COURAGE Policy Brief

Courage registry

The COURAGE project (Cultural Opposition – Understanding the CultuRal HeritAGE of Dissent in the Former Socialist Countries) is an international research project funded by Horizon 2020, it studied the role of culture in opposing authoritarian regimes and the efforts to preserve the memory and material heritage of cultural opposition to communist rule in most countries of Eastern and South-Eastern Europe.
It has just finished its action and has producted its Policy Brief titled “Learning from the History of Dissent in Communism to Foster a Shared European Memory of Freedom Practices” where suggest political action.

The heritage of cultural opposition against state socialism is an important resource for social reflection and innovation in Europe and the neo-authoritarian tendencies in Eastern and South-Eastern Europe have made urgent the enhancement of the heritage and the memory of the opposition.
However, as COURAGE has shown, this resource needs to be better acknowledged, and its significant symbolic power should be better exploited.

COURAGE has collected in unique repository, the first transnational digital database (COURAGE registry) the collections on cultural opposition, discovering also many small and previously unknown collections that prove that for a full understanding of the past, one must look beyond official accounts. The research showed the diversity of the stakeholders and the diversity of the forms of their collections that reflect the multitude of actors engaged in activities to preserve cultural heritage.

COURAGE identified many problem areas:
the lack of funds is the most common problem: culture occupies very different places on the list of priorities of national governments and most of them allocate very limited means to culture;
a further problem is the risk that only a certain version of the past will be officially promoted.

COURAGE has shown the importance and limits of digitalization:
it facilitates cross-country exchange and communication, opens new forms of access and engages new audiences and it can be an effective instrument of democratisation; at the same time, the importance of professional conservation and documentation of artifacts for research purposes should not be underestimated.

COURAGE highlights the importance of research and scholarship in the humanities for reflective societies; its research strengthens self-reflective social consciousness by showing how narratives of the past have been constructed and manipulated, and that there is not one “truth.” The diversity of cultural heritage can tell us about different historical experiences and the relativity of our own traditions, but it to fulfil that role, cultural heritage must be critically assessed and professionally preserved.
One of the main conclusions of the project is that the memory of opposition is an important field of co-production and citizen science; the project emphasizes the importance of collaborative approaches to the study of this field; the potential of this approach has not been fully exploited and could produce new insights and a further understanding of this aspect of Europe’s shared history.

Read here COURAGE Policy Brief


CH Symposium and Policy debate
SYMPOSIUM_POLICY-DEBATE-00One year after the Brussels launch of the European Year of Cultural Heritage (EYCH), REACH Social Platform for participatory approaches and social innovation in culture was presented a two-day event in Brussels on the 20th and the 21st of March 2019.

 

On the first day a Symposium entitled “Horizons for Heritage Research – Towards a Cluster on Cultural Heritage” took place in Covent Garden Building A 1210 Sint-Joost-ten-Node; the aim was to agree on the content of a Manifesto that will provide the basis for the creation and the sustainability of a research stakeholder cluster on Cultural Heritage.

 

In the morning of the second day a high-level policy debate on Cultural Heritage and the Cultural and Creative Industries in Horizon Europe was organized. This debate brought together research stakeholders and top European policy-makers to reflect on the results achieved and perspectives for European funded research and innovation on cultural heritage and the cultural and creative industries.
The debate took place in the House of European History.

 

Read more here
Download symposium invitation card.
For further information and contacts: info@reach-culture.eu

 

#EuropeForCulture #participateinculture

ICAA 2019 – International Congress on Architectural Archives

International Congress on Architectural Archives ‘Professional Experiences in Cultural Diversity’ at Braga (Portugal), 25 to 27 September 2019.

The aim of the Congress is to examine issues relating to the production and management of the records of architecture and the built environment, their preservation, authentication and use in the service of humanity. The Congress will bring together archivists and other professionals concerned with architectural archival heritage from around the world, with diverse cultural backgrounds, experiences and work traditions.

arquivo

CALL FOR PAPERS – extended deadline 30 April 2019: 

The Congress Programme Committee invites you to submit proposals for papers, presentations or case-studies with the aim of encouraging discussion and debate throughout each session. Proposals should reflect theory and practice in archival activities as they relate to the acquisition, preservation, and management of architectural records.

Download the call (English, PDF 152 Kb)

icaa


Italy: design, politics and democracy in the 20th century.
Ass. Italiana Storici DesignThe focus of the conference organized by Associazione Italiana  Storici del Design is to investigate the complexity of historical relations between design and politics during the 20th century; the event will be held the 20th and 21st of June 2019 in Turin at Castello del Valentino.

 

Starting from the presuppose that the design territory is placed into a dialectic and dialogic dimension that involves designer, production and society, the purpose is to bring out the different subjective conditions of the referred Italian community in relation with the transformation of political and social conditions and to reconsider the design role, also in its ideological aspects, as a result of a political thought, indeed oriented to the design organization of the common good.

