Edinburgh Short Film Festival now open for entry!

The 10th Anniversary edition of the ESFF opens for applications, and will show up with more short film screenings in Edinburgh, including International Film Festival showcases, trophies, cash prizes and awards!

We’re  also excited to be programming showcases of our best films for our 2020 partners:

Adriatic Film Festival
Stop Motion Montreal
Firenze FilmCorti
Sardinia Film Festival
Balkans Beyond Borders Film Festival
and Manipulate Theatre & Animation Festival!

Max Length 25 minutes, international films welcomed, all genres eligible.

Deadline 3 february 2020.

Open for entries online:

https://www.edinburghshortfilmfestival.com/call-for-entries-filmmakers/


Exhibition in Dallas “speechless: different by design”

Steven and William Ladd, Scroll Space (2019), from DMA website

Explore the many ways in which we connect to the world around us through our senses in speechless: different by design, an exhibition of multisensory, interactive, and immersive experiences for visitors of all backgrounds and abilities. Created in collaboration with designers, scholars, and scientists, speechless presents unique opportunities for discovering new perspectives through communications beyond speech and words.
Co-organized by the Dallas Museum of Art and the High Museum of Art, speechless: different by design showcases site-specific installations and new commissions by six leading and emerging international designers and design teams—Ini Archibong, Matt Checkowski, Misha Kahn, Steven and William Ladd, Laurie Haycock Makela, and Yuri Suzuki. Their new works will create participatory environments in which senses are merged or substituted for one another—for instance, sound will become visible and language will become tactile—so that visitors can engage with their surroundings in new and unconventional ways.

Website: https://dma.org/speechless

Matt Checkowski, Glyph (2019), from DMA website

 

About the DMA Dallas Museum of Art
Established in 1903, the Dallas Museum of Art (DMA) is among the 10 largest art museums in the country and is distinguished by its commitment to research, innovation and public engagement. At the heart of the Museum and its programs is its global collection, which encompasses more than 24,000 works and spans 5,000 years of history, representing a full range of world cultures. Located in the nation’s largest arts district, the Museum acts as a catalyst for community creativity, engaging people of all ages and backgrounds with a diverse spectrum of programming, from exhibitions and lectures to concerts, literary events, and dramatic and dance presentations.

 


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Intelligent Systems Conference (IntelliSys) 2020 – call for papers open until 15/1/2020

Intelligent Systems Conference (IntelliSys) 2020
3-4 September 2020 – Amsterdam, The Netherlands

intellisysIntelliSys 2020 will focus in areas of intelligent systems and artificial intelligence and how it applies to the real world. IntelliSys provides a leading international forum that brings together researchers and practitioners from diverse fields with the purpose of exploring the fundamental roles, interactions as well as practical impacts of Artificial Intelligence.

Conference Topics are listed here.

The conference programme will include paper presentations, poster sessions and project demonstrations, along with prominent keynote speakers and industrial workshops. All submitted papers will be reviewed by experts in the field based on the criteria of originality, significance, quality and clarity.

Important Dates:

  • Submission Deadline: 15 January 2020 (FIRM DEADLINE)
  • Acceptance Notification : 01 February 2020
  • Author Registration : 15 February 2020
  • Camera Ready Submission : 01 March 2020
  • Conference Dates : 3-4 September 2020

Complete details are available on the conference website : http://saiconference.com/IntelliSys

IntelliSys 2020 proceedings will be published in the Springer series “Advances in Intelligent Systems and Computing” and submitted for indexing to ISI Proceedings, EI-Compendex, DBLP, SCOPUS, Google Scholar and Springerlink. The publications within “Advances in Intelligent Systems and Computing” are primarily proceedings of important conferences, symposia and congresses. They cover significant recent developments in the field, both of a foundational and applicable character.


International Seminar on Sports Archives

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The complex management of the world of sport has many links with other professionals, such as those involved in health, journalism and the media, history, archive studies, political science, legislation, economics, philosophy, the sciences of physical activity, and sports and engineering, among other fields.

With a view to achieving the above aims, the ICA / SPO, the Diputació de Girona, the Girona City Council and the Generalitat de Catalunya are promoting a biennial seminar on sport archives in Girona.

The International Council on Archives (ICA), through the Section on Sport Archives (SPO), aims to make governments and the public aware of the need to preserve and conserve archives belonging to all the individuals, public and private institutions, associations and other organisations linked to the world of sport. The ICA’s activities, through ICA / SPO, are intended to raise awareness in society of the need to organise, preserve, disseminate and facilitate access to documentation and information produced by associations, clubs, federations, sports organisations and athletes, since they play a fundamental role in configuring the personal and collective memory of the world of sport and of society itself.

