Call for Papers: ECHIC Conference 2019
ECHIC 2Following a string of successful conferences in major European cities (Dublin, Utrecht, Nottingham, Oporto, Pamplona, Macerata, Edinburgh and Leuven) the next Conference of the European Consortium for Humanities Institutes and Centres (ECHIC http://www.echic.org/) will be held in Athens in April 2019. The conference will be hosted in collaboration with the University of the Peloponnese and other participating Greek education and cultural institutions, such as the Athens School of Fine Arts, the National Museum of Modern Art & the Athens and Epidaurus Festival.
The conference programme will feature keynote lectures, conference papers, project presentations/demos, panel discussions, as well as the annual meeting of ECHIC and networking workshops. Depending on interest during registration, the programme will also include extra options of guided tours and visits to sites of cultural interest, such as the Acropolis and the Acropolis Museum, the National Library, and a day-trip to the ancient theatre of Epidaurus or the spectacular temple of Neptune at Sounion.
Papers and discussions will address the interface between humanities and the arts within Europe in a globalised world. The conference will focus on the creative industries as a paradigmatic topos of such confluences. It will also reflect on questions about the relation between creative economies and cultural democracy, and, at a more fundamental level, of the relation between creativity, ethics and politics which cut across boundaries between the Humanites, the Arts and Social Sciences and speak to contemporary concerns beyond academia.
Along these theoretical axes, some of the topics suggested for discussion are (not limited to) the following:
– Arts and the humanities; historical perspectives
– Arts and performance: festivals and other public events
– Archeology, Museum  and Heritage Industries
– Digital   technologies,  creative  archives and visual cultural industries
– Book culture and the publishing industry
– Translation, creativity, and economy
– Education and the creative economy
– Creative Commons
– Democracy, politics and creativity
– Ethical issues in the creative industries
– Community art and humanities projects;
– Creative economy on a national and globalised level
– Crisis, development and creative industries
– Funded arts and humanities projects – policies, good practices and Showcases

They are invited proposals for either 20-minute academic papers or 10-minute project presentations/demos in intersecting areas of arts and the humanities broadly outlined above. Early career researchers and coordinators of funded projects are particularly welcome to submit. Proposals for panels are also welcome.
Submit of a short biographical note together with an abstract of 150 words for a proposed panel or individual presentation/ demo should be sent at both the following addresses:
angeliki.spiropoulou@london.ac.uk and ECHICathens2019@gmail.com
Conference Organiser
Dr Angeliki Spiropoulou
Associate Professor of European Literature and Theory, University of the Peloponnese;
Research Fellow, School of Advanced Study-University of London

First International Seminar on Sports Archives

spo-icaThe International Council on Archives (ICA), through the Section on Sport Archives (SPO), aims to make governments and the public aware of the need to preserve and conserve archives belonging to all the individuals, public and private institutions, associations and other organisations linked to the world of sport.

The ICA’s activities, through ICA / SPO, are intended to raise awareness in society of the need to organise, preserve, disseminate and facilitate access to documentation and information produced by associations, clubs, federations, sports organisations and athletes, since they play a fundamental role in configuring the personal and collective memory of the world of sport and of society itself. The complex management of the world of sport has many links with other professionals, such as those involved in health, journalism and the media, history, archive studies, political science, legislation, economics, philosophy, the sciences of physical activity, and sports and engineering, among other fields.

Student athletics, Veria Public Library, American Farm School of Thessaloniki Historical Archives, Public Domain via Europeana.

Student athletics, Veria Public Library, American Farm School of Thessaloniki Historical Archives, Public Domain via Europeana.

With a view to achieving the above aims, the ICA / SPO, Girona City Council and the Diputació de Girona are promoting a biennial seminar on sport archives in Girona. In this first edition 9th October 2018 we want to present the vision of nine professionals with outstanding experience linked to sport within their own disciplines: sport, history, journalism, health, and archive – document management.

  1. These professionals will contribute their own understanding of the role of sport in society at all levels, as an element transmitting values, integration, change and a desire for achievement, thus enabling others to appreciate its importance.
  2. They will thus be a channel of communication that is capable of motivating others and promoting the objectives of ICA / SPO in society, emphasising the need to organise, preserve, disseminate and facilitate access to archives linked to the world of sport.
  3. Their contribution to the seminar will be geared to raising awareness among all those involved in the world of sport (clubs, federations and national and international organizations, companies, sponsors, doctors, physiotherapists, journalists, historians, archivists, engineers, referees, coaches, teachers, etc.) of the importance of preserving documents that make up an essential part of a country’s collective memory.
  4. Their presentations will highlight the ways in which they manage, use and exploit the documentation and information they have accumulated personally and professionally over the years.

