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Upcoming events
- The Museum Digital Summit will take place online on 22-23 July 2025. The deadline for proposals is 31 March 2025.
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- This collaboration reinforces the projects contributions to fostering innovation and ensuring that the benefits of Open Science are widely accessible.
The EOSC Beyond project, coordinated and represented by the EGI Foundation, and the EUreka3D initiative, along with its continuation EUreka3D-XR, both coordinated and represented by PHOTOCONSORTIUM, signed a Memorandum of Understanding (MoU). This agreement sets the stage for a structured and … Continue reading →
- Springer open access book collecting papers on the state-of-the-art in 3D digitisation, published in the context of EUreka3D project
The Digital European Programme-funded project EUreka3D has ended at the close of 2024. The two-year project developed innovative technology, learning resources, and practices to support 3D cultural collections, also shared in the common European data space for cultural heritage. As … Continue reading →
Topic: software & tools
This is the seventh in a series of interviews with people using MediaConch within their institutions. Brendan is AudioVisual Digitization Technician at the University of California. He is using MediaConch both on the raw XDCAM captures, to make sure that they’re appropriate inputs to the ingest script, and on the outputs, to make sure the script is functioning correctly. Continue reading
In September 2017, the Europeana Pro website went throught a major redesign, also integrating Europeana Labs and Europeana Research, which were previously living on separate websites. One of the main reasons for this redesign was to place people first: the new … Continue reading
In July of this year Baxters International launched an exciting new app – BAM! a mobile and online market place for buying and selling art pieces from all over the world. Conceived as a social enterprise, and born out of … Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
There is an unprecedented amount of data on the Web today. However, this data is only as useful as its quality allows it to be. Data Quality is an important topic in companies and organizations that use and/or disseminate large … Continue reading
September 7-11, 2017, Linz will host an exciting, comprehensive confrontation with the reality and the vision of artificial intelligence. Symposia, exhibitions, performances, workshops and artistic interventions will elaborate in depth on its cultural, psychological, philosophical and spiritual dimensions. Consideration of the … Continue reading
Emotive is an EU-funded heritage project that aims to use emotional storytelling to dramatically change how we experience heritage sites. For heritage professionals, the Emotive application will provide a powerful storytelling engine and a set of rich digital media assets … Continue reading
The PREFORMA project that commissioned and funded the development of veraPDF draws to an end this year. Recent activity has been focused on PREFORMA acceptance testing, formalising the decisions of the PDF Association’s Technical Working Group and fixing issues reported by the community. In this webinar, the veraPDF Consortium will present the results of recent development and the plans for life after PREFORMA. Continue reading
FICC 2018 provided a forum for researchers from both academia and industry to share their latest research contributions, future vision in the field and potential impact across industries. FICC2018 allowed attendees to exchange knowledge with the common goal of shaping … Continue reading
Julia Kim is the Digital Assets Specialist at the American Folklife Center at the Library of Congress. So far, she has primarily used MediaConch to create reports for new and incoming born-digital video from the Civil Rights History Project and the DPX files from digitizing celluloid film. Continue reading