The event is aimed at sportsmen and sportswomen, clubs, organisations, sports federations, historians, journalists, researchers, doctors, physiotherapists, archivists, companies and universities (staff and students) managing documents linked to health, sport, history, sociology, etc.

Website: http://esportarxiu.ddgi.cat/en/

 


FILE – Electronic Language International Festival

Text by Caterina Sbrana.

When art, aesthetic expression, animation, music, sound effects and sonority meet technology, through a deep artistic research, we are witnessing an incredible reinterpretation of reality.

FILE is a non-profit brazilian cultural organization established in the city of São Paulo that has been promoting exhibitions, workshops and gatherings that seek to investigate the appropriations of the technologic media in artistic accomplishments. Founded in the year 2000 by Ricardo Barreto and Paula Perissinotto, FILE aims to magnify technological discussions in the cultural scope, to promote a wider access from the general public to technologic languages, demonstrating how our contemporary world builds itself on the advances of new and digital medias.

In twenty years of artistic activity, FILE has become the biggest electronic art event in Latin America.

Michael Takeo Magruder, Monolith[s]

Michael Takeo Magruder, Monolith[s]

From October 15, 2019 to January 14, 2020 artists and researchers can submit their works through specific entry forms choosing different categories: Interactive Art, Digital Language, Electronic Sonority, Workshops, Symposium and Led Show. All works should be available for consultation online through video documentation. In the web site artists can find all necessary information about the file types accepted (.mp4 or .mp3 extension, MOV, MPEG-4 etc.).

As Organizers explain: “Digital Language: As digital language are understood all the research and experiences in the wide scope of the multiple disciplines that uses digital media.

Electronic Sonority: As electronic sonority are understood all research and experiences in the wide scope of sounds, having therefore a wider comprehension than the ambit of music, and open to possible transversalities with other disciplines.

Interactive Arts: As interactive arts are understood all research and experiences in the ambit of art that uses interactive media and which take into account the relationship between the work and its viewer; works inserted in the intersecting fields of art and science, technology, among others …

Symposium: Talk proposals that have the aim to expand an international discussion on electronic digital culture in its interdisciplinary extension.

Workshop: Projects that has the main purpose of transferring knowledge and also the research on the use of computing – and other technological languages – for creative purposes.

Led Show: consists of a public art show in the large Led panel located on the Fiesp building’s façade, at Paulista Avenue, 1313. FILE Led Show gets interactive and non-interactive proposals to be presented at the Digital Art Gallery”.

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Workshop FILE Sao Paulo 2019, Maurício Jabur & Rodrigo Rezende

Each participant may send up to 3 proposals of works that have been accomplished in the last 3 years (2017, 2018, 2019) for FILE 2020 and include the work’s descriptive documentation, as well as the biography.

A specific section of the Regulation is dedicated to the selection of works that will be analyzed by an internal judging commission, which will select the works that will be part of FILE exhibition.
The artists receive the notification about the selection through the e-mail address specified in the Registration Form, as well as any posterior contact. Other sections are related to Participant’s Responsibility, Intellectual Property, Copyrights And Related Rights.

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Workshop FILE Sao Paulo 2015, Paul Robertson

To participate, the artists need to fill out the entry forms, free of charge, being in accordance to the General Regulations of FILE and they must accept completely terms and conditions.

Only the registrations made through the website will be accepted.

ENTRY FORMS:

Website: https://file.org.br/highlight/opencall_file2020/


WeAre#EuropeForCulture: partnerships across Europe

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WeAre#EuropeForCulture is about engaging local communities with cultural heritage,  to connect people and histories at local and European level. According to the European Commission guidelines, the project principally addressed teenagers, adults and ageing people, with a particular view in engaging, at each location, communities which are considered hard-to-reach, marginalized or minority.

The idea of the project was to hold co-creation events in 10 European countries plus a final one in Belgium, so that a vast and varied population could be addressed. To achieve all this, the project leveraged on the network of members of Photoconsortium Association: these are trusted colleagues from prestigious institutions, museums and archives, all well established on the territory and with a long-standing partnership with Photoconsortium for the realization of photographic heritage exhibitions and user engagement activities. The strength of this partnership with Photoconsortium members mainly lies in a deep knowledge and understanding of the local context and sensitivities, next to the expertise in engaging local communities without any language or cultural barrier, as the local organizations are of course native from the country.

