Digital meets Culture

Registration is open!

CultureMoves MOOC “Creating a Digital Cultural Heritage Community”

The MOOC “Creating a Digital Cultural Heritage Community” is now open for registrations. Here students can learn more about how to create a community for digital cultural heritage through innovative practices for user engagement: https://www.edx.org/course/creating-a-digital-cultural-heritage-community.

Developed in collaboration with the Kaleidoscope project, the MOOC will last for 8 weeks, with learners being able to join at any point and go through the coursework at their own pace, choosing and picking the modules they are most interested in, choosing either a dance or photography-focussed pathway, to explore digital curation and annotation.

The CultureMoves team have written a series of dance-specific modules for the MOOC exploring Cultural Heritage; Intangible Cultural Heritage and Annotation; Dance and Site; Im/material Cultural Heritage – Costumes, Masks and Museums; as well as a Historical Dance Module, developed in collaboration with Early Dance Circle and Chalemie (UK), with guest tutors Barbara Segal and Sharon Butler. These modules offer a series of activities for learners at different stages, ranging from undergraduates to PGR students, to showcase and encourage uptake of the CultureMoves tools. Learners will be encouraged to critically engage with and discuss the intersections between culture, dance, tourism and digital technologies, with a particular focus on dance in unconventional spaces and in relation to touristic landmarks. Reading lists and links to other tools, materials and resources are also available. Assignments will include philosophical and theoretical discussions, practical questions and tasks, reviews to check learning and a discussion forum.

Dance and Cultural Heritage: the material from Europeana to create new choreographies!

The LabDays of CultureMoves

In December 2019 and January 2020, the CultureMoves team held its final project LabDays, working with a range of choreographers, dance artists and dance students across the West Midlands region.

On 2nd December 2019, a CultureMoves LabDay co-ordinated in conjunction with Birmingham Dance Network and took place at DanceXchange, Birmingham (UK), where we held one of the very first CultureMoves LabDay Coffee and Conversation events last year. The CultureMoves C-DaRE team was thrilled to be working alongside BDN and six locally-based dance artists and choreographers – Sophie Barraclough, Rosie (Rosanna) Cook, Steph (Stephanie) Donohoe, Shelley Eva Haden, Fleur Hall, and Rob (Robert) Hemming. During this LabDay, we invited the dancers to engage with digital content and consider the relationship between dance, public space, tourism and cultural heritage. The dancers explored the European online cultural heritage library, Europeana, thinking about space, memory, place, body and trace, and what heritage / intangible cultural heritage means to them as dance artists and choreographers. The dancers then familiarised themselves with MovesScrapbook and MovesCollect plug-in to curate material from Europeana and use this to create new choreographic scores in the studio.

On Tuesday 28th January 2020, the COVUNI CultureMoves team spent an enjoyable afternoon at the University of Worcester for the project’s final Educational LabDay workshop, exploring the value of the CultureMoves digital toolkit in a dance educational setting.

The participants were five very engaged final year Dance undergraduates working on a specialist Dance and Technology module and their lecturer. The CultureMoves team first gave an overview of the project and all three of the CultureMoves digital tools, and then the students worked on developing movement scores from Europeana content, also using MovesCollect and MovesScrapbook to document how they used this content as a springboard for creating new choreographic phrases and sequences. We ended the afternoon with a lively discussion about how we archive, document, annotate and remember dance. We discussed how digital annotators might be useful for this and the students are now very keen to try out MotionNotes as well!
The CultureMoves team would like to thank Megan Caine for co-ordinating the Birmingham LabDay on the BDN side and to DanceXchange for hosting us, and Dr. Paul Golz, Course Lead and Senior Lecturer for the Dance and Applied Practice, Physical Education and Dance at the University of Worcester, for inviting the CultureMoves team to Worcester for the Educational LabDay workshop.

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Idrija (Slovenia), 13-15 March

Idrija 2020 promotes HeritageHack , the hackathon for cultural Heritage.

The Idrija 2020 Association organized, from the 13th to the 15th March, a 3-day hackathon for cultural Heritage called HeritageHack.

