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Organized by Cyprus University of Technology, conference EuroMed 2024 offers the Cultural Heritage community the opportunity to come together and exchange our know-how, explore our research and discuss development in our field, current and future, from both regional and global … Continue reading
The PRESENCE project aims to enhance how people interact in XR environments by developing tools that make virtual experiences feel more realistic, immersive, and engaging. PRESENCE is working in three core areas: Holoportation: We aim to improve realistic visual interactions between … Continue reading
Topic: media
Queertech.io is calling for digital and new media works from queer identifying artists. Be part of the ongoing conversation about #QueerTech. Curated by the Queertech.io artist collective and Midsumma Festival, works selected will be premiered online and offline across multiple sites at Midsumma Festival 2018, including RMIT INTERSECT … Continue reading
The competition encourages people to create new, fun and unique artworks from digitized cultural heritage material. A GIF is an image, video or text that has been digitally manipulated to become animated. Throughout the month, they can create and submit … Continue reading
This is the seventh in a series of interviews with people using MediaConch within their institutions. Brendan is AudioVisual Digitization Technician at the University of California. He is using MediaConch both on the raw XDCAM captures, to make sure that they’re appropriate inputs to the ingest script, and on the outputs, to make sure the script is functioning correctly. Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
Mehran Yazdi is an international artist from Iran, who is presenting himself as a digital modernist painter in 21’st century. He is active both on the local and international level and already had some exhibitions in Mashhad. He has been … Continue reading
The PREFORMA project that commissioned and funded the development of veraPDF draws to an end this year. Recent activity has been focused on PREFORMA acceptance testing, formalising the decisions of the PDF Association’s Technical Working Group and fixing issues reported by the community. In this webinar, the veraPDF Consortium will present the results of recent development and the plans for life after PREFORMA. Continue reading
Julia Kim is the Digital Assets Specialist at the American Folklife Center at the Library of Congress. So far, she has primarily used MediaConch to create reports for new and incoming born-digital video from the Civil Rights History Project and the DPX files from digitizing celluloid film. Continue reading
Digital preservation means taking precautions to ensure long-term access to digital content. It mitigates the risk of files becoming obsolete or unusable in the future. The PREFORMA tools help you validate incoming file formats and codecs against their standard specification, define custom acceptance criteria, and build an efficient ingest workflow. Download and try them from the PREFORMA Open Source Portal! Continue reading
Since July 19, 2017 until December 31, 2017 will be shown art from Santiago Ribeiro at Times Square Nasdaq OMX Group, New York city. Nasdaq, MarketSite is located in New York City’s Times Square. The presentation of the works of … Continue reading
Marion is a video archivist at the Austrian Mediathek, the Austrian video and sound archive. Her main area of work is the digitization of analogue videos and quality control of video files entering the digital archive. The main use case for MediaConch is to check if files that were produced outside of the default workflow procedure meet the policy for the archival master. Continue reading
