The Berlin Wall, a multimedia history

Text by Caterina Sbrana.

A few days after the celebrations of the Berlin Wall fall, in the wake of a renewed interest in the events that characterized Europe and the World after the Second World War, I suggest above all to the youngest, who have to rely on the pages of the history books, the consultation of the portal  “The Berlin Wall – A multimedia history”.

As I have had the opportunity to write on other occasions, the internet allows access to a large number of documents that represent important testimonies of social life. In this case, the portal www.the-berlin-wall.com has facilitated the collection and use of scattered documents contained in the archives of radio (Radio Free Berlin) and GDR television. A timeline, that marks events year by year, gives anyone the chance to slide, following a single and unitary thread, 30 years of history that has not only concerned Germany, but the whole world.

The portal was created by Rundfunk Berlin-Brandeburg (rbb), the public service broadcaster for the states of Berlin and Brandenburg and part of the consortium of public broadcasters in Germany (ARD) which I myself had the opportunity to experience on my trip to Berlin last January.

The timeline, which from 1990 descends vertically to 1961, tells the life of the divided Berlin but also the tensions between East and West caused by Cold War in the 1960s.; Berliners from East and West talk about their personal experiences of living with the Wall: how they fled from East to West, how they were separated from their families, how they went about their day-to-day lives in the shadow of the Wall.

Contrary to what happens in West Berlin where the tram gives way to cars, in East Berlin the tram network is expanded. Hundreds of people are waiting for it.

The photographs in the article are all taken from the videos preserved in the archives of Radio Free Berlin (SFB)/rbb, the German Broadcasting Archive (DRA) and GDR television.

As the creators of the site write “two hundred and fifty films document life in the divided city from 1961 to 1989. Such a historical panorama would, of course, not be complete without taking a look at the fall of the Wall on November 9, 1989 and German reunification in 1990.”; they “interview escape helpers and follow the development of border fortifications as they grew higher and more impenetrable year by year”.

berlin 1

August 13, 1961- A last-minute escape

The first one shows Berlin in 1961, before the construction of the wall and the attempt to escape many people. “When radio mechanic Manfred Roseneit heard the Wall was going up on 13 August 1961 he set off on his motorbike and headed to the border to see if there was still a chance of getting across. Once he had found a spot to escape, he made a quick dash home to pick up his most important documents…”

berlin 3

At the end of October, American and Soviet tanks stand face-to-face at the US Checkpoint Charlie on Berlin Friedrichstrasse.

berlin 4

Map that represents the East-West border ran through the middle of Lake Glienicke.

Another video shows the facts happened at the end of October 1961 when  American and Soviet  tanks stand face-to-face at the US Checkpoint Charlie on Berlin Friedrichstrasse and the GDR authorities are trying to restrict the allies’ freedom of movement. The East-West border ran through the middle of Lake Glienicke. From 1961 the border was fortified, meaning that bathing was only allowed on the Western side. This film explores how the residents of Groß Glienicke dealt with the situation and tried to make contact with villagers on the other side.

It is interesting  to discover how Luis Armstrong invited to East Berlin for a jazz concert gave in an interview the statement of not being interested in the wall but in the audience for his concert. Not only Armstrong brings music to East Berlin: in May 1978 it is the turn of the Queen and their spectacular concert in the Deutschlandhalle arena.

berlin 5

A moment of the spectacular concert in the Deutschlandhalle arena, shows the young Freddie Mercury

We can find clips showing the arrival of the tram, the opening of the hotel Metropol, the visit of Queen Elizabeth II, that of Ronald Regan and first lady in 1982, interviews and speeches from well-known dissidents, the conviction of authors accused of “defaming the GDR, the SED, its cultural policy and its legal system”, and of having “put themselves at the service of anti-communist forces working against the GDR”.

berlin 6

More and more frequent demonstrations for peace

Meantime, in 1983 many people on both sides of the city are campaigning for peace and disarmament. Women’s groups from East and West join forces and name themselves Women for Peace. Eva Quistorp, founder of Women for Peace in the West, talks about making contact with women on the other side of the Wall. It wasn’t an easy task because the Stasi pursued and spied on the women in the East.  A lot of women from the peace movement in the East later became part of the autumn events that lead up to the fall of the Wall.

berlin 7

November, 9: International press conference at International Press Centre of Berlino East

When in 1988 Pink Floyd were playing outside the Reichstag building in West Berlin, on the other side of the Wall hundreds of fans gather  in the hope of hearing some of the concert. But things take a turn for the worse and the East Berlin authorities make a number of arrests.

