PLUGGY final event “Europeans to become online heritage curators”
Pluggy final event 2
Pluggy, the Pluggable Social Platform for Heritage Awareness and Participation, is a 3 year EC funded project with the aim to involve actively the whole society in cultural heritage.

 

The platform provides innovative tools and apps (i.e. 3D audio, augmented reality, geolocation and collaborative games) to enable users to share their local knowledge and experiences by allowing professionals and citizens to actively contribute to the promotion and preservation of cultural heritage.

 

Wednesday 20th of November 2019 the final event entitled “Europeans to become online heritage curators” will be held in Athens to presents the PLUGGY Social Media Platform.

The programme of the event includes:

  • The Conference to discuss PLUGGY’s result as well as the latest technological advances in the field of participative culture at a European level;  participants and key-experts will be invited to the debate and there will be several interactive presentations and live discussions.
  • A parallel exhibition to show the PLUGGY Social Media Platform, Curatorial Tool and apps through exciting demonstrations and hands-on sessions.
  • The presentation of the six winning apps of the PLUGGY App Challenge and the awards ceremony for the best one:
    in the framework of PLUGGY, an app challenge took place, in order to invite external developers to develop pluggable applications and demonstrate the connectable nature of PLUGGY and its potential exploitation. The app evaluation committee chosen 6 finalists; finally, in September and October, a public competition for the best app took place; the winner will be awarded during this event.
  • The live tour around Technopolis, the venue of the event; the participants will have the opportunity to experience through the PLUGGY apps, cultural heritage stories about the surrounding area, which is one of the most important areas of the city of Athens.

More info:

PLUGGY websitehttps://www.pluggy-project.eu/

PLUGGY final event websitehttps://www.pluggy-project.eu/final-event/

Venue: INNOVATHENS, Hub of Innovation & Entrepreneurship of Technopolis City of Athens,Peiraios 100, 11854,Gazi, Athens, Greece

Date: the 20th November 2019

Registration: participation to the PLUGGY Final Event is free but registration is obligatory due to the restricted number of seats. Register here


ARCHES Project – Final event

ARCHESARCHES, Accessible Resources for Cultural Heritage EcoSystems, is a 3 year European project with the aim to make art and cultural experience accessible for all, through the development of technological solutions that improve access to culture.

The project is arriving at the end of its intensive activity and it will present the results of its research at the  final event in Madrid on Thursday 7 November.

 

The results of the project are guidelines and publications, apps and advanced technologies: tactile reliefs made by state-of-the-art 3D modelling techniques, apps and games for smartphones and tablets, sign-language avatars.

The participatory research groups were the core of the project: more than 200 disabled people together with technology companies, universities and museums, developed and tested the solutions providing their experiences and suggestions to improve the applications.

For this purpose over 160 sessions were held in London, Vienna, Oviedo and Madrid.

 

THE MUSEUM IS FOR ALL!

During its 3 years of activity, ARCHES Project intended “to challenge perceptions of inclusion and exclusion, moving beyond the notion of disability categories and working instead with people’s access preferences.

 

The ARCHES final event will take place at the Thyssen-Bornemisza National Museum, Madrid, the 7th November 2019.

“Imprese Creative Driven”, a call for enabling relationships between business and creativity

parma2020Parma, the Italian Capital of Culture 2020, is launching a call and a programme to enable creativity and culture embed in the business industry.

The overall grant is 80.000 euros to support up to 8 projects.

Two training days are planned on 7 and 8 November, and a period of open days from 13/11 to 2/12 to visit the important companies and business that support the call will allow applicants to develop quality proposals, to be submitted within the deadline of 19 December.

