Nelson Mandela Foundation is promoting the preservation of Madiba’s legacy

Text by Caterina Sbrana.

The Nelson Mandela Foundation (NMF), founded in 1999 by Nelson Mandela also known as Madiba, is a non-profit organisation committed to promoting Madiba’s living legacy through the collection of all documentation scattered throughout the world. The aim of NMF is to collect this vast resource, facilitate the access to it and promote its preservation and use. To achieve this goal, NMF records where documents are stored and enters into partnerships, to ensure that they are preserved and accessible.

As we approach Nelson Mandela International Day or Mandela Day celebrated on July 18th (Mandela’s birthday) we consult part of the archive dedicated to Madiba.

Nelson Mandela and P.W. Botha’s secret meeting, South Africa – Repository: Nelson Mandela Centre of Memory -Name of creator: Ehlers, Ters (Private secretary to President Botha). Image from https://archive.nelsonmandela.org website.

To understand the meaning of the project, just read the presentation. “The Mandela archive is fragmented and scattered all over the world in various places. […] However, a small amount has been collected since the establishment of the Centre of Memory in 2004, which has been categorised into […] archive groups and special collections. As these records and collections are organised and processed, the finding aids to them will be made available”.

The Nelson Mandela Centre of Memory delivers the core-work of the Nelson Mandela Foundation, and digital materials provided on its platform are for research purposes. The online archive is divided into thematic groups to provide user-friendly access: Records, Awards, Papers, Photographs, Sound and Video, Speeches, Bibliography and Filmography.

The Photographic Collection includes various historical photos.

Photo of Madiba with a poem: “A hero from the Southern Land” by Aisha Kingu – We knew that the text was sent through an e-mail by Aisha Kingu to Mandela- Repository: Nelson Mandela Centre of Memory. Image from https://archive.nelsonmandela.org website.

In the Private and Personal section there are photographs that reproduce the passport of Mandela while in the Tributes section you can find different kind of awards to Madiba.

The Speeches section consists of interviews, speeches, messages, media releases, testimony, lectures, toasts, oaths and declarations made by Nelson Mandela.

Consulting this site, every researcher interested in the life of Nelson Mandela finds an incredible amount of information, even very nice and special ones. I can mention a few: from 2 December 1994 to 12 January 1995 there was in South Africa a Mandela Trophy for cricket; in Kampala, Uganda, there is the Mandela National Stadium; in the section Awards there is a subseries called “Human geography named after Mandela” and many more curiosity can be found.

Honorary Citizenship of the City of Sao Bernardo, Brazil. 2000. Repository: Nelson Mandela Centre of Memory. Image from https://archive.nelsonmandela.org website.

The collection, series and archival records contained within the Access to Memory (AtoM) instance, a web-based open source application for “standard-based archival description and access in multilingual, multi-repository environment”,  is an effort to capture both local and international repositories as well as to describe the collections hold at the Nelson Mandela Centre of Memory.

To this revolutionary but at the same time pacifist man, leader of the anti-apartheid movement that costed him prison in 1956 on charges of treason, the United Nations in November 2009 dedicated, even before his death in 2013, UN Mandela Day celebrated for the first time on 18 July 2010.

It is not difficult to understand how the work of collecting documents by the Nelson Mandela Foundation is of fundamental importance for our present and future generations.

https://archive.nelsonmandela.org/index.php/about

https://atom.nelsonmandela.org/index.php/za-com-nmfpc-nmf-photographic-collection

https://archive.nelsonmandela.org/index.php/za-com-mr-t-7-6-2200

https://archive.nelsonmandela.org/index.php/za-com-mr-t-1435

https://atom.nelsonmandela.org/index.php/te-jul1989-madiba-botha


UNCHARTED poster on the REACH digital gallery

 

The REACH project had to cancelled their final conference planned for the 4-5 June 2020 in Pisa due to the Covid-19 pandemic. Nevertheless, the REACH Consortium decided to keep alive the call for posters and videos until October 2020 and to publish the contributions received on a dedicated digital gallery that collects contributions from innovative and interesting Cultural Heritage projects that involve resilient communities and social participation from all over Europe.

The REACH project encourages people to engage in culture and cultural heritage in order to foster creativity and innovation and to empower the social values associated with culture. It is a action to build upon participatory experiences with cultural content and to empower cultural heritage a greater, more relevant and even transformative role in the economy, communities, and territories.

The REACH Final Conference would have been the place to be for presenting the UNCHARTED project and launching its key messagge.

For this reason the team behind UNCHARTED produced a special presentation poster to introduce the topics, the research plan, the medology and the expected results of the project.
The poster is now published on the digital poster gallery hosted by the REACH project’s website.

