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“Programme of Small-scale partnership in school education of the Erasmus+ Project From İntangible Expression to Digital Cultural Heritage European number: 2021-Round 2-KA210-SCH-0A1738D9 Our last meeting in Turkiye took part from 23rd to 27th of October in 2023 with the participation … Continue reading
The 2024 edition of Art Meets Radical Openness (AMRO), the biennial festival for art, hacktivism, and open cultures, has just come to an end. Held in Linz from May 8 to 10, it offered a context for discussing the … Continue reading
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The Institute of Mathematics and Informatics at Bulgarian Academy of Sciences has the pleasure to introduce the Eighth International Conference on Digital Presentation and Preservation of Cultural and Scientific Heritage-DiPP2018 which aims at presenting innovative results, research projects and applications … Continue reading
The course is being held in Madrid, at LINHD (Laboratorio de Innovación en Humanidades Digitales), from 13 to 17 July 2015, with the sponsorship of DiXiT – Digital Scholarly Editions Initial Training Network. The various programme sessions aim to complete the participants’ training, in order for them to become familiar with text transformation via different languages (HTML, CSS, XSLT) and formats (ePub). The competences acquired will enable the students to know the whole digital editing process and to generate several kind editions (scientific, didactic). Continue reading
A special session at the 12th International Conference on Agents and Artificial Intelligence (ICAART) is called on: Artificial Intelligence and Digital Heritage: Challenges and Opportunities – ARTIDIGH 2020 This special session welcomes papers that reflect upon, discuss and present the … Continue reading
Anyone willing to preserve digital content will be aware of events that might constitute a relevant risk. SCAPE is looking for digital content owners to participate in an online consultation to help them develop tools that would help you to automatically detect problems with your own content, and events that might put it at risk.” Continue reading
The Digital Preservation Coalition finds and celebrates the very best work in digital preservation across all sectors with the launch of the 2016 Digital Preservation Awards. The result of the design phase of the PREFORMA project has been nominated for the Award for Research and Innovation, which culminates in a glittering awards ceremony at the Wellcome Trust in London on 30 November 2016. Continue reading
Co-organised by McGill University and the Université de Montréal, Digital Humanities 2017 (DH2017) will take place August 8-11, 2017 in downtown Montréal, Canada on the campus of McGill University. This is the premiere annual conference of the international Alliance of Digital Humanities Organizations (ADHO). The theme of DH2017 is “Access/Accès”. Continue reading
DOORS – Digital Incubator for Museum aims to set up a framework for sustainable digital transformations in the cultural sector. The project kicked off in October 2021 and run until September 2023 conducting a two-stage incubation programme for museums including … Continue reading
PREFORMA project will be presented in the one-day event whose aim is to discuss with the European Commission, the S3 Platform, European regions and local stakeholders, on Innovation Procurement and Innovation Vouchers and their application in boosting regional digital growth. Continue reading
Organized by CRDI – Centre de Recerca i Difusió de la Imatge (Ajuntament de Girona) and GenCat – Generalitat de Catalunya (Department de Cultura), a seminar in the framework of EuropeanaPhotography project has take place in Barcelona (29th January 2014), at the premises of Palau Moja, Carrer … Continue reading
Jepchumba of Africandigitalart.com presents us the digital collage, in Africa a growing form of art that utilises technology to produce a range of artworks, incorporating digital video, animation, photography, animated gif’s and digital photo manipulation. Through digital new stories of Africa emerge, setting an alternative – and often critical – narration against the image of Africa we think to know. Continue reading