Download the full call (Italian language PDF, 330 Kb)

Programme of the training 7-8 November (Italian language PDF, 260 Kb)

Visit the website (Italian language): https://parma2020.it/it-IT/Imprese-Creative-Driven.aspx


EMOTIVE project’s survey on digital experiences in Cultural Heritage

CatturaEMOTIVE is a EU-funded research project that works from the premise that cultural sites are highly emotional places stimulating human connection and the interest for knowledge. From 2016-2019, the EMOTIVE consortium has researched, designed, developed and evaluated methods and tools that can support the cultural and creative industries in creating narratives and experiences which draw on the power of “emotive storytelling”. The output of this process is a number of prototype tools and applications for heritage professionals and visitors that produce interactive, personalized, emotionally resonant digital experiences for museums and cultural sites.
In this general contest EMOTIVE EU  is conducting a survey to understand the market for digital experiences in cultural heritage and to evaluate its platform features. The survey aims to collect opinions about the EMOTIVE platform and other’s experiences in using similar platforms in the past.
Click HERE to answer the questionnaire! It takes about 5-10 minutes.


REACH Project Best Practices on Social Participation In Cultural Heritage
5. PuppetryThe Faro Convention on the Value of Cultural Heritage for Society (Council of Europe, 2005) promotes a broader understanding of heritage in relation to communities and society, placing much emphasis on citizen participation. How can participation be done most effectively? There is no one-fit-all model to orient the organisation of participatory activities in the cultural heritage field. But garnering information about projects and bottom-up initiatives that have already tested participatory approaches is of great help in the process of planning new ventures.
Within the framework of the REACH project, an extensive mapping exercise has been undertaken to collect good practices related to social participation in cultural heritage. The REACH repository comprises well over a hundred records, ranging from small-scale, localized activities to larger collaborative projects and global or distributed online initiatives. Covering a variety of approaches and heritage themes, this collection is intended as a resource to help professionals, practitioners, researchers and citizens with the planning of participatory actions. It is an easy-to-search archive of projects and ideas that can be transferred, adapted or replicated in different contexts. Each record contains valuable knowledge about participation in action, whether the focus is on museums designing participatory forms of intervention or on disadvantaged communities taking action to ensure the preservation of their heritage; on the role citizens can play in revitalizing rural and urban sites or on the preservation and re-use of local heritage via bottom-up initiatives. Located in 30 countries across the world, but with a specific emphasis on Europe, the good practices collected in the REACH dataset can be searched using various filters (keywords, country, CH category, CH theme) to narrow down the selection. To browse the database click here
If you wish to suggest a good practice for inclusion in the archive, please contact info@reach-culture.eu

Patrimoine vivant de la France

Text by Caterina Sbrana.

In our virtual tour across the intangible cultural heritage, after the story of the experience of  South China Research Center of the Hong Kong University of Science and Technology, we get to discover  the Patrimoine Culturel Immatériel of France promoted by a number of partners such as the Ministry of Culture and Communication, the French, Belgian and German-speaking Commissions for UNESCO, the France Télévisions and various local partners.

The project collected 114 films and more than 300 testimonials.

The web platform is very simple. On the right we find a list of contents related to the intangible heritage of French culture: horse riding, gastronomy, hunting, masters perfume-makers etc..
It is enough to click on the title to find a series of information such as texts, videos, photographs, paintings, maps and many interviews.
To better understand the importance of this digital archive we consult some topics of interest.foto1

The perfumeurs of Grasse, for example, tell the importance of tradition through a short interview in which they testify how the tradition passes from one generation to the other and also in the school of perfumery the students are taught the techniques handed down from hundreds of years.

From the middle of the sixteenth century, the manufacture of alcoholic perfumes became important and the increasing use of perfume led to a great demand for aromatic materials. Montpellier and Grasse were the two major centres of perfumery. Montpellier, famous for its medical school and pharmaceutical school, cannot produce the plant substances needed for perfumery, given its harsh climate. Grasse, capital of eastern Provence, benefits from an exceptional microclimate and a considerable livestock, very useful to the tannery, activity in which the city specializes since the fourteenth century.

