The Prix Ars Electronica

The Prix Ars Electronica, which has been happening every year since 1987, is considered to be one of the most prestigious media arts competition in the world.
The 2020 edition received proposals from 90 countries, for a total of 3,209 proposals in the 5 categories.

The 2020 categories and winners were:
Computer Animation: this category has been part of the Prix Ars Electronica since its origin but is in the last years that computer animation has improved both artistically and technically. In this category, artistic originality counts just as much as technical achievement. Miwa Matreyek (US) received the Golden Nica in this category for “Infinitely Yours”.
Digital Communities: it focuses on the projects and activities that aim to deliver social benefits, that defend and support democracy, human rights and freedom of expression, that foster an open and inclusive civil society, with innovative and artistic approach. With “Be Water by Hong Kongers”, an anonymous group has been awarded in the category.
Interactive Art +: it is dedicated to interactive works of high artistic quality, in all forms and formats, from installations to exhibitions. Innovation and uniqueness are additional key criteria, as are new experiments and broadened interpretations of interactive art. Lauren Lee McCarthy (US) winned with “SOMEONE”.
u19 – create your world: this category addresses to young people (kids and youngsters up to age 19) who imagine the future and want to shape tomorrow’s world. A total of 24 prizes were awarded – the Golden Nica went to Lisa Rass, Franziska Gallé, Jona Lingitz and Anna Fachbach from the HTBLVA-Graz Ortweinschule with “Samen”.
Visionary Pioneers of Media Art: designed to honor people whose creativity and artistic experimentation have contributed to the achievement of important and innovative achievements. The winner in this category was VALIE EXPORT.

In addition to the coveted Golden Nica statuette, the winners were awarded prize money ranging up to € 10,000 per category and an opportunity to showcase their talents at the famed Ars Electronica Festival in Linz that will be held in September 2020.

Many innovations have characterized this edition: for the first time the international jury met in a purely virtual setting; for the first time a Golden Nica was awarded to an anonymous citizens’ movement for its innovative and creative digital action, and for the first time all other Golden Nicas, without exception, went to women.

Further information about the winners here.


The ICCROM webinar “Heritage and Sustainability in Post COVID-19 World – Building Back Better”

The International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM) had organized a very interesting webinar, on Thursday 2nd July, in which the sector of cultural Heritage was called to reflect on the actions to be taken to strengthen the role of heritage in sustainable development, in line with the United Nations agenda for 2030.

The sector had to reflect on its experience, reconsider its position and take concrete measures that promote social, environmental and economic sustainability in order to be able to ‘build back better’. Particular considerations was about museums and their collections.

Prominent speakers attended the event:

Viviane Gosselin, PhD, Director of Collections and Exhibitions at the Museum of Vancouver, Canada. Member of the Advisory Group for the Coalition of Museums for Climate Justice.
Sophia Labadi, PhD, Professor of Heritage, University of Kent, UK.
Abubakar Sule Sani, PhD, Senior Lecturer, Department of Archaeology, Ahmadu Bello University, Zaria – Nigeria.
Errol Van De Werdt, drs/MA, Director, TextielMuseum, Tilburg – The Netherlands.
José Luiz Pedersoli Jr., ICCROM

Further information and the webinar here.


REACH Project presented at EVA 2020 Florence

 

