaired by Greg Markus (NISV), under the title: Adding another layer: Europeana Space … Continue reading
The EUscreenXL project is holding an international conference on curation of audiovisual heritage. The conference takes place on December 3 and 4 in Warsaw at the National Audiovisual Institute (NInA). It is organised by the best practice network for Europe’s … Continue reading
On 8 and 9 November 2015 the EVA / MINERVA 12th annual international conference for professionals in cultural heritage took place at the Van Leer Institute in Jerusalem. At the event, focused on the preservation and dissemination of cultural heritage … Continue reading
The editors of Photomediations: An Open Book are working with the Europeana Space Best Practice Network to curate an exhibition (both online and physical), and recently were calling out to the photographic community to submit works for consideration. We were … Continue reading
October’s release of MediaConch (v15.10) features a brand new implementation checker concentrating on Matroska and EBML conformance checks, as well as several illustrative policy sets allowing users to carry out conformance checking on preservation master files, among other workflows. Dave Rice and Ashley Blewer will be presenting on MediaConch at the Association of Moving Image Archivists (AMIA) Conference in Portland, OR, USA (20 Nov). Continue reading
Unlocking Sound and Image Heritage was the theme of SOIMA 2015 conference held on 3rd-4th of September in Brussels, Belgium at the Royal Flemish Academy of Belgium for Science and Arts, organized by ICCROM (International Centre for the Study of the Preservation and … Continue reading
Last September, over 200 delegates from around the world attended the 1st international SOIMA conference to jointly define a ten-year vision for audiovisual archives. To celebrate the World Day for Audiovisual Heritage, the SOIMA community invite the wider audiovisual archive community to provide their feedback on our vision, and how to reach it. Continue reading
TownsWeb Archiving interviewed four experts (Dave Thompson of Wellcome Library, Melissa Terras of UCL Centre for Digital Humanities, Paul Sugden of TownsWeb Archiving and Michael Pritchard of The Royal Photographic Society) to shed light on JPEG2000 as a format, it’s potential role in digitisation, and it’s suitability for digital preservation. Continue reading
The conference “Presenting the Theatrical Past. Interplays of Artefacts, Discourses and Practices” addresses questions concerning our relationship to theatre history. The theatre of the past is accessible to us via historical objects, theoretical discourses and archive materials. But we can also experience it through performance practices that keep traditions alive or engage in re-enactments of theatre events and representations. Continue reading