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The 2024 edition of Art Meets Radical Openness (AMRO), the biennial festival for art, hacktivism, and open cultures, has just come to an end. Held in Linz from May 8 to 10, it offered a context for discussing the … Continue reading
On 20 May, the INCULTUM project met with schools and local institutions in the closing event of Castelnuovo di Garfagnana. The research team of the University of Pisa, leader of the Pilot 5 related to the case of San Pellegrino … Continue reading
Topic: digital archive
by Rosemary Cisneros, Coventry University. The ESpace Dance Pilot travelled to Athens, Greece early June 2015 to attend the Society of Dance History Scholars and Congress of Research in Dance conference. The title of the conference Cut & Paste: Dance Advocacy … Continue reading
“Excellent progress: the project has fully achieved its objectives and goals for the period and has even exceeded expectations”. So the European Commission concluded on 19 May, in Bruxelles, its review of the EAGLE project’s activities. The project’s conclusion looks really promising! Stay tuned! Continue reading
The XX Conference on Cultural Heritage and New Technologies, organised by the Department of Urban Archaeology of Vienna’s Museum, is being held in the Vienna City Hall on 2-4 November 2015. The conference’s call for paper/poster/video expires on 15 June 2015 (deadline extended). This year, the event is dedicated to the theme “Urban Archaeology and Public Relations. New Technologies Enabling Archaeological Outreach” Continue reading
This workshop, run as part of the Digital Humanities at Oxford Summer School 2015 (20 -24 July 2015), will enable participants to experience crowdsourcing in microcosm all the way from project conception to launch to data analysis. It will be of particular interest to academics, librarians and museum professionals who see the potential for crowdsourcing to expedite data extraction from non-machine readable collections. The workshop will be run by Dr Victoria Van Hyning, Digital Humanities Project Lead at Zooniverse.org (University of Oxford), and Sarah de Haas, a technical specialist from Google with a background in humanities. Continue reading
The EIUG (European Innovative Users Group) 2015 conference will be a joint conference with the Irish Innovative Users Group (IIUG). The conference will be hosted by Trinity College Dublin and will take place on 6th and 7th July 2015. Continue reading
Authors are invited to submit abstracts for poster and paper presentations related to the Topics of Interest for the Cloud Forward 2015 Conference: From Distributed to Complete Computing. The 2015 edition will take place at the Scuola Normale Superiore in Pisa, Italy, from 6 to 8 October 2015. PAPER/POSTER SUBMISSION DEADLINE: 13/07/2015 Continue reading
Part of the PREFORMA project, MediaConch (Media Conformance Checker) consists of a suite of tools and features to enable comprehensive control, testing, and modification of select archival audiovisual formats, specifically Matroska, lossless FFV1, and LPCM. Continue reading
PACKED and the University of Girona will present the PREFORMA, TI/A and DPF Manager initiatives at the Annual conference for memory institutions in Catalonia, an event which aims to help reducing this distance and promoting a great number of digital preservation initiatives in the field of archives and document management. Continue reading
In May, Europeana has launched its Business Plan 2015. This is the first year of the Europeana Strategy 2015-2020, which outlines how the company will transition into a multi-sided platform: a truly networked organisation working together to create the largest repository of trusted, accessible and re-usable digital heritage in the world. The Europeana Business Plan 2015 reflects this change in perspective. Continue reading
In Bari, from Thursday 24 September to Friday 25 September 2015 the sixth EAGLE international event is being held, under the title “Off the Beaten Track. Epigraphy at the Borders”. Aim of the meeting is to discuss issues and raise questions about encoding inscriptions different from those labelled as standard, even in languages other than Greek and Latin. Organisers intend to address peculiarities that are due to material supports, executing techniques, graphic shapes, non-alphabetical signs and generally visual components relating to the epigraphic texts. Continue reading