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The Photoconsortium partners who enthusiastically jumped on board, and without whom the project could not exist, are all relevant cultural institutions in their countries:

  • OSZK, Országos Széchényi Könyvtár, the National Library in Hungary
  • the NALIS Foundation, National Academic Library and Information System in Bulgaria
  • Museovirasto, the Finnish Heritage Agency in Finland
  • the Walery Rzewuski Museum of History of Photography, in Poland
  • the Museum of Graphics of Pisa, in Italy
  • the University of Basel, in Switzerland
  • Lietuvos dailės muziejus, the Lithuanian Art Museum in Lithuania
  • Ajuntament de Girona / CRDI, the Centre for Image Research and Diffusion of Girona, in Catalonia
  • the Digital Heritage Research Lab at the Cyprus University of Technology in Cyprus

and in the Netherlands a series of events was organized in collaboration with the Baking Lab and the Tropenmuseum in Amsterdam.

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Under the motto “It’s our history too!”, the work of the project’s and partners’ facilitators and the storytelling approach of each exhibition was specifically tailored to engaging the target community identified at each location, in their native language as well as in English, keeping in mind the connections between local history and European history and between individual stories and the bigger picture. The use of co-creation techniques enabled a deeper participation of the target communities in a participative and inclusive approach joining museum and exhibition professionals and citizens.

Also, the closing phase of the project, realized by KU Leuven, comprises a workshop and exhibition in Leuven and a final event and exhibition in Brussels at the House of European History, this latter to be held in February 2020.

About WeAre#EuropeForCulture: https://www.photoconsortium.net/europeforculture/

More about Photoconsortium and its network: https://www.photoconsortium.net


Florence Heri-Tech 2020, new dates

NEW DATES! 14-16 October 2020

The International Conference Florence Heri-tech: the Future of Heritage Science and Technologies, involves a large number of researches and scholars from around the world and puts the industry’s current issues under spotlight, specifically on issues related to innovative techniques and technologies for Cultural Heritage. The Conference is part of the Florence International Biennial for Art and Restoration, an international event attracting prestigious institutions and companies and creating a unique opportunity to bring together the academic word with industry. The Conference will be a significant opportunity to bring together the academic world with industry.

LogoHeri-Tech is the first International Conference to welcome major researchers and scholars from all over the world, focusing on current and future issues in the field on issues related to innovative techniques and technologies. The city of Florence will therefore be the international heart of Restoration and Cultural and Environmental assets as well as a forum for meeting and discussing for experts, operators and enthusiasts from around the world. The Conference will be a significant opportunity for exchange between researchers and companies for the promotion of productive excellence, technological evolution, the greater use of culture for younger sections of the population and specialization in the educational field for graduates and PhD students.

More info and call for papers: http://www.florenceheritech.com/

Areas and topics: https://www.florenceheritech.com/areas-and-topics/


WeAre#EuropeForCulture: the QANDR tool

WeAre#EuropeForCulture is about engaging communities with cultural heritage, helped by the use of digital technologies. To deliver 10 exhibitions of local cultural heritage in 10 European cities plus an additional one in Leuven as part of the final stages of the project, a programme of co-creation sessions allowed people participate in the exhibition set up with their photographs, stories, opinions and other user-generated content. Students, children, artists, craftsmen, elderly people, fishermen, amateur photo-collectors, museum curators, archivists, librarians and any other kind of people of any age were engaged in a truly open and participative approach to cultural heritage.

Sebastiaan ter Burg cc-by

Sebastiaan ter Burg CC-BY

The co-creation sessions were coordinated by KU Leuven and Photoconsortium, in collaboration with the local partners hosting the workshops and exhibitions. As part of the technology made available for use in this project we find QANDR, Noterik’s tool to gamify any type of group discussion. QANDR offers several types of interactions, as a way to involve people into a discussion. It is possible to do polls, pointers, wordclouds, gradings, dilemma’s, ratings and it has an interaction model whereby it is possible to create moodboards together, which is fitting very well in the visually orientated project goal of making exhibitions together. QANDR works directly from the browser of the phones and also the mainscreen only needs an internet browser in full-screen mode, so it was very flexible and easy to use this tool on the different locations of the project. Detailed explanation about the tool is offered at this video.

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QANDR in Pisa

Whether you’re engaging casually with a small group of elderly people, or instigating a more formal discussion with an aula full of tech savvy students: everyone loves to play with the moving dots, fiddle with the pie charts or upvote words in a wordcloud. QANDR outsmarts other interactive discussion tools on the market, and perfectly integrates presentation slides for a sleek finishing touch, says Sofie Taes, curator-storyteller-workshopper at KU Leuven, who coordinated the co-creation programme.

