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The concept of the Memory Twin in Digital Heritage is a key innovation that allows us to experience heritage that is not only seen, but also heard and understood3D Research Challenges in Cultural Heritage VI – DigitalTwin versus MemoryTwin This book presents a collection of papers focussing on 3D digitisation in the domain of cultural heritage. The use of data acquisition technologies in digitising cultural heritage holds great potential … Continue reading →
Dealine: December 8 2026, h. 00.00AIPAI Photo Contest renews for its 4th edition! The contest is designed to raise awareness and promote the culture of industry, the memory of work, the architectural, technological and landscape heritage of industrial archaeology, is aimed at professional photographers, amateurs, … Continue reading →
Topic: digital preservation
The latest version of veraPDF is now available to download on the PREFORMA Open Source Portal. This release includes new PDF information in the features report and automatic configuration of the features extractor when applying custom policy profiles. There are also a number of low level PDF fixes and improvements which are documented in the latest release notes. From September, veraPDF will make the transition from a funded project to a stand alone open source project. Continue reading
A new version of the DPF Manager has been released! There are several improvements in this update. The most significant one is the redesign of the reports section, where now it is easier (and much faster) to browse the analyzed reports, transforming between formats, and also converting a quick check to a full check. The global report has also been improved with a more visual and interactive panel. Download and try the new release on the PREFORMA Open Source Portal! Continue reading
CEPROQHA (NPRP9-181-1-036) is a cooperative research project between Qatar University and Brunel University (UK), funded by the Qatar National Research Fund (QNRF) under the National Priorities Research Program (NPRP). As the State of Qatar transitions to a knowledge-based economy, it … Continue reading
This is the third in a series of interviews with people using MediaConch within their institutions. Kieran O’Leary has an intership with the Irish Film Archive within the Irish Film Institute, mostly working on code, workflows, metadata, digitisation, migration, and facilitating access to collections. He is using MediaConch’s GUI to check files delivered from vendors. MediaConch automates a lot of this work via local policy creation. Continue reading
The programme of the Cultural Heritage and New technologies CHNT conference this year includes different sessions: Integrating historical maps and archaeological data using digital technologies Adding life to written sources by studying the dead New realities 3: virtual, augmented reality … Continue reading
Pillar of this agreement between DiCultHer Digital Cultural Heritage, Arts & Humanities School education network and DARIAH.it, the Italian hub of the Digital Research Infrastructure for the Arts and Humanities, is to transfer the results of European research and to … Continue reading
Kathryn is Digital Collections Manager at Carnegie Hall and she develops and supports sustainable practices around the digital asset lifecycle to ensure the availability and integrity of material related to the Hall. MediaConch is part of Carnegie Hall’s pre-ingest procedures to check the quality of the vendor output against the digitization specs. Continue reading
A lot of improvements and new features have been included in the new release of the DPF Manager. The most important changes are the inclusion of a Quick Check functionality that allows to perform a fast validation of the files, improved reports which include suggestions how to fix the errors that have been found in the collections and a new metadata fix to solve ascii encodings. The new release is available to download on the PREFORMA Open Source Portal. Try it! Continue reading
Following a successful 2016 and excellent bids from archives and other memory institutions last year, the TWA Digitisation Grant has relaunched with a fresh tranche of funding in 2017. The fund offers grants of up to £5000 for UK archives, … Continue reading
This is the first in a series of interviews with people using MediaConch within their institutions. Eddy Colloton is Assistant Conservator specializing in electronic media at the Denver Art Museum (DAM). DAM is planning to use MediaConch primarily for policy checking, as a form of quality assurance, to check that videotapes digitized by a vendor meet the museum’s target encoding and file format. Continue reading

