EVA (Electronic Imaging & the Visual Arts) is a series of annual meetings started as small workshop in 1991 and become in few years a well defined conference.
The key aim of this event was to provide a Forum for the user, supplier and scientific research communities to meet and exchange experiences, ideas and plans in the wide area of Culture & Technology.
Main topics of discussion:
– European Commission Projects and Plans regarding Culture Heritage
– Cybersecurity
– Culture and e-government
– Activities and Programmes for e-learning
– Fashion
– Cultural Tourism & Travel Applications
– Impact of Culture in the Smart City
– Art and a Medicine
– Climate Change
– New Technologies for Environment Protection
– Green Economy
– Circular Economy
– Social Humanity
– Actions for Disabled People
Special attention was paid to the emerge of innovation perspectives for new job and, on this regards, a dedicated brain-storm session was reserved to face the connection between research – innovation – development – new enterprise – new job that concluded the first part of the conference.
The event was organized in five sessions:
1) Strategic Issues
2) New Science and Culture Developments & Applications
3) New Technical Developments & Applications
4) Cultural Activities – Real and Virtual Galleries and Related Initiatives
5) Access to the Culture Information
The REACH project was presented in the framework of the last session to the International EVA Network with the possibility to foster future dialogues and engagement.
Because of the Covid-19 restrictions, presentations were held on line.

The full paper on REACH is available here and the presentation is avalaible on the project’s website for the free download .

Download the full programme of the event
Contact Person: vito.cappellini@unifi.it


Empathic AI – Art shapes Industry

Which impact do the cultural and creative industries, and in particular the arts, generate for the development of innovations between industry, people and technology?

>> ACCESS HERE: https://kreativ-bund.de/artcreatesindustry
>> Also live on Facebook, Twitter and YouTube!
Registration in advance is not required.

Programme and speakers (PDF)

On July 2nd, Germany’s Federal Government’s Centre of Excellence for the Cultural and Creative Industries (Kompetenzzentrum Kultur- und Kreativwirtschaft des Bundes) and the European Commission‘s S+T+ARTS initiative will examine how cultural and creative industries, and in particular the arts, contribute to overcoming urgent societal and environmental challenges. The CCI offer approaches which reshape the relationship between people & digital technologies, recognise empathy as the driving force behind technology development and promote art and creativity as sources of innovation in all industries. The hybrid symposium “Empathic AI – Art creates Industry”, will bring together experts from the creative industries and the arts, technology, policy-makers and industry to discuss, inspire and experiment with art and artificial intelligence (AI).

On the occasion of the 5th anniversary of the S+T+ARTS – innovation at the nexus of Science, Technology, and the Arts initiative of the European Commission (General Direction Connect), the symposium will also be marked by the opening of the exhibition NEAR FUTURES AND QUASI-WORLDS at the STATE Studio Berlin. For this purpose there will be the possibility of a hybrid tour of the exhibition on July 2, and on July 3 there will be an opportunity to attend discussions between artists and scientists.

If you have any questions about the event, please contact us via e-mail: presse@kreativbund.de.

The Programme will be held in English.
————–
About The German Government’s Centre of Excellence for the Cultural & Creative Industries
The German Government’s Centre of Excellence for the Cultural and Creative Industries (Kompetenzzentrum Kultur- und Kreativwirtschaft des Bundes) strives for more visibility for the cultural and creative industries and the farreaching impact these have on economy, society and politics. The Centre aims to increase the dynamics of innovation, especially in the area of non-technical and creative innovations. Further, it shows solutions for challenges of the present and future developed in collaboration with its comprehensive entrepreneur network. The German Government’s Centre of Excellence for the Cultural and Creative Industries is a scheme by the German Cultural and Creative Industry Initiative.


EC launches public consultation on digital access to European cultural heritage

The Commission has opened a public consultation on the opportunities offered by digital technologies for the cultural heritage sector. Stakeholders and all interested people are invited to provide feedback on the Recommendation of 2011 on digitising cultural material and digital preservation. The aim is to propose a more appropriate policy instrument to support the digital transformation of cultural heritage.

Take the survey here: https://ec.europa.eu/eusurvey/runner/DIGCULT2020

Advancements in technology are opening up fresh opportunities to digitise cultural heritage for preservation, conservation, restoration, research, as well as for broader online access and re-use by citizens and various sectors, such as tourism. In addition, the tragic fire at Notre Dame Cathedral in Paris on 15 April 2019 demonstrates the importance of digitising and preserving culture, for instance, with 3D modelling of buildings, monuments and other heritage sites. More recently, the coronavirus pandemic and the physical distancing measures taken across the Member States have highlighted a practical need for virtually accessible cultural heritage and the advantages of having these digital tools in place.

