www.audubon.org: A Vibrant Digital Library

Text by Caterina Sbrana.

John James Audubon (1785-1851) was not the first person who painted and described all the birds of America, but he was one of the youngest “country’s dominant wildlife artist(s)”. We are talking about his seminal Birds of America, a collection of 435 life-size watercolors of North American birds printed between 1827 and 1838, all reproduced from hand-engraved plates. This is a portal into the natural world.

A collection born from the failure of Audubon: in facts he was briefly jailed for bankruptcy; with a family to support and no other prospect Audubon goes away from Henderson, while Lucy, his wife, earns money as a tutor for rich families. With a gun, pencils, some notebooks and a young assistant, the artist collects a lot of material about American avifauna. In 1826, with his collection partially finished, he sailed to England. His life-size bird paintings, along with descriptions of wildlife, hit just the right spot at the height of the continent’s romantic era. “The American Woodsman was literally an overnight success”.

As we read in the web site dedicated to him “He encapsulates the spirit of young America, when the wilderness was limitless and beguiling. He was a person of legendary strength and endurance, as well as a keen observer of birds and nature.”

Nearly two centuries later, Audubon prints are coming to life once again in a vibrant digital library : https://www.audubon.org/birds-of-america.

plate 318

https://www.audubon.org/birds-of-america/american-avocet (Plate 318)

 

 

In the digital archive it is possible to make a search by inserting the common name (not scientific) of the bird or to scroll through the paintings of birds, inserted in alphabetical order. You can also see the plates in chronological order. The birds are drawn in their habitat, while they look for food or feed the newborn, in pairs in groups or singles, while they fly or while they are placed on a branch. Plate 1, for example, represents an extraordinary Wild turkey one of the most interesting of the birds indigenous to the United States of America.

For each bird there is a long description of the areas where it lives, its habits, the mating and especially the description of what these animals do during the year. It is specified also the scientific name of both the bird and the plant represented.

turkey

https://www.audubon.org/birds-of-america/wild-turkey

“The Turkey is irregularly migratory, as well as irregularly gregarious.  The males, or, as they are more commonly called, the gobblers, associate in parties of from ten to a hundred, and search for food apart from the females; About the middle of April, when the season is dry, the hens begin to look out for a place in which to deposit their eggs”.

To better understand the accuracy  in the description we do a search by entering “flamingo” : we immediately find out that it is plate 431 – American Flamingo.
And immediately the description: “On the 7th of May, 1832, while sailing from Indian Key, one of the numerous islets that skirt the south-eastern coast of the Peninsula of Florida, I for the first time saw a flock of Flamingoes. It was on the afternoon of one of those sultry days which, in that portion of the country, exhibit towards evening the most glorious effulgence that can be conceived”.

flamingo

https://www.audubon.org/birds-of-america/american-flamingo

You can admire the composition in its entirety, you can zoom some parts, download it in high resolution, or share the image via Twitter fb, e-mail and other social network. The extraordinary thing is that we have the comparison between the painting and a modern photograph of the species observed in the section “bird guide”: Audubon had an extraordinary ability to observe every detail of the painted subject from the color of the plumage to the shape of the beak and movements. I suggest at least the navigation among the Audubon Birds not only to bird watching enthusiasts or ornithologists, but to all those who like to observe beautiful things.

Website: www.audubon.org

 


Panel discussion: “The Artist Isn’t (Physically) Present: Women in Digital Art”

The artist isn't....Thursday 13th June at Showfields, Manhattan, New York,  the interesting panel discussion “The Artist Isn’t (Physically) Present: Women in Digital Art” took place to discuss why digital art, like other artistic format, continues to be dominated by male exponent although there are excellent female digital artists who work and sell in the virtual realms.

The debate was carried on by the artists Molly Soda, Claudia Hart, and Faith Holland,  prominent female artists and it was led by Poppy Simpson, head of content and curation at Meural.

The artists explained the complexities of working and selling their work and the ways in which they are building their digital art practice.
They talked about “their predictions for what a digitally driven and more inclusive art market might look like in the future,” according to the organizers.

During the event, the works of the panelists were displayed on the Meural Canvas, a digital screen that collectors and consumers can hang in their homes to show a variety of visual art.


Kaleidoscope project meeting in Helsinki

The progress meeting of 50s in Europe Kaleidoscope project took place on the 5th June in Helsinki, attached to the annual event of Photoconsortium hosted by Museovirasto.