The Association was founded in 2012 when 5 professionals, highly educated and native to Idrija, rethought the cultural heritage of their small former mining town, nowadays a UNESCO World Heritage Site, with the aim to develop the municipality of Idrija into a youth-friendly municipality, that attracting the young and bringing people together.

Idrija 2020 Association and the story connected to it was selected as a good example at the Heritage Days Stories contest that enabled its to receive the financial support of the European Commission and the Council of Europe for organising the HeritageHack.
Idrija 2020 co-founded the ID20 Istitution that gathers a team of young highly skilled and experienced young professionals in the fields of architecture, business development, design and heritage innovation; the aim of ID20 was to unite and provide opportunities and support at other organisations and individuals in taking one step further in innovation of cultural heritage and transform heritage from a thing of the past to a matter of future.
The activities promoted by ID20 comprise:

HeritageLab: where young people create new products and services, based on local heritage. In 2018, HeritageLab won the European Social Innovation Competition.
Support for organisations that build on the rich cultural and natural heritage of their surrounding (heritage institutions, municipalities, tourist and non-governmental organisations) in reaching and engaging their customers and partners.
lasting, meaningful design that brings value to existing buildings, to leave the environment better than today.

The call is open to creative and inspirational ideas from different sectors, to give answers to the challenges of cultural heritage and to find entrepreneurial ideas for generations to come.

The deadline is the 29th February 2020.

Young people between 18 and 30 can participate at Hackathon and tackle the challenges that the heritage institutions in the town (museums, Municipality,..) are dealing with. They will be provided with data and experienced mentors and will get the chance to discover the heritage in Idrija first hand and try out different digital devices (AR, VR,..).

The best ideas will be generously rewarded!

Further information:

Leaflet
Location: Inzaghi Shaft Machine House, Vodnikova 3, Idrija, Slovenia
Link to event web page (Slovene): https://www.id20.si/heritagehack/
Facebook event (Slovene): https://www.facebook.com/events/463456994362607/
Association & Institute web page (English): https://www.id20.si/en/home/

Be creative with cultural heritage! 13-15 March.

HeritageHack: in Idrija to tackle the challenges of cultural heritage!

From the 13th to the 15th March, in Idrija (Slovenia), the HeritageHack will take place. It is a 3-day hackathon for cultural Heritage, financed by European Commission and the Council of Europe, and organized by Idrija 2020 Association.

This Association was founded in 2012 by 5 professionals, highly educated and native to this small town, with the aim to develop youth sector and policies in fields as local strategic development, entrepreneurship, revitalisation of heritage; the mission was to develop the municipality of Idrija into a youth-friendly municipality, that attracting the young and bringing people together.

Idrija 2020 co-founded the ID20 Istitution to unite and provide networking opportunities and support at other organisations and individuals in taking one step further in innovation of cultural heritage. The Institute gathers a team of young highly skilled and experienced young professionals in the fields of architecture, business development, design and heritage innovation, united by the idea to transform heritage from a thing of the past to a matter of future.

The activities promoted by ID20 comprise:

HeritageLab: offers a comprehensive step-by-step incubation programme for young people from small and semi-peripheral towns that promote and highlight the local cultural heritage and create new businesses and services, stemming from a new understanding of heritage.
Support for organisations that build on the rich cultural and natural heritage of their surrounding (heritage institutions, municipalities, tourist and non-governmental organisations) in reaching and engaging their customers and partners.
lasting, meaningful design that brings value to existing buildings, to leave the environment better than today.

In this framework started the call addressed to young between 18 and 30 who can participate and compete for a prize of 1000 €.

The call is aimed at creative and inspirational ideas from different sectors, to give answers to the challenges of cultural heritage and to find entrepreneurial ideas for generations to come.

