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- online, 13th December 2024
The PRESENCE project aims to enhance how people interact in XR environments by developing tools that make virtual experiences feel more realistic, immersive, and engaging. PRESENCE is working in three core areas: Holoportation: We aim to improve realistic visual interactions between … Continue reading →
- Collaboration agreement has started between CREATOUR Observatory at the Centre for for Social Studies, University of Coimbra, in November 2024
The SECreTour Network is growing! The SECreTour project has established a new collaboration with CREATOUR® Observatory on culture and tourism for local development at the Centre for Social Studies, University of Coimbra, Portugal. The CREATOUR Observatory is an internationally recognized … Continue reading →
Topic: audio video & music
Bert Lemmens from PACKED, Peter Bubestinger from the Austrian Mediathek and Tessa Fallon from MediaArea presented the PREFORMA project, the work done towads the adoption and standardisation of FFv1 as a digital preservation format and MediaConch, at the FIAT/IFTA World Conference 2015. The Conference took place in Vienna from October 7th until October 10th 2015 and this year theme was: “Audiovisual Culture, a bridge to the future”. Continue reading
Here are a few updates about the efforts that PREFORMA is conduction towards the further standardisation of Matroska and FFv1 thanks to MediaArea, one of the PREFORMA suppliers that is working in the prototyping phase. Continue reading
Kate Murray, author for The Signal, the digital preservation blog of the Library of Congress, interviewed MediaConch’s Project Manager Dave Rice and Archivist Ashley Blewer, who explained the aim of the PREFORMA Project and the first results of MediaConch particularly on the standardisation of Matroska & FFv1. Continue reading
Erwin Verbruggen from the Netherlands Institute for Sound and Vision presented PREFORMA at the EBU Open Source Meetup at IBC 2015 in Amsterdam, which featured a series of 5 minutes lightning talks on open source projects and use cases from the broadcast domain. The presentation focused on the media conformance checking of AV files. Continue reading
The Europeana Space project is organising an exciting event about the use and re-use of cultural digital content, in particular dance. An international jury will reward the three best teams with a trip to London for an intensive a Business Model Workshop, where the team with the strongest concept and business model after the Workshop will win a 3-month intensive incubation package to deliver their ideas on the real market. Continue reading
What? This is an international conference on ensuring a safe and creative future for sound and image heritage. Twelve national and international institutions are supporting the event. Why? Recorded sound and images have captured our world, our lives and our imagination. Thanks to rapid advancements in social media and information technologies, it has become much easier to share and use sound and image content. Yet contrary to common perception, not all content is readily usable… Continue reading
The first intermediate releases of the PREFORMA conformance checkers are now available for download on the Open Source Portal section of the PREFORMA website. Join the community to help us shaping our future memory standards! Continue reading
Photomediations: An Open Book, produced by one of the pilots of the Europeana Space, has recently enjoyed an enthusiastic response from a variety of international audience. Continue reading
PREFORMA is looking for memory institutions willing to be involved in testing the open source conformance checkers which are currently under development, by checking the process of the conformity tests with your own files and by considering your requirements for the technical iterations. Join us! Continue reading
Badilisha Poetry X-Change is both an online audio archive and Pan-African poetry show delivered in radio format. Now the largest online collective of African poets on the planet, Badilisha has showcased and archived over 350 Pan-African poets from 24 different countries. It reflects the myriad of rhythms and rhymes, voices, perspectives and aspirations from all corners of the globe. Continue reading