And here we are on 9 November 1989: during an international press conference Günter Schabowski, a member of the politburo, announces that the GDR will be opening its borders. An Italian journalist, Riccardo Ehrman, asks about changes to the laws governing the right to travel. Schabowski answers: “We have therefore decided today to put in place a regulation that allows every citizen of the German Democratic Republic to leave through any of its border crossings.” Ehrman: “When does it come into effect?”
Schabowski: “That comes into effect, according to my information… immediately, without delay.”
Schabowski continues: “Permanent exit can take place via all border crossing points between the GDR and FRG or West Berlin.”

The wall is dead.

 

www.the-berlin-wall.com

www.the-berlin-wall.com/about/

www.the-berlin-wall.com/videos/berlin-contemporary-witnesses-last-minute-escape-806/

www.the-berlin-wall.com/videos/louis-armstrong-in-east-berlin-739/

www.the-berlin-wall.com/videos/elizabeth-ii-and-queen-visit-berlin-655/

www.the-berlin-wall.com/videos/the-queen-visits-west-berlin-564/

www.the-berlin-wall.com/videos/president-reagan-visits-west-berlin-680/

www.the-berlin-wall.com/videos/the-berlin-wall-opens-726/

The website is optimised for mobile devices. Visiting Berlin we can use the digital map to visit the sites featured in the archive footage and travel back in time to learn about the event at the place it happened.


2021 TICCIH Congress in Montreal: Industrial Heritage Reloaded. New Territories, Changing Culturescapes

The Canada Research Chair in Urban Heritage of Université du Québec à Montréal, in collaboration with the Association québécoise pour le patrimoine industriel (Quebec association for industrial heritage) and with the support of Tourisme Montréal, will be hosting the 2021 TICCIH Congress in Montreal, from August 30th to September 4th, 2021.
In order to enrich scientific discussions, to promote the discovery of Montreal’s urban and cultural environment and its particular challenges in the field of heritage, and to support new partnership in research and training, the five days of the conference include numerous activities of inquiry and dialogue in various areas linked to industrial heritage, as architecture, urban planning, gastronomy, music, cinema, etc. Well-known guest speakers will also be heard.
The 2021 TICCIH congress in Montreal is designed to perpetuate and renew research and exchanges on less-discussed areas of industrial heritage, by addressing the identity of industrial civilization from the angle of its representations, culture, territories, of its inheritance (positive or negative) and of their documentation and development.
The deadline for the call for sessions and papers is January 31st  2020.
The Congress will enthusiastically welcome especially those proposals of research or intervention on industrial heritage that will bring to discussion the following topics:

  • Functional or symbolic requalification
  • Belonging and social acceptability
  • Social engagement with the scientific discourse
  • Memory and people’s participation
  • Sustainable development
  • Uses and aims of heritage
  • Environmental challenges of industrial heritage

Save the dates!
Congress : 29 August to 4th September 2021
Deadline of call for sessions : January 31st 2020
Deadline of call for papers : August 31st 2020
Deadline to submit full paper : April 30th 2021