Deadline: 29th February 2020

More info:

Heritagehack leaflet
Location: Inzaghi Shaft Machine House, Vodnikova 3, Idrija, Slovenia
Link to event web page (Slovene): https://www.id20.si/heritagehack/
Facebook event (Slovene): https://www.facebook.com/events/463456994362607/
Association & Institute web page (English): https://www.id20.si/en/home/

celebrating the diversity of European cultural heritage and empowering a participative approach of citizens

Sharing EYCH project WeAre #EuropeForCulture

A ceremony and an exhibition on 6-7 February 2020 at the House of European History in Brussels marked the “formal” conclusion of the WeAre#EuropeForCulture project, financed in the framework of the European Year of Cultural Heritage, which realized a series of inclusive and participative pop-up exhibitions across 2019 in various European cities, to celebrate the diversity of European cultural heritage and to empower citizens in a more participative approach to cultural heritage.

Download the Booklet of WeAre#EuropeForCulture with photos and stories from the project’s events! PDF, 6 Mb.

The project coordinators Fred Truyen, Antonella Fresa and Sofie Taes were received by the European Commissioner for Innovation, Research, Culture and Education, Youth and Sport Ms. Mariya Gabriel who expressed kind words and congratulations for the active engagement in the WeAre#EuropeForCulture project, “making sure that cultural heritage is accessible to all people”.

During the event at the House of European History, a ceremony awarded some very special guests: participants from all over Europe who took part in the realization of the local pop up exhibitions. Among them, Szilvia Rebeka Toth from Budapest, Yoana Borislavova Ilieva from Sofia accompained by her mother Gergana Petrova Dimitrova and sign language interpreter Slavina Lozanova; Pertti Stenman from Finland; Maria Àngels Palahí with his son Marc Oliveras from Girona; Vasarė Mikalkevičiūtė and her mother Jūratė Mikalkevičienė from Vinius; Yiotis Ttofis Kyriakou from Cyprus; in representation of the Basel event Vera Chiquet and Peter Fornaro from the University of Basel; Myrthe Vinck, Marie-Aline Geurts and Kato Debeuckelaere in representation the Leuven event; in representation of Pisa event Susanna Capannini and the director of the Museum of Graphics Alessandro Tosi.

Presentations:
Antonella Fresa (PDF, 2 Mb)
Sofie Taes (PDF, 12 Mb)

Videos about the pop-up exhibitions:

EU project to better preserve areas of cultural heritage from hazards and risks

The ARCH project to make historical areas more resilient

ARCH is an European funded project led by Fraunhofer Institute for Intelligent Analysis and Information Systems IAIS (Germany) with participation of four European municipalities (Bratislava, Camerino, Hamburg, Valencia), research scientists, city network ICLEI and standardisation organisation DIN.

Its purpose is providing unified, collaborative approaches for disaster risk reduction of historic areas with regard to climate change-related and other natural hazards.

The project, that aims to better preserve areas of cultural heritage, will develop a disaster risk management framework to improve the resilience of historic areas to natural hazards.
It will focus on the cities of Bratislava, Camerino, Hamburg and Valencia; it will co-create tools to help these cities save their cultural heritage from hazards and risks associated with the effects of climate change.

Camerino (Italy) was an important medieval city and has a rich and prestigious historic town centre. It was hit by devastating earthquake in 2016 that caused serious damage. Camerino is also at risk of hydrogeological events and heavy snow.

Hamburg (Germany): here the ARCH project will focus on the UNESCO World Heritage site and the updating of the management plan and monitoring system of the Speicherstadt and Kontorhaus District, in particular on present and potential damages caused by natural hazards, like flooding, heavy rain events and changes in the tidal differentials.

The heritage of Bratislava (Slovakia) includes a medieval town centre with architectural, monumental, and archaeological, as well as natural heritage. The mainly risks are from heat waves, drought, fluvial and pluvial flooding, erosion, and other extreme weather events.

The research of ARCH in Valencia (Spain) will focus mainly in its historical agricultural region Huerta analizing its dual role:
• region who soffers the climate change: to know the impact help to draw resilience strategies.
• region that helps mitigate the effects of the climate change in the city.