UNCHARTED poster
Digital Poster Gallery
Posters and Videos from REACH community


Museums and Social Responsibility – Values revisited

NEMO and the German Museums Association, within the framework of Germany’s presidency of the Council of the European Union, are co-organising an online conference from 17-18 September 2020.

This conference is the first of three events organised by museum organisations located in the countries holding the presidency of the Council of the European Union and that will focus on different aspects of social responsibility.

It is titled “Museums and Social Responsibility – Values revisited” and it will focus on what social responsibility means for museums:
what can museums do?
what is still missing to make an impact on European society?

Museums address issues related to social cohesion, social inclusion and social diversity; the conference will focus particularly on community involvement and development to discuss what social responsibility means for museums and on the contribution that they can made.

The main topics: Community involvement, Education and culture, Employment creation and skills development, Technology development and access issues, Wealth and income creation issues, Social investment, Health Issues.
They will be debate through workshops, short lectures, panel discussions.

To participate in the conference, you must register

Further information:
Speakers
Registration
Main page


The European Heritage Days Stories

The European Heritage Days Call for European Heritage Days Stories is one of the key initiatives within the European Year of Cultural Heritage (EYCH) 2018 and aims to identify the European Dimension of heritage sites and heritage work undertaken by the communities in Europe.

The Call was launched on February 2020 and it adress to communities that have past or existing “Stories” of European heritage and would like to share them. As a second phase, these stories could potentially develop into a specific project to further contribute to their communities.

This initiative pursues several objectives:

  • To encourage people to engage with Europe’s cultural heritage
  • To collect stories to have an insight into how communities understand the European dimension of local heritage.
  • To identify and promote communities involved with their heritage, in line with European values and with a long-term perspective of collaboration.
  • To reward communities and encourage them to develop their Stories further.
  • To motivate and encourage communities to participate in the European Heritage Days.

In the last few days the selected stories that have been nominated to receive a grant were published:
A Hidden Gem in Slovenia – Franja Partisan Hospital – Slovenia
The partisan hospital, built during the World War II in a remote gorge in the Cerkno region in western Slovenia, tells the story of courage, humanity and solidarity.

‘Little Portugal’ Street Party – A Celebration of Great Yarmouth Migrant History – UK
A story of regeneration in one of the most deprived areas of the UK, where the arrival and growth of Portuguese migrant workers, over the last 20 years, has produced the transformation of the historic ‘King Street’ area of Great Yarmouth in unique neighbourhood.

Heritage Carers – Portugal
CARERS’ stories collects the testimonies of the HERITAGE CARERS along the Route of the Romanesque, stories that will eventually be lost, stories of children, of their parents, of their parents’ parents, of their grandparents’ grandparents.

Commonlands: a history of community participation – Italy
A story of communities involving in the Cultural Community Mapping in Alpine Areas to co-design and manag cultural and touristic initiatives, enhancing local tangible and intangible heritage.

CVAR: A route to our shared cultural heritage – Cyprus
The story of the Centre of Visual Arts and Research in Nicosia, with the mission to make use of cultural heritage as a resource for promoting cross-cultural understanding, bringing communities together, discovering and embracing cultural diversity from the past to the present.

Grandma March Day – children creative workshops – North Macedonia
The “Grandma March Day” is the traditional manifestation created to support the successful multinational UNESCO application in order to celebrate the custom “Martinki” small amulet made of red and white woven thread.

RomArchive – The Digital Archive of the Roma – Germany
This archive collects objects and narrativesto show the richness of the arts and cultures of the Sinti and Roma and illustrates their contribution to European cultural history.

A tale of a river – Spain
Stories of life by the Asón river, the bonds between the elements of heritage left by the river, the personal stories and shared history

Home for Cooperation – an unsuspected space in-between, breathes hope – Cyprus
The story of how the conservation a building of shared cultural heritage can provide the ground on which communities can build on, learn, cooperate, imagine and create together new possibilities.

Drainspotting – A European Story, Made in Sheffield – UK
A story of how a city developed, how its citizens were protected from disease and how a hidden network of pipes, culverts and wires connects all of them.

One name, one life, one sign – Georgia
Georgia project is a public initiative aimed at preserving the memory of victims of political repression and state arbitrariness during the years of the Soviet regime in Georgia.

Read more here.


The impact of the COVID-19 on the Cultural and Creative Sector

The Cultural and Creative Sector (CCS), comprises all the sectors whose activities are based on cultural values, or artistic, creative expressions.
Beyond its value for the European economy, it plays a crucial role in the well-being and cohesion of the community; and both these areas were strongly wounded by the measures taken to fight the spread of Covid-19 pandemic.