Read more about the XVIII TICCIH Congress HERE


HERItage International Conference: March 11-13, 2020 Opatija (Rijeka), Croatia

The University of Rijeka, one of the largest and the most cosmopolitan city in the country, concurrently the 2020 European Capital of Culture, is pleased to welcome you to this three-day HERItage conference organized under the auspices of the Ministry of Science and Education of the Republic of Croatia and the European Commission as part of the Croatian Presidency of the Council of the European Union.
The three-day HERItage conference will focus on research and innovation in the field of the social sciences and the humanities, with particular dedication to the domain of cultural heritage, including the role of digitalization and the importance of education.
Mission of the conference: to explore a priority setting agenda on European research and innovation (R&I) related to cultural heritage, which will contribute to regional innovation ecosystems that rely on education, scientific and technological research, and culture.
Main objective: to promote a debate with policymakers and stakeholders on the impact of cultural heritage in socio-economic development, the preservation of democratic values, sustainability and future jobs.
The conference will gather participants from all around Europe from academia, governmental organizations, industry, SMEs and users of research results. Also, policymakers, local authorities.
The aim is to present research results and develop substantial discussions on the topics of Cultural Heritage and the future of research and development in SSH in a rapidly changing world characterised by digitization, mobility, brain circulation, inequalities and technological advancement, and their repercussions.
The conference will support and promote the thorough development of Open Science in European research area.
The preliminary conference programme includes a large number of internationally recognized panellists and speakers, a broad range of plenary thematic panels, of focused topic sessions as well as poster and video presentations.
More information about the conference here
Download the letter of invitation


Closer to Van Eyck: when high digital technology meets heritage
The past 14th January, KIK-IRPA, the Royal Institute for Cultural Heritage,   presented “Further works by Jan Van Eyck”, the new version of “Closer to Van Eyck”, the online portal entirely dedicated to the prestigious painter of the 15th century.
The new version contains 200 new images of 10 additional works including the famous Arnolfini portrait and the Turin-Milan Hours. In addition, the high resolution image viewer is improved with new functions and better touch screen support.
The gallery is now available in open access for consultation, study, analysis and research and the images can be re used  for educational and academic studies.
The masterpieces have been submitted to cutting-edge digitization techniques, thus collected in a single documentation of ultra-high-resolution scientific imagery available in open access.
All this was made possible by the implementation of the VERONA (Van Eyck Research in OpeN Access) project, lunched by the The Centre for the Study of the Flemish Primitives at KIK-IRPA in order to study the creative process of Jan van Eyck (c. 1390-1441) and the different hands involved in the paintings of his workshop by using the same scientific imaging techniques.
Main goal of the VERONA project are:
• to accomplish and stimulate new research on the painter Jan van Eyck
• to examine and document all the works with the same scientific imaging techniques: macrophotography (normal light, raking light, infrared and ultraviolet fluorescence), infrared reflectography and in some cases radiography.
• to add all this documentation to the website ‘Closer to Van Eyck’.
The documentation methods were enriched through a partnership with the University of Antwerp, whose researchers carried out innovative XRF scanning on works of art by Van Eyck in Belgian collections.
The digital portal will be a reference for comparative research on the work of Van Eyck. Researchers will be able to study for the first time the differences and similarities in the artist’s technique on the basis of the same comparative material.
VERONA incorporates the core mission of the KIK-IRPA: the inventory, scientific research, conservation and promotion of the artistic and cultural heritage of Belgium and  in 2019 the project won the European Heritage Award / Europa Nostra Award in the category Research.
The  Jan van Eyck  digital gallery is an example of the extraordinary results that can be reached by the use of state-of-the-art equipment for the preservation and maintenance of the European cultural heritage but it is also a successful outcome of an active and dynamic collaboration between the museums of all Europe, which made possible to gather all the masterpieces of the prestigious painter in a unique virtual space available in open access to everybody with an interest in investigate and study this remarkable collection.

Sparkling February for Photoconsortium! We are all invited to join the final appointments of We Are#EuropeForCulture and Kaleidoscope projects!

Photoconsortium, REACH project Associate Partner, in the framework of its activity for the promotion of citizen engagement in culture and preservation of societal memory, is happy to share with the REACH community  these glowing events which represent the final milestones of two main projects carried on by the consortium:
PAST | PRESENT,  participatory exhibition that will be hold in Brussels  and will conclude the series of pop-up exhibition realized in the framework of the WeAre#EuropeForCulture project
“New strategies for user engagement and digital heritage”, the final conference of the Fifties in Europe Kaleidoscope project, organized by SPK – Stiftung Preußischer Kulturbesitz, REACH Partner.
Both event are excellent opportunity for learn about the value of digital cultural heritage for citizens, the history of the fifties and in the same time, to celebrate the richness  of the European cultural heritage, its diversity and to empower citizens in a more participative approach to cultural heritage.
Read more about PAST | PRESENT final exhibition at: https://www.photoconsortium.net/europeforculture/final-event/
Read more about kaleidoscope final conference at: https://www.digitalmeetsculture.net/article/fifties-in-europe-kaleidoscope-final-conference/