The main results of Arch can be summarized in these points:
• Disaster risk management and resilience assessment framework for historic areas
• Data capturing and information management.
• Simulation models to give decision-makers a deeper understanding of the potential Hazard that impacts the historic areas.
• Risk-oriented vulnerability assessment.
• production of a collaborative, web-based disaster risk management platform to help local authorities create and implement sustainable protection and reconstruction strategies.
• Resilience options inventory: a collection of measures and pathways to build resilience will be provided, methods of assessing their usefulness and options for how to finance them.

Further information: https://savingculturalheritage.eu/

Kiev (Ukraine), until 29 February 2020

Ukraine WOW, a unique interactive exhibition-trip around the biggest European country

Where: a huge renovated area of cargo terminal at the Central Railway Station, right in the center of Kyiv.

ph. Veronika Lutska courtesy of GresTodorchuk PR

“Ukraine WOW” is an opportunity to find out over 1000 interesting facts about Ukraine.

The large interactive exhibition is located in a huge renovated area of cargo terminal at the Central Railway Station, right in the center of Kyiv. An unusual for Ukraine way combination of VR, art installations, large scale infographics as well as rail engines, get into a carriage and feel traveling through Ukraine, have a bird view look of the most picturesque places, hear the sounds of Ukraine like wind of a seashore.

3 reasons to visit “Ukraine WOW”

To see unique exhibits.

The last self-portrait of Kazimir Malevich, sculpture of Alexander Archipenko, 10 of 14 letters of the “Ukrainian Alphabet” by Heorhiy Narbut, the first book published in Ukraine – “The Apostle” by Ivan Fedorov (1574), baroque Royal Doors (XVIII century), silver hryvnias of Kyivan Rus’, unique Ukrainian ceramics.

To do some travelling in virtual reality.

Take a trip through the endless Fishing Bridge, fly over the Synevyr Lake and the tract Cascades, see Kyiv from the top of the monumental sculpture Motherland (The Motherland monument is the highest monumental sculpture in Europe. Opened in 1981, it stands at a height of 102 meters), take a train ride in the driver’s cabin, walk around the restored Nevytske Castle and see inside the “Nine”, the largest blast furnace in Europe. Furthermore, to clean the compartment with the help of Kinect technology and make a voice-over for the cartoon about outstanding Ukrainians.

To see amazing installations.

The heart of Ukraine that beats faster when you’re around; hand-painted pink wagon where wishes and dreams find voices; wall of 100 kilograms of amber; installation of Ukrainian yin-yang – coal and salt; “Khata-Mazanka” house with reproduced drawings by primitivist-artist Polina Rayko; Tunnel of Love; the bottom of the Black Sea; bottomless cave, 12-meter diorama and more.

VR to see the reconstructed ancient castles, photo courtesy of GresTodorchuk PR

3 interesting facts about Ukraine

Ukraine is the largest country in Europe.

At 233,013 square miles, Ukraine is 2,000 square miles larger than mainland France, 50,000 square miles larger than Spain, and 200,000 square miles larger than Germany.

Ukrainian civilizations date back to 4800 B.C.

The Trypillian and Scythian civilizations thrived in the land where Ukraine is today. At their peak in the 7th century B.C., the Scythians actively traded with civilizations in lands as far away as China, Persia, Egypt, and Greece.

Ukraine’s ties to Western Europe span more than a 1,000 years.

The daughter of Grand Prince Yaroslav, Anna, became the Queen Consort of France in 1051. Anna was highly educated and introduced Eastern culture to the Franks, paving the way for relationships between medieval Ukraine and Western Europe for centuries.

Installation Heart of Ukraine, photo courtesy of GresTodorchuk PR

Exhibition website: http://ukrainewow.com

Facebook page: https://www.facebook.com/events/573940603461952/?ti=icl

UNCHARTED - Understading, Capturing and Fostering the Societal Value of Culture

The UNCHARTED value of the culture, a new EU project!

The 1st February started a new EU project, UNCHARTED, focused on the valuation practices of the actors involved in cultural life.
UNCHARTED is a four years project which responds to the H2020 “Transformations” call: The societal value of culture and the impact of cultural policies in Europe.