About WeAre#EuropeForCulture: https://www.photoconsortium.net/europeforculture/

More about QANDR: https://www.qandr.eu/portfolio/qandr-is-contagious/

workshop_qandr


The Siberian Expedition during First World War

Text by Caterina Sbrana.

I propose a very interesting history page that you can explore through the vision of 2,200 images available online in the Siberian Expedition Digital Archive.

Created by Canadian historian Benjamin Isitt and the University of Victoria Humanities Computing and Media Centre, the website about the Canada’s Siberian Expedition is based on a participatory approach, integrating learning resources, an online journal and Digital Archive. As explained in the web-pages of the Archive, the images come “from public archives, family collections and rare secondary sources” and they are “fully searchable in English, French, and Russian”. The Archive offers also participatory features, inviting people who “have photographs, letters, or a diary on Canada’s Siberian Expedition gathering dust” to contribute to the Archive with their materials, granting the permission “for non-profit educational usage of the images”.

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In addition to offer to the users the opportunity of going through the images of the Archive, the website provides an interesting  review of the historical context in which the expedition took place and the reason why 4,200 Canadians were sent to Vladivostok.

In 1917, Russia, engaged since three years in the First World War alongside the Triple Entente, had to face a series of internal problems that forced it to withdraw from the world conflict. The losses in terms of man and land, which occurred because of the world conflict, the tsarist absolutism and the worsening of the living conditions of the Russian proletariat and peasants were among the triggers of the October Revolution that brought to power the Council of People’s Commissars. From here, a bloody civil war begun, ending with the victory of the Red Army (Bolsheviks) on the White Army (counter-revolutionaries).

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Bryant Family Collection, Nanton, Alberta

What was then the role of Canada after the fall of the last tsar Nicholas II? On siberianexpedition.ca we can read that: “According to machine-gun officer Raymond Massey, «The expedition was to complete what Winston Churchill had termed the ‘Cordon Sanitaire,’ which was to contain the Bolshevik revolution.»” It then continues: “This was the context in which Canada’s Prime Minister, Sir Robert Borden, committed troops for Russia. Borden spent the summer of 1918 in London, where the Imperial War Cabinet decided to intervene on four fronts surrounding the Bolshevik government. Because of Vladivostok’s geographic proximity from Canada’s West Coast, 1,500 British troops were placed under the Canadian command.”

The following picture shows a surprising amount of ammunition  stockpiled on the Vladivostok wharves, which were shipped by the Canadians to aid the tsar’s forces before the Revolution.

Percy Francis Collection, Las Vegas, Nevada

Percy Francis Collection, Las Vegas, Nevada

The story of Canada’s intervention continues: “Canada’s privy council approved the formation of the Canadian Expeditionary Force (Siberia) as an array of foreign troops converged on Siberia and the Russian Far East: 70,000 Japanese, 12,000 Americans, 2,000 Italians, 12,000 Poles, 4,000 Serbs, 4,000 Romanians, 5,000 Chinese, and 1,850 French troops. When combined with the Czecho-Slovak Legion and White Russian forces, the total anti-Bolshevik strength between the Urals and the Pacific exceeded 350,000 troops.

In November 1918, the war ended on the Western Front and the White Russians underwent a change of command. Admiral Aleksandr Kolchak, former commander of the Czar’s Black Sea fleet, staged a coup at the Siberian city of Omsk. Kolchak proclaimed himself dictator of an “All-Russian government,” promising to unify White forces. The Allies had their point man in Siberia. “

Talking about life in Vladivostok in that period, siberianexpedition.ca tells that “The recollections and photographs of soldiers such as Eric Elkington offer rich insight into the social life of the military force and relations with Vladivostok’s civilian population, including a large number of ethnically Chinese and Korean residents and refugees from the Siberian interior. Soldiers’ recollections also reveal the dark side of military interventions – violence, human suffering, and the sex trade.”

siberia3The Siberian Expedition website and its Digital Archive are important resources to start learning about this controversial moment in the history of Canada and Russia, offering points for reflection and debate to world educators and students.

Family photographic archives, increasingly digitized, are very important historical and iconographic resources for telling the story of a community, but also of an entire nation. These resources become even more relevant when they are combined with digitised public archives, and all the materials is openly accessible and usable by all researchers, as it is in the case of the Siberian Expedition Digital Archive.

Furthermore, digital photographic resources do not suffer from the decadence that the flow of time causes on the printed photographs, preserving a vast range of knowledge that can stimulate further study and research.

Website: http://www.siberianexpedition.ca/index.php