sargetia: 3D Reconstruction and augmented reality applied to history and archeology

sargetia.ro offers the possibility to visit and learn about Romanian cultural sites and historical monuments by the use of 3D technology and Virtual Reality.
The platform is part of a wide promotional campaign set up by virtual museums aiming to lunch a new type of cultural tourism characterized by the use of tablets and smartphones in place of manuals, guides and brochures.
Through the use of WebGL technology which is platform independent,   Sargetia offers a 3D restoration of the Dacian fortresses, belonging to the UNESCO heritage : Băniţa, Blidaru, Căpâlna, Feţele Albe, Piatra Roşie and Sarmizegetusa Regia.
It also offers the possibility to discover the most famous statues of ancient Greece which are shown in the greatest world’s museums by a virtual visit to  the “Statue Island”.
The “3D Reconstruction” process of scientific recovery is able to restore each building in its own scale representation in accordance with  archaeologists’ plans.
A database from the Dacian and Roman Civilization Museum (MCDR) Deva was used to implement the program and the photos that appear are arbitrarily taken from the museum site.
Because the use of Android tablet and phone is widespread and affordable, sargetia chose  to adapt the programme to this technology, even in front of a lower quality than the one granted by Microsoft technology.
The visitor  is able to virtually move into areas built by man or nature and destroyed over time. In the same while he is taught about their past and history: indeed, for each important point, the system instantly delivers complete information, additional video and audio, helping to understand the exposed material and the selected environments.
He can directs the guide with a joystick and a “Quit” button and visit any place without prearranged routes; he can also enter into buildings or temples because they are all built in 3D and are not replaced by movies like it happens for games.
The use of the augmented reality applied to history and archeology  is an effective way for increasing knowledge of the history and discover an ancient world that cannot be described by words. Visitors get in confidence with the environment and architecture of ancient times and they are no longer a mere viewer but actively participates in the action.
Visit sargetia.ro webpage


Re/SpaceS: Regenerating Spaces through Sound

The call for applications to take part in the winter school “Re/SpaceS: Regenerating Spaces through Sound” is still open. The event is open to graduate students, artists, musicians, and videomaker. The opportunity to be selected for one of our reduced fee for the 10 best applications is also still open.

The new deadline is 20 January 2019.

The Re/Spaces winter school will be a hub for students and early career artists working in the field of digital sound and image, to gather reflections and practical suggestions about the development of site-specific and location-based installation and audiovisual works. The aim of the school is to help young creative people to develop their skills in working within a small team of peers, update them on the latest tools in sound and image elaboration, provide historical and theoretical background in the disciplines of contemporary music history, audiovisual analysis, visual communication and storytelling, digital process of audio and video files.

The event will consist of two teaching weeks, from 24 March to 3 April 2020, and it will consist of theoretical lessons and workshops throughout the day.  During the winter school week, meetings will be organized with an artist who will offer new insights oh the project.

The aim of the school will be the realization of a short audiovisual product and possibly a site-specific installation to be presented at the end of the winter school, focused and inspired by the buildings and spaces of the University. The idea is to subject these spaces to a sort of creative re-imagination, showing how art can be used to transfigure, re-imagine and even to suggest how the present can be transformed and looks like. Together with an artist-in-residence that will mentor the students in this process, the winter school will bring their participants to become a driver for the future developments of space, and to bring new values to an existing location by re-imagining them through the gaze of the artistic transformation.

All the information for the application can be found at: https://re-spaces.unipv.it/call-for-applicant/.