Programme (PDF, 1.4 Mb)

Website: http://www.arxiudiputaciogirona.cat/primer-seminari-internacional-dels-arxius-de-lesport/


new name, same mission: European Fashion Heritage Association

efhaStarting today, the Europeana Fashion International Association changes its name in European Fashion Heritage Association. A new name, a new identity, but the same mission: “make it easier for fashion GLAMs and brands to get better value from their cultural heritage assets by opening them up and connecting to new audiences”.

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catalogue from Le Bon Marché, 1910. courtesy Mode Museum Provincie Antwerpen, free access

Sharing the vast wealth of fashion heritage assets stored in public and private museums and archives across Europe empowers these institutions, improves their visibility and prestige and connect them with new audiences; at the same time, it allows the full exploitation of our shared fashion heritage for work, for study and for fun. These are the main reasons that will continue to drive the activities and the scope of European Fashion Heritage Association.

The Association today launches also its new website: fashionheritage.eu.

The website wants to be a space where a thriving network of fashion heritage professionals, scholars, creatives and enthusiasts can meet, share experiences, learn from each other and have a specialised access to the largest and richest digital repository of fashion heritage online, daily curated by a dedicated editorial team.

The Association will also continue to operate the Fashion thematic aggregator, keeping on publishing and enriching high-quality digital fashion content on the Europeana Collections portal, putting it in the broader framework of the European cultural heritage, engaging there a larger audience of culture lovers.

Moreover: soon, information on the forthcoming international conference on “Europe and Fashion: Questioning Identities and Cultures” will be shared, with an impressive lineup of speakers.

Learn more and stay in touch: https://www.fashionheritage.eu/


Bardkontakt conference.Cemeteries and memorials in the life of municipalities

Cattura1The 26th edition of the Bardkontakt conference, dedicated to the protection, maintenance and management of the cemeteries and memorials from the perspective of municipalities, was hosted by the small town of Bardejov . The topic was judged in the context of preserving local traditions, presenting the values of this heritage, improving the life conditions of the community and the further development of local site.
Main topics of discussion:
– Recognizing and mediating history through monuments, memorials and cemeteries
– Specific type: reminder of combat events and military operations
– The use of memorial monuments in the context of life and development planning of towns and villages
– Transfer of knowledge
OLYMPUS DIGITAL CAMERAThe conference provided the space for interdisciplinary discussion, sharing experiences between participants in each of the areas concerned and it was opened to the members of the Slovak Chamber of Architects, the Slovak Chamber of Civil Engineers, the Slovak Chamber of Restorers, the employees of the Monument Board of Slovak Republic, the members of Association of Towns and Municipalities of Slovakia, representatives of municipalities, experts from the academic environment and artists’ community, other participants in the processes of programming and realization of development of municipalities, representatives of citizens’ initiatives, investors and to all these with an interest in this topic.
The event was organized by 2 REACH associate partners in Slovakia: the municipality of Bardejov, UNESCO World Heritage Site (Slovakia) and ECOVAST Slovakia, an organization focused on the promotion and preservation of rural heritage all around Europe.
Venue: Bardejov Town Hall, Slovakia
More information about Bardkontakt conference here


CROSS Award 2018 – IV edition

imm promo cross 2018

LIS Lab Performing Arts – in collaboration with the Comune di Verbania (Municipality of Verbania) and with the support of MiBACT, the Regione Piemonte (Piedmont Region), Fondazione Piemonte dal Vivo (Fondazione Piedmont Live) Fondazione CRT (CRT Foundation) and Ricola.

Announces the fourth edition of the ‘Internation CROSS award’ for artists and companies in the field of performing arts and music, with particular attention to productions focused on the close interaction between musical composition and action stage.

With the fourth edition the call renews and changes: 3 projects will be selected for a 15-day residence in Verbania with a fee for the production of € 7.000,00 each.

The award aims to promote investigation and artistic expressions related to the combination of different styles and genres, considering multi-language practices and the mix of techniques and codes pertaining to the various performing arts as reward factors. The goal of the competition is to identify new productions – thoroughly unpublished – that put in dialogue the language of the body and of the stage performance with musical composition, without any restrictions or constraints of kind, category or practice. New for 2018 is the formula of “artists in the territories”. CROSS therefore wants to support the productions that will favor the relationship with the territory both through projects that deal with the theme of the landscape, themes that are generally environmental or that can meet the community. There are no limits on how to share with the territory, the practices and the artistic disciplines.

