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The 2024 edition of Art Meets Radical Openness (AMRO), the biennial festival for art, hacktivism, and open cultures, has just come to an end. Held in Linz from May 8 to 10, it offered a context for discussing the … Continue reading
On 20 May, the INCULTUM project met with schools and local institutions in the closing event of Castelnuovo di Garfagnana. The research team of the University of Pisa, leader of the Pilot 5 related to the case of San Pellegrino … Continue reading
Topic: digital archive
Programmed by professionals working in the field, the annual AMIA Conference is the largest gathering of motion picture and recorded sound archivists and interested professionals. More than 550 people from around the world, interested in the preservation and use of moving image materials, meet every year to share information and work together. The 2017 edition of the AMIA Conference will be held on 29 November – 2 December 2017 in New Orleans. Continue reading
On Friday, November 24, PACKED and the Royal Library of Belgium, in collaboration with the Open Preservation Foundation, organise a workshop “Quality Control of PDF Files”. The workshop is intended for digital archivists who are responsible for the long-term preservation of PDF files. During the workshop you will learn how to gain an insight into the technical properties of PDF files and what you can do to preserve them for future generations. The workshop is conceived as a hands-on session, where participants get started with PDF files from their own collection. Continue reading
Hosted by the National Library of Estonia, the PREFORMA International Conference “Shaping our future memory standards” brought together 150 people worldwide to discuss the importance of standardisation and file format validation for the long term preservation of digital cultural content, discover the potential of the open source conformance checkers developed in PREFORMA and look at future challenges and opportunities. Continue reading
We are pleased to announce that The PREFORMA Handbook is now available to download. This publication is intended as a practical guidebook to be offered as a critical instrument to decision-makers in cultural heritage institutions, to support them in the analysis of problems and the identification of viable solutions, and as a technical reference to managers of digital archives and developers, to offer them guidance on how to use the PREFORMA tools. Continue reading
Invitation: First meet-up of European GLAM Hackathon organisers in Berlin Date: 04th of December 2017 from 10 to 15 Venue: Wikimedia Deutschland e.V. Tempelhofer Ufer 23-24 in 10963 Berlin, Germany Host: the organisers of Coding da Vinci (DDB, digiS and … Continue reading
This is the seventh in a series of interviews with people using MediaConch within their institutions. Brendan is AudioVisual Digitization Technician at the University of California. He is using MediaConch both on the raw XDCAM captures, to make sure that they’re appropriate inputs to the ingest script, and on the outputs, to make sure the script is functioning correctly. Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
There is an unprecedented amount of data on the Web today. However, this data is only as useful as its quality allows it to be. Data Quality is an important topic in companies and organizations that use and/or disseminate large … Continue reading
In the digital era, libraries, archives, museums and galleries are no longer constrained by the physical limitations of their buildings, analogue books, manuscripts, maps, paintings and artefacts. Cultural collections now can be safely distributed and shared globally. To ensure that … Continue reading
Join the #DCDC17 in November for three days of discussions and workshops on how we gather, measure and present evidence of the cultural value and impact of our collections. DCDC17 keynotes Geoffrey Crossick, Distinguished Professor of Humanities, School of Advanced Study … Continue reading