The consultation seeks feedback from citizens, public administrations, cultural heritage institutions, international organisations and networks, the Europeana ecosystem, companies, research organisations, and academia. It will run from 22 June 2020 until 14 September 2020 at 23:59 CET and the views gathered will feed into the possible revision of the 2011 Recommendation.

PR: https://ec.europa.eu/digital-single-market/en/news/commission-launches-public-consultation-digital-access-european-cultural-heritage


ADAF Athens Digital Arts Festival is launching the ONLINE era

The 16th international festival for digital arts of Greece, Athens Digital Arts Festival (ADAF), the pioneer longest living institution dedicated to digital culture in the country (est.2005), will be implemented also ONLINE, introducing a new digital institution.

Since the new era is here, the international festival for digital arts in Greece, Athens Digital Arts Festival has decided that its 16th edition titled Technotribalism, will be presented also online. One exclusively online edition, the first one in Greece, titled ADAF ONLINE | Technotribalism, will take place from the 10 of July till 10 of September and will be accessible to everyone through the internet.

ADAF ONLINE, evolving this year’s thematology “Technotribalism”, will host pieces from  Video Art, Animation, VR (360 video), Performances, Web Art, Games, Digital Image, talks, workshops, ADAF Kids for Children & their Parents, and Festivals of the world. 

More than 5,500 art proposals from more than 100 countries around the world will be the source for the ADAF 2020 program selection.

With the festival theme “Technotribalism”, more evident than ever in the COVID era, where every biometric and every scientific piece of data is a of vital importance as well as every digital footprint feeds the hunger of social distancing, the Festival with its thematic seeks to promote collectivity and openness towards knowledge, art, science as fundamental pillars upon we shall built our new data driven world.

In addition ADAF, always seeking physical contact with the public, has found the way to connect with safety the physical and the digital space, with the aid of cutting edge technology.

Stay tuned to learn how you will live the phygital ADAF experience in Athens.

Because we are the Technotribal generation!

Be one of the first who will enjoy ADAF 2020, by subscribing to online.adaf.gr

 

#ADAFgreece #ADAF2020 #Technotribalism #ADAFonline

 

The 16th Athens Digital Arts Festival  is co-financed by the Hellenic Republic and the European Union through the Regional Operational Programme of “Attica” in the framework of NSRF 2014-2020.


The curation of Chinese cultural heritage in Europeana

This Workshop is organized by the PAGODE – Europeana China project team at the Department of Asian Studies, University of Ljubljana. Its aim was to set the common ground for the curation of Chinese cultural heritage in the Europeana Digital Library. The workshop was held as an online event on Zoom on 9-10 July 2020.

Final programme (PDF).

Presentations published at https://photoconsortium.net/pagode/2020/06/16/semantic-workshop-9-10-july-2020/

For any additional information do not hesitate to contact  dunja.zorman@ff.uni-lj.si.

The purpose of the PAGODE Semantic Workshop is to discuss the semantic background and the metadata curation methods of the already existing as well as newly added China-related content in Europeana. We used this occasion to review the definition of Chinese cultural heritage as well as discuss the list of keywords and use of thesauri that are developed within the PAGODE Project.

Above all, the workshop gave the participants the opportunity to tackle specific problems arising from the practical application of semantic definitions and of the metadata specifications. The project partners and the associated content owners were invited to present the material that is difficult to categorise or otherwise problematic as related to specifications.

Ultimately, the PAGODE Semantic Workshop provided the means for an improvement of the existing metadata scheme and enable further development of methodological approaches.

