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The ATLAS Annual Conference 2025 is taking place from 17 to 20 June 2025 in Vila-seca, Catalonia, organised by the ATLAS Association for Tourism and Leisure Education and Research. The theme of the event of this year is Tourist destinations … Continue reading
The CREATOUR Observatory delivered the new interesting book Creative Tourism, Regenerative Development, and Destination Resilience. The book draws upon the international conference, “Creative Tourism, Regenerative Development, and Destination Resilience”, which was held 8 to 10 November 2022 in the Azores, … Continue reading
Topic: media
On Wednesday, December 13, PACKED and the Royal Library of Belgium, in collaboration with the University of Girona, organise a workshop “Quality Control of TIFF Files”. The workshop is intended for digital archivists who are responsible for the long-term preservation of TIFF files. During the workshop you will learn how to gain an insight into the technical properties of TIFF files and what you can do to preserve them for future generations. The workshop is conceived as a hands-on session, where participants get started with TIFF files from their own collection. Continue reading
Programmed by professionals working in the field, the annual AMIA Conference is the largest gathering of motion picture and recorded sound archivists and interested professionals. More than 550 people from around the world, interested in the preservation and use of moving image materials, meet every year to share information and work together. The 2017 edition of the AMIA Conference will be held on 29 November – 2 December 2017 in New Orleans. Continue reading
On Friday, November 24, PACKED and the Royal Library of Belgium, in collaboration with the Open Preservation Foundation, organise a workshop “Quality Control of PDF Files”. The workshop is intended for digital archivists who are responsible for the long-term preservation of PDF files. During the workshop you will learn how to gain an insight into the technical properties of PDF files and what you can do to preserve them for future generations. The workshop is conceived as a hands-on session, where participants get started with PDF files from their own collection. Continue reading
Patchlab Digital Art Festival, organised in Krakow since 2012, is an international event dedicated to interdisciplinary (post)digital art forms, created at the intersection of art, new technologies and creative programming. During the 6th edition, taking place 24-29th October this year, … Continue reading
Hosted by the National Library of Estonia, the PREFORMA International Conference “Shaping our future memory standards” brought together 150 people worldwide to discuss the importance of standardisation and file format validation for the long term preservation of digital cultural content, discover the potential of the open source conformance checkers developed in PREFORMA and look at future challenges and opportunities. Continue reading
We are pleased to announce that The PREFORMA Handbook is now available to download. This publication is intended as a practical guidebook to be offered as a critical instrument to decision-makers in cultural heritage institutions, to support them in the analysis of problems and the identification of viable solutions, and as a technical reference to managers of digital archives and developers, to offer them guidance on how to use the PREFORMA tools. Continue reading
Queertech.io is calling for digital and new media works from queer identifying artists. Be part of the ongoing conversation about #QueerTech. Curated by the Queertech.io artist collective and Midsumma Festival, works selected will be premiered online and offline across multiple sites at Midsumma Festival 2018, including RMIT INTERSECT … Continue reading
The competition encourages people to create new, fun and unique artworks from digitized cultural heritage material. A GIF is an image, video or text that has been digitally manipulated to become animated. Throughout the month, they can create and submit … Continue reading
This is the seventh in a series of interviews with people using MediaConch within their institutions. Brendan is AudioVisual Digitization Technician at the University of California. He is using MediaConch both on the raw XDCAM captures, to make sure that they’re appropriate inputs to the ingest script, and on the outputs, to make sure the script is functioning correctly. Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