The call is open to individual artists, professionals and companies. The project must be submitted as a production that can be developed during the different phases of the residency and that could include the most diverse expressive practices (as such: dance, music composition and interpretation, DJ-set, live soundtrack, composition of a soundtrack, activity of noise music, theatre, body performance, singing, new technologies, video art, motion-capture, readings, site-specific design).

Download the call (PDF, 126 Kb)

INFO

e-mail: info@crossproject.it

website: www.crossproject.it

 

 


Cultural Heritage For The Future: The Role Of Media Innovation

Audio-visual and radio archives are vivid testimonies of our history and cultural identities. Preserving and facilitating access to our cultural heritage has a crucial role to play in building the future of Europe. These stories deserve to be seen and heard to inspire future generations and nurture our creative industries across Europe.

On 25 September, the EBU – European Broadcasting Union will bring together media and archive specialists, policy makers and entrepreneurs to discuss how we can best protect, develop and open up the audiovisual memory of Europe. As financial challenges put at risk many of these archives, PSMs are leading the way in developing innovative strategies to make archives more accessible and attractive to all Europeans.

The conference will feature discussions on how to leverage digital technologies to promote and re-use our collections of radio and TV broadcasting history. Participants will be invited to exchange best practices and define new avenues for media organisations and institutions to drive engagement with archive materials for educational and entertaining purposes. This event is organised within the framework of the European Year of Cultural Heritage, a European initiative aimed at encouraging more Europeans to enjoy, protect and promote our rich culture.

https://www.ebu.ch/events/2018/09/european-cultural-heritage 


Digital age ‘desperately’ needs ethical and legal guidelines

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This post Digital age ‘desperately’ needs ethical and legal guidelines was originally published on Horizon: the EU Research & Innovation magazine | European Commission.

Image credit – ITU Pictures, licensed under CC BY 2.0.

Jeroen van den Hoven, professor of ethics and technology at Delft University of Technology in the Netherlands, was speaking at a session on ethics in science and technology at the EuroScience Open Forum (ESOF) 2018, which is being held in Toulouse, France, from 9-14 July.

‘People are becoming aware that this digital age is not neutral…, it is presented to us mainly by big corporations who want to make some profit,’ he said.

He called for a Europe-wide network of institutions that can provide a set of values, based on the EU’s Charter of Fundamental Rights, which the technology industry could operate within.

‘We have to set up, as we’ve done for food, for aviation and for traffic, … an elaborate system of institutions that will look (at) this field of artificial intelligence.

‘We need to think about governance, inspection, monitoring, testing, certification, classification, standardisation, education, all of these things. They are not there.  We need to desperately, and very quickly, help ourselves to it.’

Prof. van den Hoven is a member of the European Group on Ethics in Science and New Technologies (EGE), an independent advisory body for the European Commission, which organised the session he was speaking at.

In March, the EGE published a statement on artificial intelligence (AI), robotics and autonomous systems, which criticised the current ‘patchwork of disparate initiatives’ in Europe that try to tackle the social, legal and ethical questions that AI has generated. In the statement, the EGE called for the establishment of a structured framework.

The European Commission announced on 14 June that they have tasked a high-level group of 52 people from academia, society and industry with the job of developing guidelines on the EU’s AI-related policy, including ethical issues such as fairness, safety, transparency and the upholding of fundamental rights.

The expert group, which includes representatives from industry leaders in AI such as Google, BMW and Santander, are due to present their guidelines to the European Commission at the beginning of 2019.

‘People are becoming aware that this digital age is not neutral…, it is presented to us mainly by big corporations who want to make some profit.’

Professor Jeroen van den Hoven, Delft University of Technology, Netherlands

Bias

Ethical issues surrounding AI ­– such as bias in machine learning algorithms and how to oversee the decision-making of autonomous machines – also attracted widespread discussion at the ESOF 2018 conference.

One major concern emerging with the fast-paced development of machine learning, is the question of how to account for the actions of a machine. This is a particular issue when using AI based on neural networks, a complex system set up to mimic the human brain that enables it to learn from large sets of data. This often results in algorithm becoming what is known as a ‘black box’, where it’s possible to see what goes in and what comes out, but not how the outcome was arrived at.

Maaike Harbers, a research professor at the Rotterdam University of Applied Sciences in the Netherlands, said that this was an important issue in the military, where weaponised drones are used to carry out actions.