The originsfoto2 of the development of perfumery can be traced back to the fashion of perfumed leathers: in the middle of the 17th century.We discover that the technique of the enfleurage is  the oldest and most expensive extraction process of flowers and that today it has been almost completely abandoned due to the high cost while the distillation is the extraction process that involves heating a mixture of water and aromatic plants in a still. The water vapour is then cooled and collected at the outlet of the apparatus in a container where, by decantation, the water separates from the odorous elements that it had generated and which are called gasoline.

Let me see the section “ Les maîtres tapissiers d’Aubusson”, the upholsterers of Aubusson. foto3In this small city in the Department of Creuse the craftsmanship of tapestry is a centuries-old tradition.  The tapestry of Aubusson is based on an image of any artistic style, prepared on cardboard by a paperboard painter from the model provided by a designer.Weaving is carried out manually by a smoother on a loom placed horizontally, on the back of the tapestry, from hand-dyed wools on site. This demanding process involves considerable time and cost.

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I also found very interesting The culture of the  lavender in Baronnies, finding that between the 1920s and 1930s, lavender cultivation reached its peak. Traditional over-exploited and unproductive bayonets are gradually being abandoned while the plantations are multiplying. Limited to bad land, they are associated with food crops, dishes such Soupe de fraise à la lavande and livestock. Thus Lavender takes its place in the family economy.

foto5

It is interesting to deepen the subject of distillation, which is millenary, as well as to follow the evolution from the point of view of technology as well as the history of the Baronnies.

 

http://www.patrimoinevivantdelafrance.fr/


REACH project presented to the informative meeting of H2020 programme

Cattura1Last Tuesday, Prof.José María Martín Civantos of the University of Granada, Task Leader of the REACH Rural Heritage Pilot, has participated in a briefing of the H2020 program entitled “Inclusive, Innovative and Reflective Societies” organized by the Office of International Projects of the UGR and the Andalusian Knowledge Agency. The session consisted on the presentation of the different H2020 calls for the Social Challenge 6: Europe in a changing world, inclusive, innovative and thoughtful societies. This meeting has the participation of the point of contact in Andalusia. In this content was agreed that the REACH project will be set out as an example of participation in such calls.
Click here for the full programme of the meeting.
Cattura2

 

 


Hey Students! Get involve in Cultura Heritage!

72217170_2413149198957883_6934496467742621696_nTEMA+ European Territories Heritage and Development Erasmus Mundus Joint Master Degree programme, lunched a full day agenda of workshops, conferences, visits and debate on the theme of cultural heritage.

The event  was organized by ELTE in cooperation with CEU (Central European University) Cultural Heritage Department and it was addressed to all the academic community with a humanity background aiming to spread the knowledge and promote the active participation of researchers and students on this subject.
Non-academic partner organizations, institutions and individuals of Cultural Heritage sector have been invited  to share their knowledge and experiences for providing a better understanding of practical problems and show how a graduate student in Cultural Heritage can use the scholarship on the field.
In this general content, Dr. Eszter György and Gábor Oláh from ELTE University presented the REACH social platform as a key tool and instrument to trigger the debate on how participatory approaches can contribute to develop a common horizon of understanding in which way they are expected to contribute to a deeper engagement of civil society in the research and establishment of innovation processes in the CH sector.
Full programme and details on the intense week.

Cattura


MuseumDigit Conference 2019 and Europeana Data Day

MuseumDigit_Logo_press_traszp

Registration is now open for MuseumDigit 2019, a museum conference on digital trends and innovations held at the Hungarian National Museum on November 26 & 27, 2019 in Budapest, Hungary.

Don’t miss your chance to hear the changemakers of the museum world. Register now and check out our website www.museumdigit.hu/en for regular updates.

MuseumDigit brings together bright minds to give talks on a wide range of subjects related to digitisation and digital cultural heritage, to foster learning, inspiration and innovation and provoke conversations that matter. This year’s topics include inclusive museums, Big Data and AI in museums, digitisation, accessibility and digital competence through a series of best practices and successful strategies.