 

 


PAGODE – Europeana China is co-financed by the Connecting Europe Facility Programme of the European Union, under GA n. INEA/CEF/ICT/A2019/1931839


EGI CONFERENCE 2020: “Federated infrastructures for connected communities”
The three-day conference will bring together science, computing, and (international) collaboration with the aim to exchange knowledge and expertise on a very rich and articulated range of topics.
The scientific programme includes:
 Novel technical solutions
Existing and emerging use cases and solutions for Big Data, HTC, HPC, Accelerated Computing integration
 Machine Learning, AI Platforms
Distributed Ml, AI and data analytics in a federated environment
• Hybrid multi-clouds and cloud federations
Cloud federation use cases, business models, architectures and reference implementations for science, e-Government and industry; federated service management approaches at local, national and international level
• Research Community success stories through the EGI Federation
Success stories on how scientific excellence has been enabled through the federation of national, regional and international e-Infrastructures and in particular the EGI Federation
• Federated Access Services for distributed digital infrastructures
Emerging requirements, technical solutions and policies needed to enable federated authentication, authorization, accounting, monitoring, and discoverability of data, software, applications and all research outputs for open science
• Frontiers in scientific computing in Natural Sciences, Health and Medicine, Engineering and Technology, Agricultural Sciences, Social Sciences and Humanities
Future directions in technology, infrastructure provisioning and collaboration for exabyte-scale computing in all scientific disciplines, Open Science, Data analytics platforms and virtual research environments for integrated data-compute services
Deadline of the calls for presentations, demonstrations and sessions have been extended to the 15th of July 23.59 CEST
The EGI Federation is an international e-Infrastructure set up to provide advanced computing and data analytics services for research and innovation.
This mission is pursued by coordinating and provisioning an international federated infrastructure that pools together service providers from both the public and private sector in Europe to develop, integrate and deliver digital services for compute- and data-intensive research and innovation. As an open initiative with a global outlook, the EGI Federation also connects service providers beyond Europe following the collaboration needs of the served communities.

Over 170,000 cultural digital resources available at UWM Libraries

Text by Caterina Sbrana.

The Home page of Digital Collection from which the thematic search can start

The University of Wisconsin-Milwaukee (UWM) Libraries established a digitization program since  2001. The objective of the program was providing remote access to unique library resources  to the UWM academic community and the general public. Currently, UWM Libraries Digital Collections contain over 170,000 digital objects including photographic images, maps, and books drawn from the holdings of the American Geographical Society Library, the Archives, Special Collections, the Music Library, and the Curriculum Collection. Over sixty digital collections have been created from the beginning of the program. This way it was possible to enable remote access to visual resources on global issues as well as treasures of local cultural heritage.

Search & Retrieval page

The site is very intuitive and searches can take place in different ways by inserting filters to the search or by writing directly the topic on the search bar. On the Home page of Digital collections we can improve our search by clicking, on the left bar, the status or topic you want.  In the section of the Digital Photo Archive, there are thousands photographs related to everyday activities and also to landscapes. Each photograph can be selected for further information: Title, Date of Photograph, Photographer’s Note, Subject, Continent, General Region, State/Province, Type of Image and Original Item Medium, Digital Format,  Original Collection, Provenance, Rights etc.

Acheng (China), muddy city street; Photographer: Pendleton, Robert Larimore, 1890-1957; date of photograph: between 1931 and 1932; Original collection: Robert L. Pendleton Collection

Photographer’s Note: Macau: Gold runners; Photographer: Forman, Harrison, 1904-1978; date of photograph: 1950;

As we read in the presentation of the archive “There are no restrictions on access, except for one section called Peck School of the Arts Slide Collection. That collection is limited to UWM students, faculty, and staff”. However in the copyright section it is clearly stated that “over 140,000 digital materials drawn from the collections of the Archives, Special Collections, the Curriculum Collection, Music Library, and the American Geographical Society Library. We make these materials available in order to facilitate their use for non-commercial and educational purposes, and to advance the mission of the Libraries and the University of Wisconsin-Milwaukee”.

