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UPCOMING EVENTS:
22nd January 2026, onlineOrganized by Heritage Malta and the UNESCO Chair on Digital Cultural Heritage at the Cyprus University of Technology, the Digitisation of Cultural Heritage: Methodologies, Technologies & Best Practices webinar is dedicated to presenting the results of a groundbreaking global … Continue reading →
The historic boat Lambousa once again adorns the Limassol pier in Cyprus and is also available as 3D model in EuropeanaThe Greek edition of Euronews, the pan-European television news network, recently featured the story of the Lambousa boat. https://gr.euronews.com/2024/07/02/cyprus-unesco-fishing-boat The Lambousa is fishing trawler built in Piraeus in 1955 and for half a century it plowed the Cypriot seas. After years of … Continue reading →
Topic: digital preservation
Succeed in digitisation. Spreading excellence is the name of the Succeed’s final conference to be held on November 28th, 2014 at Bibliothèque nationale de France (BnF), in which the final results of the project will be presented. Continue reading
A panel workshop to disseminate the latest achievements and to foster collaboration in the digital cultural heritage sector is organized by Promoter Srl in the framework of the important congress Euromed 2014. EU projects, organizations and professional operating in this field are invited to participate in the discussion. Continue reading
The course is the second iteration of what will become a yearly event to be presented from 2015 by the Virtual Centre of Excellence developed out of APARSEN. It will bring together those at the forefront of digital preservation research and training, and it is intended for managers and staff already working in digital preservation. Continue reading
Registration is now open for the exciting two day digital preservation conference ‘Investing in Opportunity: Policy Practice and Planning for a Sustainable Digital Future’ which will take place at the Wellcome Trust in London on 17th – 18th November 2014. Continue reading
The project “Navig@nagni” was born in 2009 to let the world know the artistic trasures of the “City of Popes” through the web. This has been by scanning the major historical and artistic sites with a laser scanner which, in addition to a perfect 3D modeling, has allowed a scan hundreds of equirectangular pictures, using a special software developed by Massimo Iachetta, head of the ICT department of the City of Anagni. Continue reading
This study, held in the framework of the RICHES Project, wants to explore the transformation of Dance and Performance practice as a result of digital technologies within the European context. If you are a dance and performance practitioner, performer, educator, or researcher and are willing to reflect on how digital technologies have impacted on your experience of performance practice, please share with us your views by completing our survey. Continue reading
The URLA 2014 Congress’ (Istanbul, OTTOMAN ARCHIVES BUILDING, 17-20 September 2014) main theme will be Management of Cultural Heritage and Cultural Memory Institutions, devoted to identifying best practice for an efficient management of preservation tools by cultural heritage institutions. RICHES partners Hakan Koray Özlük and Hasan Bahadir Aydinonat from KYGM will take part in the congress holding a speech on Preservation of Cultural Heritage and EU Projects, which will provide an interesting overview of the two professionals’ year experience and knowledge in research for innovative ways of cultural heritage’s preservation and enjoyment. Continue reading
This article gives some motivation for why open file formats are important to the EU and why open file formats and Open Source implementations are important for long-term sustainability.
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This webminar aims to demonstrate how to identify preservation risks in your content and, at the same time, share your content profile information with others to open new opportunities. There are 23 places available which will be allocated on a first come, first serve basis. Continue reading
Despite these facts, digital editions are often neglected by the established review institutions. This neglect has a number of consequences: digital editions are somewhat outside the established peer-control process; digital editors in spe cannot rely on criticisms that projects similar to their… Continue reading


