The winter school is a joint program between two Departments of the University of Pavia (Department of Musicology and Cultural Heritage and Department of Civil Engineering and Architecture – DICAr), with the collaboration of University of Turin’s CIRMA (http://www.cirma.unito.it/) and two artistic collectives: Medea Electronique (Greece – http://medeaelectronique.com/) and Kontejner (http://www.kontejner.org).


CAFAM Techne Triennial

CAFA Art Museum (CAFAM) is delighted to announce the opening of the inaugural edition of the CAFAM Techne Triennial, which takes place in Beijing from Feb 20 through March 29, 2020, and is curated by ZHANG Ga, CAFAM Consulting Curator and CAFA Distinguished Professor.

The triennial will feature more than 130 artists and collectives throughout the museum’s enormous space,  the first part of the exhibition Topologies of the Real will bring together modernist icons such as John Cage and Marcel Duchamp as well as contemporaries like Hito Steyerl and Alex Da Corte. 

The second part of exhibition Art in Motion: Masterpieces with and through Media, CAFAM will team up with ZKM | Center for Art and Media Karlsruhe, Germany, together these exhibitions will present a comprehensive survey of global media art from the nineteenth century to present.  

Participating artists include:

Topologies of the Real

Cory Arcangel, Micol Assaël, Tauba Auerbach, Ralf Baecker, Judith Barry, Joseph Beuys, Robert Breer, Chris Burden, Jim Campbell, Peter Campus, Oron Catts & Ionat Zurr, Alex Da Corte & Jayson Musson, Bruce Conner, Douglas Davis, DENG Yuejun, Marcel Duchamp & John Cage, Anna Dumitriu & Alex May, Valie Export, FENG Mengbo/冯梦波, Thomas Feuerstein, John Gerrard, Dan Graham, Laurent Grasso, Hans Haacke, HeHe (Heiko Hansen & Helen Evans), Jenny Holzer, HU Jieming/胡介鸣, Joan Jonas, JODI: Joan Heemskerk & Dirk Paesmans, Mike Kelley, Jon Kessler, Shigeko Kubota, Lynn Hershman Leeson, George Legrady, Olia Lialina, LIN Ke/林科, LIU Xiaodong/刘小东, Eva & Franco Mattes, Lawrence Malstaf, Haroon Mirza, Tatsuo Miyajima, Carsten Nicolai, Yoko Ono, Nam June Paik, W. Bradford Paley, Philippe Parreno, Paul Pfeiffer, Fito Segrera, SHEN Xin/沈 莘, Michael Snow, Wolfgang Staehle, Hito Steyerl, Stan Vanderbeek, Steina & Woody Vasulka, Addie Wagenknecht, WANG Gongxin王功新, WANG Yuyang/王郁洋, Peter Weibel, WGBH, Robert Wilson, Vivian XU, XU Wenkai/徐⽂恺, YAN Lei/颜磊, ZHANG Peili/张培⼒, ZHOU Xiaohu/周啸虎, Marina Zurkow

Art in Motion: Masterpieces with and through media 

Bertolt Brecht, Vladimir Bonačić, Lucien Bull, Luis Buñuel, Mary Ellen Bute, Thaddeus Cahill, Waldemar Cordeiro, Larry Cuba, Salvador Dali, Georges Demenÿ, Marcel Duchamp, Charles Eames, Ray Eames, Harold Eugene Edgerton, Masaki Fujihata, Kiyoshi Furukawa, Ivan Ladislav Galeta, Arthur Ganson, Frank Gillette, Jean-Luc Godard, Mona Hatoum, Susan Hiller, Dieter Jung, Eduardo Kac, Yoichiro Kawaguchi , Michael Klier, Billy Klüver, Kenneth C. Knowlton, Jacques-Henri Lartigue, Lynn Hershman Leeson, David Link, Manu Luksch, Len Lye, Ernst Mach, Étienne-Jules Marey, Julie Martin, Wolfgang Münch, László Moholy-Nagy, Nam June Paik, Sergio Prego, Man Ray, Martin Reinhart, Józef Robakowski, Ulrike Rosenbach, Zbigniew Rybczyński, Ira Schneider, Nicolas Schöffer, Carlota Fay Schoolman, Buky Schwartz , Lillian Schwartz, Richard Serra, Paul Sermon, Claude Shannon, Jeffrey Shaw, Léon Theremin, Thomas Tode, Stan VanDerBeek, Peter Weibel, Virgil Widrich, Katsuhiro Yamagucchi.

