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The Symposium on Hydraulic Heritage will take place in Nice and in Saint Martin Vésubie from 28 to 30 April, 2025. The three days of debates and field work represent an international meeting between academics and practitioners from countries around … Continue reading
As Europe navigates a complex landscape marked by a dramatic climate crisis and escalating socio-political tensions, including wars at our doorsteps, as well as by the rise of artificial intelligence, the role of cultural heritage – digital, tangible and intangible- … Continue reading
Topic: fine arts
Mehran Yazdi is an international artist from Iran, who is presenting himself as a digital modernist painter in 21’st century. He is active both on the local and international level and already had some exhibitions in Mashhad. He has been … Continue reading
The Berlin Summer University of the Arts is home to a multitude of workshops and courses incorporating all disciplines of the Berlin University of the Arts (UdK Berlin): Performing Arts, Fine Arts, Design and Music. The broad spectrum of courses … Continue reading
Gluon is an organisation that realizes projects on the crossing borders of visual art, research and industry. For the realisation of its programme Gluon is supported by an extensive network of national and international research institutes, museums, public authorities, businesses and artists. Five … Continue reading
After much deliberation, the Photomediations team (Open&Hybrid Publishing Pilot of E-Space project), together with guest curators Katrina Sluis (The Photographers Gallery), Karen Newman (Birmingham Open Media), and Pippa Milne (Centre for Contemporary Photography), are proud to announce the overall winner, curators’ choices and commendations for … Continue reading
From our correspondent Elisa Debernardi The “Beijing Media Art Biennale” aims through an interdisciplinary, cross-cutting artistic and theoretical practice to generate a dialogue and interface between the public and industry. It will be held at the World Art Museum and … Continue reading
Jepchumba of Africandigitalart.com presents us the digital collage, in Africa a growing form of art that utilises technology to produce a range of artworks, incorporating digital video, animation, photography, animated gif’s and digital photo manipulation. Through digital new stories of Africa emerge, setting an alternative – and often critical – narration against the image of Africa we think to know. Continue reading
teamLab, founded in 2001, is a collaborative creative group that brings together professionals from various fields of practice in the digital society: artists, programmers, engineers, CG animators, mathematicians, architects, web and print graphic designers and editors. Referring to themselves as “ultra-technologists” their aim is to achieve a balance between art, science, technology and creativity. teamLab ultratechnologists believe that digital technology can expand art and that digital art can create new relationships between people; they work for an interactive relationship between people and art and for children experiencing shared and co-creative spaces. Continue reading
The STARTS (Science, Technology and the Arts) Symposium, being held in Brussels on 22-23 June 2015 at BOZAR, is aimed at exploring the catalytic role of the Arts for innovation in business, industry and society and how to foster it. As representative of the Civic Epistemologies consortium Frederik Truyen, Professor at the Faculty of Arts of Katholieke Universiteit Leuven, is attending the event to present the project to the delegates. Continue reading
“Memory ^ sentiment ^ body ^ space ^object – Dialogues across and between dance and art” is an interdisciplinary symposium that emerged from Body Space Object Roundtables at the School of Art and Design at Coventry University. It aims to consider how performative and material practices have articulated the embodied nature of memory and sentiment in relation to objects and space. Contributions are invited, registration is open! Continue reading
Ballade of Women is an interactive installation that explores perspectives on women’s rights. Through the lens of the personal experience of three women, the exhibition offers an interactive narration on three fundamental themes: emancipation, self-determination and violence. In the installation, representations of three paintings are fragmented and float in the space; set on rotating spindles, these fragments resist attempts by the viewer to capture them as a whole. Thus, the screens only provide a complete view of the paintings at selected times and from specific view-points in the room… Continue reading