Partners met particularly to discuss the next steps in two main areas of the project: the development of the services for visual recognition and for crowdsourcing that the project is implementing to support metadata creation and enrichment for photographic content relating to the fifities, and the content selection for the project’s exhibition to be lauched in a double format: as a travelling physical exhibition of printed photographs to premiere in Pisa on 6th September, and on Europeana as a virtual exhibition to be published online in Autumn 2019.

Other topics tackled in the meeting touched upon the progress of the MOOC, to be available for user testing in Autumn and the brand new access point for educational content online, the upcoming Educational Portal which will be available soon also including cooperation with Europeana community on education.50s helsinki


STARTS residencies at FUTUR.E.S festival in Paris

starts logoWe are very happy to present two STARTS Residencies projects during Futur.e.s festival on 13th and 14th June, at the Galerie des Gobelins in Paris. Created by Cap Digital, Futur.e.s festival offers for two days interactive summits that mix inspirational lectures, workshops and masterclasses, and 80 innovative demos rigorously selected for their emerging, sustainable nature and technological excellence.

STARTS website: https://www.starts.eu/

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PRINT YOUR CITY by The New Raw
June 13 & 14 from 9.00am to 8.00 pm – Free entry

What if citizens could build their cities from waste?
Print Your City explores the concept of applying 3D printing to plastic waste, as a way to re-design urban space.

In the project Print Your City, urban dwellers transform their plastic waste into raw material for public space, creating a circular stream within the city. This is achieved by recycling household plastic waste with robotic-3d-printing and producing components that upgrade the built environment through citizen involvement and the principles of circular economy.

A project developed by the design studio the New Raw in collaboration with PlasticTwist platform.

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masterclass

MASTERCLASS “How art pushes startups beyond intended uses?”
June 14 from 2.30 to 3.00 pm  – Free entry

Speakers:
Laurent Bazin, stage director
Line Brucena, co-founder of Gengiskhan Production
in the framework of “My fears murmured to you” STARTS Residency

MORE INFO :https://futures.paris/

 


Fifth Biennial of Public Space: promote projects and initiatives to give quality and vitality to public spaces

The Biennal Public Space is an event for the exchange and dissemination of research activities and actions carried out on the issues of urban public spaces.

The Fifth edition took place in Rome in the past few days, organized by the  Association Public Space Biennale – APS.
The key theme of the event was “meeting”, declined in three thematic areas: public parks, sustainable mobility, public art.

biennale 2The contemporary city suffers the large and rapid changes of urban and social nature, spreads individualism and it is increasingly difficult to trace what is recognized as “common”; this increases the degradation and the abandonment of real public space, but public space represents a privileged place to meet, socialize, share interests, promote activities of construction and development of forms of participatory democracy; it embodies the identity of a city and the shared values of the community that resides there.

biennaleThe Biennial promotes meeting and comparison between citymakers, individuals or associates, who show interest in a physical re-appropriation of the city with representatives of Municipalities and Regions, professional Associations, universities and companies; the aim is to outline effective shared solutions and the enhancement of public spaces.

 

The final event included three workshops focused on the three thematic areas:
  • public parks that are the major component of public space and have an ecological rule.
  • sustainable mobility to regenerate  cities and their suburbs
  • public art  to promote the social re-appropriation and qualification of urban spaces

During the event, national and international territorial workshops took place to inform and discuss ideas, projects and experiences related to the three thematic areas, as well as a trip to the municipalities of good practices.

As a result of the call for papers promoted by the Biennial, the papers will be published in the digital volume “DIVERSE City” edited by the Italian National Council of Architects Landscape Planners and Conservators.
In this book, the  research experience nurtured during the Rock project (Regeneration and Optimisation of Cultural Heritage in creative and Knowledge cities), Reach linked project,  was presented by Andrea BOERI, Danila LONGO, Valentina GIANFRATE, Rossella ROVERSI (UNIBO-DA) with the title “Cultural heritage-led initiatives for urban regeneration. Pilot implementation actions in Bologna public spaces”.
The contribute focuses on the use of Cultural Heritage as a catalyst for urban regeneration and on reactivation actions of public spaces in Bologna, aiming at fostering collaborative practices, social cohesion and innovation.
Further information about the event on the http://www.biennalespaziopubblico.it/

“The Strategic Use of Heritage Representations: The Small Towns of Podlasie Province”
Cattura 4Last May the open-access peer-reviewed international academic journal  “Urbanities” published the result of the Polish case study carried on in the framework of the Small Towns Heritage Pilot of REACH Project. The article was written by Luďa Klusáková(Charles University, Czech Republic)  Halina Parafianowicz and Marlena Brzozowska (Białystok University, Poland).

