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The 2024 edition of Art Meets Radical Openness (AMRO), the biennial festival for art, hacktivism, and open cultures, has just come to an end. Held in Linz from May 8 to 10, it offered a context for discussing the … Continue reading
On 20 May, the INCULTUM project met with schools and local institutions in the closing event of Castelnuovo di Garfagnana. The research team of the University of Pisa, leader of the Pilot 5 related to the case of San Pellegrino … Continue reading
Topic: history & archaeology
On 3-7 February 2014, at the School of Industrial Engineering of Barcelona, a workshop was held on Mobile Apps and Augmented Reality. The workshop was organised by RICHES’ partner I2CAT in the framework of I AM project. Continue reading
The First International Conference of the EAGLE project (Europeana network of Ancient Greek and Latin Epigraphy) “Information Technologies for Epigraphy and Digital Cultural Heritage in the Ancient World”, organised with the support of Collège de France Chaire Religion, institutions et société de la Rome antique and École Normale Supérieure, was a great success. Continue reading
Aim of the agreement is to promote and support scientific collaboration between the Archaeological research Infrastructures and DCH-RP partners in order to share knowledge in the sector of digital preservation of DCH and to cooperate to the dissemination of the projects’ results. Continue reading
The first DiXiT camp took place in Cambridge/London from Sunday, 27 April 2014 – Friday, 2 May 2014. Its programme included the fifth MMSDA course, short for Medieval and Modern Manuscript Studies in the Digital Age. Continue reading
RICHES’ partner I2CAT (Internet and Digital Innovation in Catalonia, research organisation promoting research and innovation in advanced internet technology) organised a workshop in Barcelona, on “Mobile Apps and Augmented Reality”. Continue reading
The 5th International Euro-Mediterranean Conference (EuroMed 2014), devoted to Cultural Heritage (CH), is being held on the 3rd-8th of November at the entrance of the ancient Amathus city, by Limassol, in Cyprus island. In particular, this year the conference will focus on interdisciplinary and multi-disciplinary research on tangible and intangible CH, on the use of cutting-edge technologies for protection, restoration, preservation, massive digitization, documentation and presentation of the CH content. Continue reading
The 14th edition of the Image and Research Conference, organized by the Centre for Image Research and Diffusion (CRDI) of the Girona City Council with the collaboration of the Association of Archivists of Catalonia, will be held in Girona on 17-18 November 2016. The day before the Conference, on 16 November 2016, a workshop will be organised by the PREFORMA project. Continue reading
Digital Humanities Awards are a new set of annual awards given in recognition of talent and expertise in the digital humanities community and are nominated and voted for entirely by the public. There is no financial prize associated with these community awards, just the honour of having won and an icon for your website. By its work at making available, with the most advanced digital technologies’ support, the vast majority of the surviving inscriptions from the Greco-Roman world, we think EAGLE can be a valid and qualified competitor for 2013’s edition of DH Awards. Continue reading
EAGLE (the Europeana network of Ancient Greek and Latin Epigraphy) joins Pelagios, a collective projects which aims to help introduce Linked Open Data goodness into online resources that refer to places in the historic past. By joining Pelagios, EAGLE will be able to connect with other major online projects about the Ancient World and make its data accessible to other aggregator and LOD projects. Continue reading
The Smithsonian’s Digitization Program Office has developed 3D models from its holdings, and a selection of models is available online. The Smithsonian x3D Explorer allows users to interact with the digital objects in a web browser, to access, view and manipulate these objects, and eventually to print them with a in-house 3D printer, as the raw 3D data from the objects will be made available for downloading for personal and non-commercial use. Continue reading