Coordinated by the University of Barcelona with the participation of experts who covers a plurality of fields, the UNCHARTED consortium comprises 9 academic partners and one SME. The academic team assembles a plural group of social scientists from several European regions (Spain, Portugal, UK, France, Germany, Italy, Hungary, Norway) with a large experience in participating and leading European research projects.

UNCHARTED aims to define the social values associated with culture, their configuration and the political impulse that these values could deliver to the society. The main objectives are:
1. to provide a broader vision of the value of culture in Europe
2. to identify and contextualize the emergence and configuration of cultural values in Europe
3. to co-create new conceptual and methodological tools to understand, evaluate, measure and improve statistical data for capturing the plurality of values of culture
4. to give tools and systematic guidelines for the reorientation of cultural policy in a pluralistic sense.

In order to achieve these objectives, the work has been divided into eight work packages:
WP 1: Understanding the societal value of culture
WP 2: Identifying the emergence of values of culture
WP 3: Measuring and imagining
WP 4: Analyzing political intervention and impact
WP 5: Experimental demonstrations.
WP6: Communication and Dissemination
WP 7: Project Management
WP 8: Ethics requirements
UNCHARTED partners will meet for kicking off all the activities on Friday 7th February, in Paris.
This event will be kindly hosted by the University of Paris 8 that is partner of the project.
Further information: UNCHARTED website

Understading, Capturing and Fostering the Societal Value of Culture

UNCHARTED: a new EU project responding to the H2020 “Transformations” call.

The 7th February will take place in Paris the first meeting to kick off all activities of the new EU project UNCHARTED.
This is a four years project Coordinated by the University of Barcelona, focused on the valuation practices of the actors involved in cultural life.
It aims to define the social values associated with culture, their configuration and the political impulse that these values could deliver to the society.

These values will be studied in four fundamental arenas of cultural practice:

cultural participation in live arts and culture;
cultural participation through media;
cultural production and heritage management;
cultural administration.

The main objectives of the project are:
1. to provide a broader vision of the value of culture in Europe
2. to identify and contextualize the emergence and configuration of cultural values in Europe
3. to co-create new conceptual and methodological tools to understand, evaluate, measure and improve statistical data for capturing the plurality of values of culture
4. to give tools and systematic guidelines for the reorientation of cultural policy in a pluralistic sense.

The UNCHARTED Project is multidisciplinary to address a wide range of aspects and perspectives of the plural value of culture in different contexts and sectors.

Its consortium comprises 10 partners, 9 of them are academic and one is a SME successfully active for many years in the sector:
1. Universitat de Barcelona (Coordination)
2. Eötvös Loránd University of Budapest
3. University of Coimbra
4. University of Bologna
5. Telemark Research Institute
6. CNRS
7. University of Porto
8. Goldsmiths, University of London
9. University Paris 8
10. Promoter srl

The activity is organized into eight work packages:

WP 1: Understanding the societal value of culture
WP 2: Identifying the emergence of values of culture
WP 3: Measuring and imagining
WP 4: Analyzing political intervention and impact
WP 5: Experimental demonstrations.
WP6: Communication and Dissemination
WP 7: Project Management
WP 8: Ethics requirements

Further information: https://uncharted-culture.eu/

Next stop: Malmö Museum, in Malmö, Sweden from February 15 to June 7, 2020

Anthropocene, a multimedia exhibition that investigates the impact of human footprint on the Earth

Text by Caterina Sbrana.

Bologna, January 4.

Welcome to MAST Foundation (Arts, Experience and Technology), an international cultural and philanthropic institution that focuses on art, technology and innovation.

Welcome to Anthropocene, a multimedia exploration of the human footprint on Earth. For the first time in Europe an exhibition investigating the impact of man on our planet. 7 months of extension brought thousands of visitors to MAST. Anthropocene is an artistic, technological and human experience.

The photo at the entrance of the exhibition shows the work in the marble quarries of Carrara (ph. F. Sbrana)

The exhibition, whose next stop will be at the Malmö Museum, in Malmö, Sweden from February 15 to June 7, 2020, uses various expressive mediums: photographs, large-scale high-resolution murals, combining state-of-the-art photography and film techniques, film installations, augmented reality installations that recreate realistic-looking, near-to-scale 3D photorealistic models, on smartphones and tablets.