The article stems from a project researching good practices in the use and re-use by small towns of their cultural heritage. Heritage representations and related participative activities may contribute to urban renaissance, or completely fail if there are no favourable conditions. The selected case of Podlasie Voivodship, a Polish province on the border with Lithuania and Belorussia, represents a peripheral border region. Its settlement is to quite a large extent represented by small towns on the edge of the countryside. To test our hypothesis that towns in border regions across Europe use heritage in their development strategies and that these are comparable through the perspective of the use and reuse of the heritage, the representations of selected settlements were analysed: Tykocin, Supraśl, Hajnówka with Białowieża and Wysokie Mazowieckie. The authors are historians, and combine contextualization with observation of selected cases inspired by visual ethnography. In addition, the general public’s understanding of heritage has been explored through the analysis of 248 questionnaires answered by a focus group of secondary school students from Wysokie Mazowieckie. The findings presented in the article contribute to the debate on the role of Creatives in towns from the historian’s perspective
Link to the entire article:http://www.anthrojournal-urbanities.com/wp-content/uploads/2019/06/6-Luda-Klus%C3%A1kov%C3%A1-et-al.pdf
Link to Urbanities Journal:http://www.anthrojournal-urbanities.com/wp-content/uploads/2019/06/May-2019.pdf


“The legal framework of cultural landscapes in Andalusia (Spain): limits and possibilities of public participation from an archaeological perspective”

CatturaThe independent European journal of post classical archaeologies PCA recently published an article facing the theme of the participation on cultural landscape.
The contribution was given by Dott. L. Delgado Anés and  Prof. J.M. Martín Civantos from the University of Granada, both  engaged for years in projects promoting forms of participation for the protection and recovery of the heritage of landscapes. Indeed, as explained by the authors in the introduction of the article, “the choice of this subject stems from the accumulation of experiences
gathered during the development of two research projects: MEMOLA (www.memolaproject.eu) and more recently REACH (www.reach-culture.eu).
Intention of the article is to ascertain how  the management and participation in cultural landscapes are conducted and to identify in which conceptual and normative contexts archaeologists should act in their approach to putting into practice a participatory model. The paper advances that this cannot be initiated uniquely from archaeological, or even heritage or cultural, practices. Environmental factors and natural values are essential and have often prevailed over more integrated conceptions of coevolutionary processes between humans and the environment.
Read the entire article:
PCA 9_Delgado-Civantos


REACH Local Encounter: “Intangible Roma cultural heritage in Hungary – Communities and participation”

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The 21th May a local encounter organized by Elte University, task leader of Minority Heritage Pilot, was held at  the Gandhi Secondary School, located in Pécs; this is the first secondary school in Europe, devoted to preparing young Roma for higher education and teaches Roma history and culture as well as Beash and Romani languages.
The aim is to produce future Roma intellectuals committed to the cause of the Roma and the continuation of Roma language and culture.
In 2017, the pedagogic method for the preservation of the Gipsy/Romani intangible cultural heritage was selected as element of the national register of best safeguarding practices in Hungary.

 

The three hungarian organisations, the Hungarian and Gipsy Dance Traditions of Nagyecsed (part of the national inventory of ICH, since 2017), the Gandhi Secondary School and the Talentum Art School (both selected on the national register of best safeguarding practices in Hungary with their educational programs) attended the event to present their history and their definition of Roma cultural heritage.
The discussion highlighted the importance of heritage communities and the active participation and involvement of the local communities; it raised the question of authenticity of the Roma culture and the danger of exoticising certain cultural traditions as well as danger of xenophobic attitude of the majority society.
The debate concerned a lot of pertinent issues, such as the position of the communities, their activity and their involvement in the case of Hungarian Roma, where poverty and disadvantageous social status may very much balk the participation in cultural activities.
Also the lunch time was an opportunity to deepen the Roma culture: the Kóstolda Roma House Restaurant is a great local example of Roma entrepreneurship where the visitors may discover authentic Roma cuisine, while the restaurant also attempts to break down the discrimination and prejudice against their ethnic group through fostering communication

 

During the event there was a small exhibition presenting photos and objects collected from the past.

 


“THE WONDERS OF POSSIBLE”, open call for artists

In November 2019, Kyber Teatro organises in Cagliari (Italy) the 6th Edition of the International Theatre, Art and New Technologies Festival called
“Le Meraviglie del Possibile”.