The global production has been stopped, affecting the whole value chain: events have been postponed or cancelled, museum, theatres, heritage sites, art galleries, bookshops, cinemas, concert halls, have been closed.

The report, prepared by KEA European Affairs for the Council of Europe, aims to provide a first analysis on the enormous impact of COVID-19 crisis.

The main topics are:

  • A first assessment of the pandemic’s economic impact on the sector, underlining also the intrinsic precarity of its workers.
  • An overview on the measures taken at the international, national and local level to tackle the economic and social crisis.
  • The crisis as an opportunity to recognize the economic and social value of CCS and imagine the policies and actions necessary to strengthen the key role of CCS in an ege that requires greater cooperation, promotion of cultural diversity and solidarity.

Read the full report here.


Athens Digital Arts Festival is launching the new era

On 10 July, ADAF Online opens its digital doors. Against the adversity of the time, Athens Digital Arts Festival is evolving, becoming even more creative and develops an Online presence in addition to the main festival. The new, specially designed ADAF platform will be hosting daily for two months, works by artists, which will be available to everyone with just one click.

Online.adaf.gr will contain artworks on demand (available to the public from the beginning of the festival), as well as live streaming events (works that will be shown live, on specific dates and time, most of which, will remain on demand afterwards ). Among our streaming events we will host  many world premieres!

The surprises continue! For the first time, Athens Digital Arts Festival will present its own awards, ADAF Awards. The public will have the opportunity to vote for their favorite artworks and by the  end of the festival (September 10), the most voted artists from each category  will be awarded.. Also the voters will be part of a unique draw to win superb technology gifts.

By utilizing the goods that technology provides us in the best possible way, in an era of disconnection, we feed back and unite people through a full of art Online platform! ADAF Online provides the opportunity for everyone to watch the displayed projects, with no restrictions, always from the security of their own space.

All you need to do in order to become part of the ADAF Online experience is to subscribe to online.adaf.gr!

#ADAFgreece #ADAF2020 #Technotribalism #ADAFonline

Co – organisation : OPANDA

Under the Auspices : Hellenic Republic, Region of Attica

ADAF Online_ is supported by COSMOTE Fyber

The 16th Athens Digital Arts Festival is co-financed by the Hellenic Republic and the European Union through the Regional Operational Programme of “Attica” in the framework of NSRF 2014-2020.

Art Basel Viewing Rooms

Text by Caterina Sbrana.

The home page of Art Basel Viewing Rooms is beautiful. Every page of Art Basel is beautiful. It’s a continuous and amazing discovery. Art Basel was founded in 1970 by gallerists from Basel and 50 years later stages the world’s premier art shows for modern and contemporary art.

The pandemic from Covid-2019 cancelled all events scheduled in Hong Kong, Basel, Miami Beach from March 2020 until next June 2021.

On March 12, 2020, it was announced to the press that the art fair scheduled to open on March 20 in Hong Kong was cancelled due to the severe outbreak and spread of the new coronavirus, but at the same time a new way of visiting the exhibition was announced: the opening of Art Basel’s Online Viewing Rooms.

The first online event, from March 20 to March 25, 2020 put together “235 leading galleries from 31 countries and territories”, especially Asian, and they presented over 2,000 premier artworks.

You need to register and create an account to visit Art Basel’s Online Viewing Rooms, but it is worth especially in this period when it is not easy to move freely. Never as now digital technology and the web help to promote  culture and business.

Adeline Ooi, Director Asia, Art Basel said: ‘I am so pleased that we are able to provide our exhibitors with an alternative platform to show the wonderful work that they had been working so hard to bring to Hong Kong this spring. The work on display is stunning. While nothing can replace the experience of seeing art in person, we hope that this initiative can bring some support and visibility to all the galleries and their artists affected by the cancellation of our March show.’

Infographic for upcoming Online Viewing Rooms Event with basic information: title of the event, date, time and location

Art Basel’s Online Viewing Rooms is an opportunity for cultural growth, while for galleries to continue their business.

Global Director Art Basel, Marc Spiegler, confirms the importance of the online exhibition for leading galleries : ‘As the art market continues to evolve, Art Basel has continually investigated how new technologies can give us new opportunities to support our galleries. The Online Viewing Rooms will provide galleries with a further possibility for engaging with our global audiences, complementing the essential personal interactions that continue to underlie the art market.’

One of the sector of Art Basel concerns art galleries

From Art Basel home page you can browse through the different sectors and, selecting a particular leading gallery, you are transferred to its home page as you can see above, as an example. You can find galleries from Europe, North America, Latin America, Asia, and Africa that present the works of modern and contemporary artists displaying paintings, sculptures, drawings, installations, photographs, film, video and digital artworks.