Title: Japan, American GI’s getting their shoes shined in Tokyo; date of photograph ca. 1950s; Photographer: Forman, Harrison, 1904-1978

Afghanistan, aerial view of Bamiyan Valley; Photographer: Forman, Harrison, 1904-1978; date of photograph ca. 1969

Among the project information we can read that “Materials for approved projects are carefully selected by collection curators and subject specialists in the libraries and departments housing the source collections. UWM Libraries Department of Digital Collections and Initiatives is responsible for digitizing the selected materials according to established digitization standards and best practices. CONTENTdm digital media management software is used to build online collections. We retain digital master files in a separate storage infrastructure to ensure their integrity and accessibility in the future. High resolution digital images can be ordered using the online Order Images form.”

The  digital collections are also selectively available through the World Digital Library, The Digital Public Library of America (DPLA), Recollection Wisconsin, Umbra: African American History, the Civil Rights Digital Library, and the Digital Transgender Archive.

For example in the World Digital Library it’s possible to find other collections, interactive maps, timelines etc. An example of this is given by the following photograph:

Uzbekistan, Bukhara, Prokudin-Gorskii, Sergei Mikhailovich, 1911. Prokudin-Gorskii visited on a number of occasions the recently acquired territories of the Russian Empire such as Turkestan (present-day Uzbekistan and neighboring states). He made trips in January 1907 and 1911 to the ancient cities of Bukhara and Samarkand. Prokudin-Gorskii made this and a number of other portraits of Said Mir Mohammed Alim Khan in 1911.

As we might imagine, the photographs come from collections acquired over many decades and the digital collection is under continuing development.

The biggest problem in these cases is related to copyright. On the subject of copyright the information provided by the staff is very comprehensive: “We make every effort to provide factual information about copyright ownership where possible. When rights information is available, we include it in the “Rights” field of the metadata record for an item.  Due to the nature of historical collections, it may not be possible to fully determine the copyright ownership of a particular item. The UWM Libraries endeavor to provide as complete a record of the legal status and rights holder as possible. Any copyright owners who are not properly identified on this website should contact UWM Libraries so that we can make any necessary corrections.  Upon request, we will remove material from our online collections while we review a copyright claim”. Given the importance of some sections of the archive, we will continue to update you on the interesting historical content.

The collections are available to the public at: https://uwm.edu/lib-collections.

https://collections.lib.uwm.edu/digital/collection/agsphoto/id/9035/rec/3

https://collections.lib.uwm.edu/digital/collection/agsphoto/id/28137/rec/9996

https://collections.lib.uwm.edu/digital/collection/agsphoto/id/24590/rec/44

https://collections.lib.uwm.edu/digital/collection/af/id/1134/rec/8

https://www.wdl.org/en/item/5869/

https://uwm.edu/lib-collections/about/

https://uwm.edu/libraries/digital-collections/copyright-digcoll


UNCHARTED Project on CORDIS website!

“What is the social value of culture? While culture is increasingly being viewed from an economic perspective, there is much more at stake. Focusing on the valuation practices developed by different actors involved in the cultural sector, the EU-funded UNCHARTED project will identify Europe’s plurality of cultural values attached to specific cultural products, productions, services, activities and sites. It will consider the multiplicity of agents and the diversity of evaluation practices. Led by the University of Barcelona and involving 10 research partners based in France, Hungary, Italy, Norway, Portugal, Spain and the United Kingdom, the project will focus on the valuation practices of the various actors involved in cultural life, from the audience and visitors to the artists to experts and politicians.”
With this presentation the UNCHARTED project is now mentioned in the CORDIS webpage dedicated to EU projects. CORDIS, the Community Research and Development Information Service, is the European Commission’s primary source of results from the projects funded by the EU’s framework programmes for research and innovation.
Its main mission is to bring research results to professionals in the field to foster open science, create innovative products and services and stimulate growth across Europe.
CORDIS has a rich and structured public repository with all project information held by the European Commission such as project factsheets, participants, reports, deliverables and links to open-access publications.
Link to UNCHARTED presentation on CORDIS webpage