 

The call proposes two macro areas of intervention:
  1. Critical Humanism: “democracy and design” or design vs democracy / disciplinary session: between history and critics
  2. Operational Humanism: “political design” or design vs politics / problematic session: between history and contemporaneity

 

Visit the Call for Conference to participate with an abstract proposal
Important dates:
  • December 2018 call publication
  • January 31st 2019 abstracts deadline
  • February 28th 2019 abstracts acceptance

 

Further information:
Location: Castello del Valentino, Turin
Convenors: Luciana Gunetti (Politecnico di Milano), Dario Scodeller (Università Degli Studi di Ferrara)

ViMM consultation and event about the future of Digital Cultural Heritage

vimm

Virtual Multimodal Museum Coordination and Support Action project (www.vi-mm.eu), funded under Horizon 2020, has completed over two years’ work to provide strategic guidance for the European Commission and the wider cultural heritage community, on the future direction of Digital Cultural Heritage.

Our culminating event will be held in Vienna on 14 and 15 February at the Museum of Natural History.

At this meeting we will be seeking high level validation and support from sectoral representatives, with a special focus on a 5-year EU Roadmap and EU Action Plan for research, education an international cooperation, which has been developed through wide consultation.

Please register on our platform (https://www.vi-mm.eu/register/ ) and follow & like us on our Social media

image: Gryffindor [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0/)], from Wikimedia Commons


Call for artists: THE BODY LANGUAGE 2019

CALL FOR ARTISTS: THE BODY LANGUAGE 

ITSLIQUID International Art Exhibition 2019

Venice, February 21 – March 22, 2019 at the art gallery THE ROOM Contemporary Art Space.

Deadline: January 31st, 2019

The exhibition will be presented during the period of Venice Carnival 2019 and we invite artists to be inspired by the magical power of Venetian costumes, exploring the connection between desires, needs, fears through rituals that brings human kind to change, to transform and to evolve their inner world. THE BODY LANGUAGE analyzes the hidden parts of our identities, through an immersive experience inside the fascinating universe of the complex labyrinths of our consciousness.

body_language 2019_002

ITSLIQUID Group, in collaboration with VENICE EVENTS, is selecting all interesting photos, paintings, video art works, installations/sculptures and performance art works to include in the event.

To take part in the selection, send your works’ submissions with a CV/biography, some still images (for video-art), links of videos/films/performances and pictures of artworks by e-mail to lucacurci@lucacurci.com

Deadline for applications is January 31st, 2019 (11.59 PM of your local time)

More information: https://www.itsliquid.com/call-for-artists-the-body-language-itsliquid-international-art-exhibition-2019.html

 


«Not a mere tangential outbreak»: gender, feminism and cultural heritage
The journal CAPITALE CULTURALE Studies on the Value of Cultural Heritage of the Department of Education, Cultural Heritage and Tourism of the University of Macerata, has published the article «Not a mere tangential outbreak»: gender, feminism and cultural heritage by Silvana Colella, Professor of English at the University of Macerata (Italy) and Senior Research Fellow at Coventry University.

 

IL CAPITALE CULTURALE
Research for this article was carried out under the auspices of Reach project.

 

This essay focuses mainly on the ongoing academic debate about gender in heritage studies and offers an overview of the critical literature on gender and cultural Heritage focusing in particular on suggestions and recommendations about how to expand and further advance the gender agenda in the heritage field of research.
The article highlights the richness of a debate which, although it occupies a marginal position in the wider fields of heritage and museology, is in no way irrelevant to the challenges faced by heritage institutions.

 

The work is organized in 2 section:
  • the first, “Gender and Heritage”, discusses articlesfall into the category of “scholarship on the scholarship”, providing across-the-board assessments of a variety of contributions, and thus can be considered authoritative evaluations of current trends in research.
    These articles  evaluate the level of knowledge and development achieved in the heritage field, exposing shortcomings and impediments.
  • the second section, “Feminism and Museum” takes a closer look at the dialogue between feminist theories and museum studies. Feminist scholars and activists, starting from the the 1970s, denounced the patriarchal bias of art history, canonical literature and curatorial practices in museums; these feminist interventions have led the museum studies, since the ’80s, to a self-reflexive process of critical rethinking.

 

The final part offers a synthesis of gender-aware proposals and methodological models elaborated, and in some cases tested, in the literature under review.

 

Download the essay here.