Adeline Ooi said ‘nothing can replace the experience of seeing art in person’, I agree and say that nothing can replace the experience of the trip, however the opportunity to visit art galleries located in different parts of the world and discover new artists, even if only in digital form,  is an experience not to be missed.

You can join artists and gallery owners socializing in a virtual walkthrough of each gallery’s respective online booths. Just follow the events proposed by Art Basel’s Online Viewing Rooms.

www.artbasel.com/basel

www.artbasel.com/stories/online-viewing-rooms-announcement

 


Real-Time Constraints, an online exhibition at arebyte Gallery

arebyte Gallery are pleased to announce Real-Time Constraints, a group exhibition featuring works by artists working within the realms of artificial intelligence, algorithms, machine learning, big data, and interventions in web-based platforms. The exhibition brings forward the complexities of the present-tense in light of the emergence of such technologies through works which are generated using real-time information pulled from the internet, or other sources including news items, message exchanges, memes and image banks. The works look critically at the current state of automated and autonomic computing to provide alternative narratives to data-driven and algorithmic approaches, referencing fake-news, gender bias and surveillance.

Website: https://www.arebyte.com/real-time-constraints

Taking the form of a browser plug-in, the exhibition reveals itself as a series of pop-ups where the works are disseminated over the duration of a typical working day, interrupting the screen to provide a ‘stopping cue’ from relentless scrolling, email notifications and other computer-centered, interface-driven work.  Real-Time Constraints presents itself as a benevolent invasion – the size, quantity, content and sound of the pop-ups have been decided upon by each artist to feed into the networked performance. The exhibition is experienced through a synchronised global approach where viewers encounter the same pop-ups at the same time no matter where they are, amplifying the exhibition’s disturbance of mundanity across every time zone.

Real-Time Constraints makes its primary argument through a reconfiguration of the usually annoying and uninvited browser pop-up, turning what is typically a tool of the system (and its owners) into a user-centric ‘stopping cue.’ Stopping cues were most prevalent in the 20th Century as a way to signal the end of something, the space in between one activity and the next. Stopping cues imposed a choice for the viewer: do you want to continue watching/reading/listening, or do you want to do something else? They also make available the mental space one needs to digest what they’ve just experienced, enabling useful processing of information, and thus, satisfaction through action.

The way we consume media today is such that there are no stopping cues, there is no design in place that allows us to question our behaviour; social media applications, news sites, streaming services, email and messaging services are a bottomless source of mindless scrolling. Real-Time Constraints  invites critical reflection on the systems and processes we are embedded in all day long and allows viewers to take a break from the animated bombardment of working online, albeit unannounced, to be a welcome distraction.

Opening event

Thursday 23 July, 6.30pm – 8pm BST

Join via livestream to hear some of the artists talk through their work in the exhibition. More info and how to join soon…

Panel discussion
Machine learning as an artist tool: disruption and intervention for change in 2020
with Gretchen Andrew, Ben Grosser, Libby Heaney, Sofia Crespo, and Joel Simon + others. Moderated by Luba Elliott

Thursday 6 August, 7 – 8.30pm BST
Join some of the artists from the exhibition as they talk with Luba Elliott about bias in datasets, the origins of AI technologies, privacy and surveillance, and how we might bring about change in the AI industry.


Designing Participation for Cultural Heritage: the digital gallery is online on the REACH website!

The REACH project is pleased to announce the launch of the digital posters&videos gallery , joined by innovative and engaging contributions coming from resilient communities and the European Cultural Heritage network of social participation as a whole.

You can visit the gallery at the following links:

Digital Gallery – Poster Abstracts
Digital Gallery – Video Abstracts
Digital Gallery – Posters Mosaic

The contributions collected concern the following 5 topics:

  1. Societal Cohesion – Minorities, Majorities, Groups: everyday lives, especially the excluded, marginalized, and right-wing minorities, the politics of nationalism and majorities
  2. Societal Cohesion – legacies of imperialism/colonialism
  3. Sustainability and Environmental/Ecological Responsibility: ‘cultural landscapes’ bringing together holistically natural and cultural heritage in the Anthropocene Age
  4. Rapid Societal Change – Creativity, Authenticity, Audiences, Users and Emerging and Disruptive Technologies
  5. Narratives, Place/place-making and Identity

You can still  participate with a poster and/or a video on the themes of participation in cultural heritage and resilience!

Click here and #participateinculture !

In light of the interest received by the initiative the REACH Consortium have decided to keep the call open until the end of the year.