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Besides numerous international and Hungarian speakers, this year we’ll be welcoming Angie Judge from Dexibit, USA and Jerzy Gawronski of the Below the Surface project. MuseumDigit has an audience of about 300 museum experts, digital creatives, storytellers, IT innovators and university students.

Early bird tickets are now available for 25 euros. Tickets include two free full lunches, snacks and refreshments. Students can register for tickets with a large discount. Deadline for the registration and payment: 20th November 2019.

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Download the promotion flyer (PDF).

Follow us on Facebook for regular conference updates. 

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europeana_DataDay_bannerEuropeana Data Day – workshop in Budapest, November 25

Do you wish to know more about how your cultural data can be published on the europana.eu website? Do you wish to have training on how to prepare your digital artifacts for processing by Europeana? Come to our one day workshop program in the Hungarian National Museum and participate for FREE, on the 25th of November, at the 0 day of the annual MuseumDigit Conference.

Online registration: http://www.ommik.hu/index.php/hu/europeana-workshop
Program coordinators: Hungarian National MuseumNational Centre of Museological Methodology and Information and Europeana Foundation

Moderator: Ms Fiona Mowat PhD, Data Ingestion Specialist, Europeana Foundation
Location: Hungarian National Museum, Hungary, 1088. Budapest, Múzeum krt. 14-16.
Date and time: 25 November 2019, from 10 am to 5 pm

Program:
The morning session will be an introduction to the importance of metadata quality and examine ways to improve metadata at source before discussing both mapping into the Europeana Data Model (EDM) and how we can measure data quality using the Europeana Publishing Framework (EPF). The afternoon session will focus on enriching metadata using Linked Open Data (LOD) vocabulary. Both sessions will end with open discussions, where participants are welcome to ask questions and to give feedback. At the end of the day conclusions will be outlined by the coordinators.


EVA Florence 2020 – POSTPONED

eva 2020POSTPONED – new dates to be confirmed

EVA FLORENCE: the annual event about Electronic Imaging and the Visual Arts
Conference, Training and Workshops

Palazzo Bastogi, 6 – 7 May 2020

Who Should Attend:
– The Cultural Sector
– The Government Sector
– Media & Related Sectors
– The ICT Industry, especially multimedia SME’s
– Tourism & Travel Sector
– Technology & Visual Arts Research Organisations
– Trade Culture Activities

 

Offers of papers (8 pages draft or 1 page summary) are to be sent to the Chairmen by 30 October 2019
https://lesc.dinfo.unifi.it/sites/default/files/Documenti/EVA-2020.pdf

Main Topics

  • European Commission Projects and Plans regarding Cultural Heritage
  • Mediterranean Initiatives in Technology for Cultural Heritage: Synergy with European & International Programmes
  • 2D – 3D Digital Image Acquisition
  • Leading Edge Applications: Galleries, Libraries, Archaeological Sites, Museums & Historical Tours
  • Integrated Digital Archives for Cultural Heritage and Contemporary Art
  • Management of Museums by using ICT Technology: Documentation, Access, Guides & Other Services
  • The Impact of New Mobile Communications on Cultural Heritage and Modern Arts Area
  • Cloud Networks
  • Semantic Webs
  • Ontology Systems
  • Human – Computer Interaction for Cultural Heritage Applications
  • Copyright Protection
  • Secure Electronic Commerce (Anticounterfeiting)
  • Cybersecurity
  • Culture and e-government
  • Activities and Programmes for e-learning
  • Digital TV and films
  • 3D Developments and Applications in the Cultural Heritage Area
  • Augmented Virtual Reality for Culture
  • Virtual Galleries and Exhibitions
  • Digital Art
  • Digital Music
  • Digital Theatre
  • Cultural Tourism & Travel Applications
  • Impact of Culture in the Smart City
  • Art and Medicine

EVA 2020 Florence Organizer: Vito Cappellini
Co-Chairmen: Vito Cappellini – Enrico Del Re
E-mail: vito.cappellini@unifi.it – enrico.delre@unifi.it
President Advisory Board: James Hemsley
Email: jrhemsley6@gmail.com