New Illuminated Portals in Las Vegas: Backlit Lenticulars by James Stanford

James Stanford Binions V-1 high res copy

Contemporary artist James Stanford was exhibiting illuminated Las Vegas-inspired montages in a pop-up exhibition in the heart of the Las Vegas Arts District (Soho Lofts, 900 S Las Vegas Blvd, Las Vegas, NV 89101, USA), from February 1 to March 31, 2019

‘Digital painter’ James Stanford is known for his complex photomontages of Las Vegas landmarks and neon signs. Combining traditional photography with innovative digital technology, he layers original photographs to reimagine them as rich digital mosaics. Inspired by the Bauhaus movement, Stanford’s abstract style features bold colours and mesmerising visual networks. Often printed as backlit lenticulars, his illuminated works move with the viewer’s gaze and take on a shimmering life of their own.

James Stanford, Skrolls and original photograph

Stanford’s works reflect a strong connection to his native Las Vegas, featuring resonating symbols like the Old Tropicana hotel or iconic neon signage. His works often combine image and word in highly symmetrical and amplified patterns, wherein a single piece may contain 30 or more layers.

Stanford is concerned with transformative possibilities and artistic expressions of spirituality. For Stanford, his artistic process is akin to meditation. Drawing on the ancient traditions of Buddhism, he conceives of his montages as “modern mandalas” – maps towards inner zen. As such, Stanford can be said to explore physical environments, such as the enchanting Mojave Desert, in order to unlock psychological landscapes. By transforming reality into imagined realms, his works enact forms of interconnectedness.

James Stanford Vacant Si 2-V2 high res copy

Stanford’s exhibition is the second exhibition in a series of popups curated by Laura Henkel of ArtCulture PR at the Soho Lofts in Las Vegas. Stanford was rotating backlit lenticulars that were visible from the street at all hours of the day, but that were particularly impressive in the darker hours of the evening. Works included So Fabrish Old Tropicana (54×54 inches) and Recombo Old Tropicana (54×54 inches).

The exhibition follows on from the success of Stanford’s recent exhibitions, most notably his solo show in Las Vegas and his recent showing at the Sculpture Objects Functional Art and Design Fair, the premier gallery art fair dedicated to three-dimensional art and design in Chicago, via Melissa Morgan Fine Art of Coachella Valley in Southern California.

James Stanford Flamingo Hilton high res copy

About James Stanford

An international exhibiting artist, James Stanford studied painting at the University of Washington (MFA) and the University of Nevada Las Vegas (UNLV) (BFA) and also practices photography, digital illustration and drawing. Dedicated to creativity and the fine arts, he has taught at UNLV and UW, established the Smallworks Gallery/Lost Vegas, and curated exhibitions at various venues, including the Las Vegas Contemporary Arts Center. Stanford also served as the Arts Commission Chairman of the City of Las Vegas and later President of the Las Vegas Contemporary Arts Center. Stanford’s recent exhibition at Asia Art in London and the release of his book, Shimmering Zen, at The London Library, and in Las Vegas, have pushed him to create new and innovative art. Due to the success of Shimmering Zen, he has further broadened the scope Smallworks Press, a small publishing company specializing in books on arts and culture. He currently lives and works in Las Vegas.

Press: please contact Damson Communications: Anna Beketov on +44 (0) 207 812 0645 or anna.beketov @ damsonpr.com.

 

 


Getting started with JHOVE – digital preservation tool

opfThis half-day workshop will provide participants with an understanding of what JHOVE program does, how to install and configure the software and how to interpret the results.

JHOVE is an open source file format identification, validation and characterisation tool for digital preservation, and part of the OPF reference toolset. It can be used by itself or as part of a digital preservation workflow. It is also embedded in several off-the-shelf digital preservation products.

Goals/learning objectives:

  • Gain an understanding of the levels of file format validation and why this is important in digital preservation.
  • Learn how to install and use JHOVE and how to interpret the results. Understand what its capabilities and limitations are.
  • Find out how to report bugs, request features and contribute to improving JHOVE, benefitting the whole community.

Registration and tickets: http://openpreservation.org/event/getting-started-with-jhove/

25th January 9-13
National Library of the Netherlands
Prins Willem-Alexanderhof 5
2595 The Hague, Netherlands


Edinburgh Short Film Festival 2019 Now Open For Entry!

Edinburgh Short Film Festival 2019 Now Open For Entry!
Featuring the best short films of 2019 at international film festivals, screening 8 nights of short film at cinemas across Edinburgh in 2019

And

Presenting awards and trophies for the best films selected by our jury for Best Film, & Best Animation & Best Scottish Short!

CALL FOR ENTRIES GENERAL AND TOURING POSTCARD 2019 A

This year, we’re also excited to be programming films and film partnerships with our 2019 partners:

  • The Adriatic Film Festival
  • Fastnet Film Festival
  • Firenze FilmCorti (Florence)
  • Puppet Animation Scotland
  • DC Independent Film Festival (Washington)

https://www.edinburghshortfilmfestival.com/call-for-entries-2019/