Website and exhibition page: https://www.cafamuseum.org/en/exhibit/newsdetail/2535


TPDL 2020 International Conference on Theory and Practice of Digital Libraries

TPDL and all related events are transformed in a virtual gathering.

Digital libraries and repositories store, manage, represent and disseminate rich and heterogeneous data that are often of enormous cultural, scientific, educational, artistic, and social value. Serving as digital ecosystems for empowering researchers and practitioners they provide unparalleled opportunities for novel knowledge extraction and discovery. New applications rise novel challenges that can only be addressed in an interdisciplinary community of researchers and practioners from various disciplines such as Digital Humanities, Information Sciences and others. TPDL 2020 attempts to facilitate establishing connections and convergences between these communities that could benefit from (and contribute to) the ecosystems offered by digital libraries and repositories. To become especially useful to the diverse research and practitioner communities, digital libraries need to consider special needs and requirements for effective data utilization, management and exploitation.

TPDL 2020 will be co-located with

– 24th European Conference on Advances in Databases and Information Systems

– 16th EDA days on Business Intelligence & Big Data

—————————————————————————-

CALL FOR PARTICIPATION

Proposals are welcome in the following categories:

  • Full papers presenting original work (14 pages incl. references, LNCS format)
  • Short papers presenting original work (8 pages  incl. references, LNCS format)
  • Posters and Demos (4 pages incl. references, LNCS format)
  • Panels (1 page, short informal description)
  • Tutorials and Hands-on sessions (1 page, short informal description)
  • Doctoral Consortium papers
  • Workshops

The proceedings will be published by Springer-Verlag in Lecture Notes in Computer Science (LNCS, ISSN 0302-9743) series.




Websites:

http://eric.univ-lyon2.fr/tpdl2020/

http://eric.univ-lyon2.fr/adbis-tpdl-eda-2020/satellite-events/workshops/


SEEDA-CECNSM 2020

The 5th South-East Europe Design Automation, Computer Engineering, Computer Networks and Social Media Conference (SEEDA-CECNSM 2020), in its 5th year, will provide an insight into the unique world stemming from the interaction between the fields of computer engineering, networks and Design Automation.

SEEDA-CECNSM 2020 will provide an international technical forum for experts from the engineering industry and academia to exchange ideas, innovations, and present results of on-going research in the most state-of-the-art areas.

After four successful conferences starting from Kastoria (2016, 2017, 2018), and then Piraeus (2019), the SEEDA-CECNSM conference series has been consolidated as a reference event in order to discuss about the newest advances in the field.

SEEDA-CECNSM 2020 will be technically co-sponsored by the IEEE Computational Intelligence Society and all papers will be indexed by IEEE Xplore.

Website: http://hilab.di.ionio.gr/seeda2020/

Calls for papers and special sessions are currently open.


CALL FOR SPECIAL SESSION PROPOSALS – Deadline: *February 28, 2020*

http://hilab.di.ionio.gr/seeda2020/index.php/special-sessions/

The SEEDA-CECNSM 2020 technical program will highlight a series of Special Sessions to complement the regular program with new or emerging topics of particular interest to topics of SEEDA-CECNSM community.

Inquiries Special Session Chair at the following address: Themistoklis Exarchos <exarchos@ionio.gr>.


CALL FOR PAPERS – Deadline: *April 24, 2020*

http://hilab.di.ionio.gr/seeda2020/index.php/conference/call-for-papers/

Topics of interest include various categories, such as but not limited to:

  • Design Automation (DA)
  • Computer networks and Communications
  • Social media and E-technologies
  • Social networks

More details on the topics are available here: http://hilab.di.ionio.gr/seeda2020/index.php/submissions/


* GENERAL CHAIRS:
Phivos Mylonas, Ionian University
Michael Dossis, University of Western Macedonia
Christos Douligeris, University of Piraeus

* CONTACT: hilab (at) ionio.gr