My first impression was to feel good. I felt like I was in a comfort zone and reason cannot be constituted by the dramatic photographs displayed, but by finding me among people with the same desire to know what Anthropocene Era represents. Each of those present was aware of the disasters that man is creating with his own hands, through urbanization, industrialization, mining, oceans acidification, climate change. The second impression has been an assessment on the involvement that interactive exhibitions have on visitors.

Symbol of the app AVARA

I felt, in the silence, in the words pronounced in a whisper, a concentration of emotions that the images, realized also through a sophisticated technology, determined on the visitors. I first downloaded for free on the Google Play the app AVARA on my smartphone and I began visiting the four sections of the exhibition.

Thanks to the app AVARA you can activate the film showing the felling of dangerous trees, in Cathedral Grove forest, in Canada (ph. F. Sbrana)

Edward Burtynsky is the author of the 39 photographs in exposition; Jennifer Baichwal and Nicholas de Pencier of the films and immersive augmented reality installations.

In the photographs Burtynsky’s lens captures breakwater barriers, natural resource extraction processes and oil bunkering in the Niger Delta, deforestation, large transport infrastructures, climate change, lithium, copper and coal mines and many different forms of pollution.

Dandora Landfill #3 Plastics Recycling Nairobi Kenya 2016 (photo © Edward Burtynsky, courtesy Admira Photography, Milan / Nicholas Metivier Gallery, Toronto)

The films prepared by Jennifer Baichwal and Nicholas de Pencier show the Gottard Base Tunnel in Switzerland, mega train transport of coal in Wyoming, USA; felling and explosion of dangerous trees in Cathedral Grove forest on Vancouver Island, Canada; the scale of industry in the mining town of Norilsk, Russia etc..

Nicholas de Pencier and Jennifer Baichwal Vancuver Island British Columbia (Photograph: TJ Watt,
courtesy of Anthropocene Films
Inc. © 2018)

Three HD film installations provide a detailed illustration of a phosphate mine in Florida, a Texas oil refinery and the Great Barrier Reef in Australia which has been subjected to severe coral bleaching. A high-resolution mural strikes me: the extraction process in the marble quarries of Carrara. My maternal grandfather was a “cavatore” (person working in marble quarries). I have seen marble quarries since I was little. Today part of the mountain is no longer there.

Another heartbreaking image is represented by the historic bonfire ordered by President Kenyatta, in Kenya, to burn the stacks of ivory tusks confiscated from poachers in 2016. 105 tonnes of ivory burned to stop illegal trafficking and killing elephants and rhinos. The video of the numerous piles of elephant tusks going up in smoke is something that cannot be forgotten.

Completing the exhibition is the documentary film Anthropocene: The Human Epoch, co-directed by the three artists and narrated by Academy Award-winning actress Alicia Vikander. I can only say that it was an unforgettable experience.

The project debuted in Canada, in September 2018 with the film Anthropocene: The Human Epoch. On September 28, 2018, the Art Gallery of Ontario (AGO) in Toronto and the National Gallery of Canada (NGC) in Ottawa presented simultaneous, complementary exhibitions of Anthropocene, in conjunction with Fondazione MAST, in Bologna, where the exhibition has been presented in the spring of 2019 for its European premiere.

Phosphor Tailings Pond #4 Near Lakeland Florida USA 2012 (photo © Edward Burtynsky, courtesy Admira Photography, Milan / Nicholas Metivier Gallery, Toronto)

As I wrote above, the exhibition, which explores the effects of human activity on the planet, forms part of the artistic project of the Fondazione MAST, which, since 2013, has been investigating and reflecting upon the relationship between humankind and work through photo exhibition.

We thank the Fondazione MAST, in Bologna, for all information and photographic materials made available to us.

MAST: Via Speranza 42, Bologna, Italy

www.mast.org/about-us

www.anthropocene.mast.org

https://malmo.se/Uppleva-och-gora/Besoksmal/Malmo-Museer/Utstallningar/Kommande-utstallningar.html