Topic: riches
The RICHES team began an interview series, conducted by Waag Society, in which they ask several museums and team members from the project about their perspectives on co-creation within the heritage sector. Merel van der Vaart, PhD candidate at the Amsterdam School for Heritage and Memory studies shares her vision. Continue reading
This policy brief presents evidence and recommendations emerging from the research undertaken to develop the RICHES “Taxonomy of terms, concepts and definitions”, aimed at ensuring appropriate standard for research in the CH sector and at developing a common CH language to serve the interests of the wider CH community. Continue reading
“RICHES Taxonomy of cultural heritage definitions”. “Digital Copyright Framework. The move from analogue to digital and new forms of IPR”. These the titles of the two policy briefs produced by the RICHES project and recently published in the e-Library of the European Commission. The RICHES papers are intended as practical resources to provide support and advice to decision-makers at all levels. Other policy papers are in the works…stay tuned! Continue reading
Unit B6 “Reflective Societies” of DG Research & Innovation of the European Commission (EC) is currently working with the project IMPACT-EV on a report aimed at evaluating the social, political and scientific impacts of SSH research from a SSH perspective, in order to illustrate the relevance and importance of SSH research in our societies. RICHES recently gave its contribution to the survey by delivering to the EC and the IMPACT-EV consortium a review of its scientific and research activities. Continue reading
Jepchumba of Africandigitalart.com presents us the digital collage, in Africa a growing form of art that utilises technology to produce a range of artworks, incorporating digital video, animation, photography, animated gif’s and digital photo manipulation. Through digital new stories of Africa emerge, setting an alternative – and often critical – narration against the image of Africa we think to know. Continue reading
teamLab, founded in 2001, is a collaborative creative group that brings together professionals from various fields of practice in the digital society: artists, programmers, engineers, CG animators, mathematicians, architects, web and print graphic designers and editors. Referring to themselves as “ultra-technologists” their aim is to achieve a balance between art, science, technology and creativity. teamLab ultratechnologists believe that digital technology can expand art and that digital art can create new relationships between people; they work for an interactive relationship between people and art and for children experiencing shared and co-creative spaces. Continue reading
Badilisha Poetry X-Change is both an online audio archive and Pan-African poetry show delivered in radio format. Now the largest online collective of African poets on the planet, Badilisha has showcased and archived over 350 Pan-African poets from 24 different countries. It reflects the myriad of rhythms and rhymes, voices, perspectives and aspirations from all corners of the globe. Continue reading
This policy brief offers a way of thinking about copyright that is designed to reflect the changes wrought in and on the cultural heritage sector by digitisation and can be used as an impetus for change in law and in practice. It is mainly for European policy-makers but also cultural heritage institutions are interested in this policy brief because of the significant roles they have in the changing cultural heritage landscape within Europe. Continue reading
The Netherlands Institute for Sound and Vision (‘Nederlands Instituut voor Beeld en Geluid’), in short NISV, is a cultural-historical organization of national interest, collecting, preserving and opening the audiovisual heritage for as many users as possible: media professionals, education, science … Continue reading