‘In the military domain, a very important concept is meaningful human control,’ she said. ‘We can only control or direct autonomous machines if we understand what is going on.’

Prof. Harbers added that good design of the interface between humans and machines can help ensure humans exercise control at three important stages – data input, processing and reasoning, and the output or action.

Even in technologies that use AI for purposes that seem to be overwhelmingly positive, such as companion social robots for children, raise some tricky ethical issues. The conference audience heard that researchers working in this area are grappling with the effect these technologies can have on family relationships, for example, or whether they could create inequalities in society, or if they might create social isolation.

In the field of automated transport, researchers are also looking at the impact self-driving cars might have on wider issues such as justice and equality. They are investigating questions ranging from how to ensure equal access to new forms of transport to who should benefit from any cost-savings associated with automated transport.

However, the values we instil in AI may be a key factor in public acceptance of new technologies.

One of the most well-known moral dilemmas involving self-driving cars, for example, is the so-called trolley problem. This poses the question of whether an autonomous vehicle heading towards an accident involving a group people should avoid it by swerving onto a path that would hit just one person.

Dr Ebru Burcu Dogan from the Vedecom Institute in France, said research shows that while people were in favour of a utilitarian solution to the dilemma – for example, killing the driver rather than five pedestrians – they personally wouldn’t want to buy or ride in a vehicle that was programmed in such a way.

‘We all want to benefit from the implementation of a technology, but we don’t necessarily want to change our behaviour, or adopt a necessary behaviour to get there.’

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This post Digital age ‘desperately’ needs ethical and legal guidelines was originally published on Horizon: the EU Research & Innovation magazine | European Commission.


Call for Papers: Resilience of Heritage in Resilient Cities

CatturaAuthors of both theoretical or empirical research studies are invited to join the workshop devoted to the concept of resilience in general and connected to urban heritage in particular.
The idea of the workshop is rooted in the project which observes adaptation processes in historical perspective in the context of accelerating urbanisation, focuses on the new important phenomenon of cultural heritage and analyses the role of experts in managing our society in various regions.
the brainstorming will face issues such us:
How can we explore adaptation of cities through resilience?
How is it linked to sustainability?
To resistance?
How is resilience related to cultural heritage and cities? Is resilience limited to this perspective, or is there more?
Who can influence the process of making the city’s heritage resilient?
Contributions built on various approaches and various understanding of adaptation of cities (urbanized societies), of resilient heritage and resilience of heritage are welcome.
Submission deadline: September 30th, 2018.
Contact: luda.klusakova@ff.cuni.cz
Organizers: Institute of Sociological Studies at the Faculty of Social Sciences, KREAS VP2WP3 “Adaptation in Historical Perspective” research team, and REACH project at the Institute of World History of the Faculty of Arts, Charles University, the Czech division of the UNESCO–MOST Program.

Full Programme

Call for Papers

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Land / Sea / Signal exhibition launch in RuaRed / Dublin, Ireland

Alan Butler, Gregory Chatonsky, John Gerrard, Nicolas Sassoon, Rick Silva and Santa France

Curated by Nora O Murchú

Rua Red: 20th July – 14th September
Launch_Sea_Land

From overhead satellites to underwater sea cables — network infrastructures and algorithmic software systems are as ubiquitous as they are invisible. Today’s internet infrastructures are complex adaptive systems; they encompass data centers, software protocols, mineral mines and assembly line workers; connecting the flow of information beaming from satellites to the smartphones in our hands.

We are firmly embedded within these structures — impacting our online-dating profiles, making transactions in financial markets, discerning our credit scores and optimising our cities, playing an increasing role in the exercise of power and the restructuring of society. These spaces are sites of endless flux and transformation enabled by hardware and software updates and intelligent algorithms that observe data and make decisions. Everything we do touches or is touched by infrastructure but what is needed in terms of infrastructure for cultural production today, and what type of users of these systems do we want to be?

Land / Sea / Signal explores how we perceive and understand these spaces as their image is constructed by the frictions between people, machines, interfaces, data and infrastructure. By considering the complex entanglements between environmental and socio-political conditions that are involved in the configuration of infrastructure space, the artists in this exhibition bring about a new understanding of infrastructure and its materialities. They connect to geography, protocols, economic markets and communication grids, building a discursive space of practice that aims to move beyond critical concerns of these issues to move toward the imagination and speculation of the potentialities of what infrastructure could be.

http://www.ruared.ie/gallery/exhibition/land-sea-signal

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