LMDP Festival is the first of this kind in the whole Italy. Its aim is to promote the interrelation between artistic and technological languages.

LMDP1

Kyber Teatro – spin off of L’Aquilone di Viviana (theatre and new technologies company, LMDP Festival creator and manager), addresses to Italian and International artists an Open Call to submit their projects about “Interaction between arts and technology”.

Who can attend:

The participation is open to artists of every nationality, working individually or in a group.

Eligible projects:

•   Theatrical plays, performances.

•   Installations that explore and realize the interaction between artwork, exhibition space and observers with the contribution of technology.

Application (deadline the 30rd of June 2019):

The theme of the sixth edition of LMDP Festival is the interrelation between theatre, arts and new technology.

The application must contain:

• Artist’s CV;

• Detailed description of the project (in PDF);

• Technical rider;

• Selection of max 5 photos;

• Link audio / video material (Vimeo or Youtube).

The result is going to be notified only to selected projects by the the Month of July 2019.

Economic conditions:

Full coverage of all the costs for mobility in Cagliari (travels, board and accomodation) and the compilance for safety standards of the space is guaranteed by Kyber teatro. Subject to agreements with our technical director, also any material required for the presentation of the performance/show/play/installation can be covered.
The Open Call winners will have the opportunity to present their work two times (performance not paid, the partecipation it will be free) and to hold a workshop with entrance tickets for the audience (workshop proceeds will go to the artists).

Publication:

Applying for the call, artists agree that the projects should be represented at the Festival. Selected artists must provide a short biography and an abstract of the project. They also agree that the material related to the project could be published on the Festival website and/or presented to the press for promotional purposes.

Archiving process:

Artists authorise Kyber Teatro – L’aquilone di Viviana to present their work, to store the material and make it accessible through the Festival’s website. All rights to the artwork and images will remain to the artist. The Organization is also entitled to document the event in all its phases through audio recordings, video or images.

Application materials must be sent by the 30rd of June to: info@kyberteatro.it

 


RomArchive project winner of the Creative Europe Reasearch Award

33962392028_91ced0e8f9_o1The 21 May the European Commission and Europa Nostra, the leading European heritage network, announced the winners of the European Heritage Awards / Europa Nostra Awards 2019, the Europe most prestigious honour in the field, funded by the Creative Europe programme.
Among the awarded initiatives there is the one of regarding the development of a digital archive of the Roma, an internationally accessible space that would make Romani cultures and histories visible as well as respond to stereotypes with a counter-history told by Roma themselves.
RomArchive is a growing collection of art of all types, complemented by historical documents and scholarly texts. The idea for the archive is based on the extensive research and numerous interviews that the project initiators, Franziska Sauerbrey and Isabel Raabe, conducted with Romani artists, curators, activists, and scholars from all over Europe. Rosa Cisneros from Coventry University’s Centre for Dance Research was a key member of the Dance curatorial team: she has been involved in the project for several years taking care of the majority of the writing and curating for the dance section.
Until its launch, RomArchive’s development, was mainly supported by the German Federal Cultural Foundation.
RomArchive’s development, until its launch, was mainly supported by the German Federal Cultural Foundation.
The innovative aspect of RomArchive is that reflects the diversity of Romani national and cultural identities. Members of the community are involved in all positions of responsibility – as curators, artists, scholars, and members of the project’s advisory board. The curators determine the contents of the archive and gather collections related to dance, film, literature, music, theatre, the visual arts, and flamenco along with first-person testimonies related to the persecution of Roma under the Nazi regime and scholarly material on the civil rights movement.
47839750161_3305b12a68_o2“The subject of this research is essential for the history of the people of Europe”, the jury said, “Roma, with twelve million people, constitute the largest neglected minority in Europe. This archive is particularly innovative as it pays attention to the self-representation of Romani identities, expressing both tangible and intangible aspects of this heritage and moving away from the stereotypical perceptions of Roma”.
The wealth of Romani artistic and cultural production – tightly interwoven with that of Europe as a whole – is rendered visible and accessible by RomArchive, to the benefit of all Europeans. “European identity is based in its diversity and in sharing a sense of values and of belonging, to which this project contributes,” the jury said.
The website is already available in English, German, and the Romani language with further languages envisioned in the near future.
“The digital archiving of Romani arts represents a first initiative in knowledge collection and dissemination and already represents 5,000 objects. This multilingual website, available in Romanes, is a constantly growing platform,” the jury noted.
More information
https://blog.romarchive.eu/
European Heritage Europa Nostra Awards