New Illuminated Portals in Las Vegas: Backlit Lenticulars by James Stanford

James Stanford Binions V-1 high res copy

Contemporary artist James Stanford was exhibiting illuminated Las Vegas-inspired montages in a pop-up exhibition in the heart of the Las Vegas Arts District (Soho Lofts, 900 S Las Vegas Blvd, Las Vegas, NV 89101, USA), from February 1 to March 31, 2019

‘Digital painter’ James Stanford is known for his complex photomontages of Las Vegas landmarks and neon signs. Combining traditional photography with innovative digital technology, he layers original photographs to reimagine them as rich digital mosaics. Inspired by the Bauhaus movement, Stanford’s abstract style features bold colours and mesmerising visual networks. Often printed as backlit lenticulars, his illuminated works move with the viewer’s gaze and take on a shimmering life of their own.

James Stanford, Skrolls and original photograph

Stanford’s works reflect a strong connection to his native Las Vegas, featuring resonating symbols like the Old Tropicana hotel or iconic neon signage. His works often combine image and word in highly symmetrical and amplified patterns, wherein a single piece may contain 30 or more layers.

Stanford is concerned with transformative possibilities and artistic expressions of spirituality. For Stanford, his artistic process is akin to meditation. Drawing on the ancient traditions of Buddhism, he conceives of his montages as “modern mandalas” – maps towards inner zen. As such, Stanford can be said to explore physical environments, such as the enchanting Mojave Desert, in order to unlock psychological landscapes. By transforming reality into imagined realms, his works enact forms of interconnectedness.

James Stanford Vacant Si 2-V2 high res copy

Stanford’s exhibition is the second exhibition in a series of popups curated by Laura Henkel of ArtCulture PR at the Soho Lofts in Las Vegas. Stanford was rotating backlit lenticulars that were visible from the street at all hours of the day, but that were particularly impressive in the darker hours of the evening. Works included So Fabrish Old Tropicana (54×54 inches) and Recombo Old Tropicana (54×54 inches).

The exhibition follows on from the success of Stanford’s recent exhibitions, most notably his solo show in Las Vegas and his recent showing at the Sculpture Objects Functional Art and Design Fair, the premier gallery art fair dedicated to three-dimensional art and design in Chicago, via Melissa Morgan Fine Art of Coachella Valley in Southern California.

James Stanford Flamingo Hilton high res copy

About James Stanford

An international exhibiting artist, James Stanford studied painting at the University of Washington (MFA) and the University of Nevada Las Vegas (UNLV) (BFA) and also practices photography, digital illustration and drawing. Dedicated to creativity and the fine arts, he has taught at UNLV and UW, established the Smallworks Gallery/Lost Vegas, and curated exhibitions at various venues, including the Las Vegas Contemporary Arts Center. Stanford also served as the Arts Commission Chairman of the City of Las Vegas and later President of the Las Vegas Contemporary Arts Center. Stanford’s recent exhibition at Asia Art in London and the release of his book, Shimmering Zen, at The London Library, and in Las Vegas, have pushed him to create new and innovative art. Due to the success of Shimmering Zen, he has further broadened the scope Smallworks Press, a small publishing company specializing in books on arts and culture. He currently lives and works in Las Vegas.

Press: please contact Damson Communications: Anna Beketov on +44 (0) 207 812 0645 or anna.beketov @ damsonpr.com.

 

 


Getting started with JHOVE – digital preservation tool

opfThis half-day workshop will provide participants with an understanding of what JHOVE program does, how to install and configure the software and how to interpret the results.

JHOVE is an open source file format identification, validation and characterisation tool for digital preservation, and part of the OPF reference toolset. It can be used by itself or as part of a digital preservation workflow. It is also embedded in several off-the-shelf digital preservation products.

Goals/learning objectives:

  • Gain an understanding of the levels of file format validation and why this is important in digital preservation.
  • Learn how to install and use JHOVE and how to interpret the results. Understand what its capabilities and limitations are.
  • Find out how to report bugs, request features and contribute to improving JHOVE, benefitting the whole community.

Registration and tickets: http://openpreservation.org/event/getting-started-with-jhove/

25th January 9-13
National Library of the Netherlands
Prins Willem-Alexanderhof 5
2595 The Hague, Netherlands


Edinburgh Short Film Festival 2019 Now Open For Entry!

Edinburgh Short Film Festival 2019 Now Open For Entry!
Featuring the best short films of 2019 at international film festivals, screening 8 nights of short film at cinemas across Edinburgh in 2019

And

Presenting awards and trophies for the best films selected by our jury for Best Film, & Best Animation & Best Scottish Short!

CALL FOR ENTRIES GENERAL AND TOURING POSTCARD 2019 A

This year, we’re also excited to be programming films and film partnerships with our 2019 partners:

  • The Adriatic Film Festival
  • Fastnet Film Festival
  • Firenze FilmCorti (Florence)
  • Puppet Animation Scotland
  • DC Independent Film Festival (Washington)

https://www.edinburghshortfilmfestival.com/call-for-entries-2019/


Luminous interactive installations at Stavros Niarchos Park in Athens

Athens Digital Arts Festival (ADAF), undertook the art direction and curated the luminous interactive installations at  Stavros Niarchos Park of the Stavros Niarchos Foundation Cultural Center, in Athens.

The Stavros Niarchos Park is full of light and sounds, through a series of interactive installations forming a magical winter wonderland.

Explore the Stavros Niarchos Park, walk past or through the installations, discover the light frames, upload your selfies and immerse yourselves in a unique holiday festival of lights, curated by Athens Digital Arts Festival (ADAF).

Moreover, especially for the SNF RUN 2019 FIRST RUN 4k race organized by the Stavros Niarchos Foundation, Athens Digital Arts Festival (ADAF) has created a unique interactive and participatory installation. Finish Line Digital Canvas will display runners as they cross the finish line in real time, forming a mosaic of human bodies. As participants run to the future, ADAF will bring them even closer by enhancing their experience by imprinting them on a digital canvas that will unite individual efforts into a collective body.

An exclusive grant by the Stavros Niarchos Foundation. Free Entrance. The installations will be on display until January 7, 2019.

stavros niarchos


Intelligent Systems Conference (IntelliSys) 2019 – call for papers

Intelligent Systems Conference (IntelliSys) 2019
5-6 September 2019 – London, United Kingdom

We’d like to invite you to submit your papers/posters/demo proposals for the Intelligent Systems Conference (IntelliSys) 2019 to be held from 5-6 September 2019 in London, UK.

IntelliSys 2019 will focus in areas of intelligent systems and artificial intelligence and how it applies to the real world. IntelliSys provides a leading international forum that brings together researchers and practitioners from diverse fields with the purpose of exploring the fundamental roles, interactions as well as practical impacts of Artificial Intelligence. It is part of the conference series started in 2013.

The conference programme will include paper presentations, poster sessions and project demonstrations, along with prominent keynote speakers and industrial workshops. All submitted papers will be reviewed by experts in the field based on the criteria of originality, significance, quality and clarity.

Important Dates:
Paper Submission Due: 15 January 2019
Acceptance Notification : 01 February 2019
Author Registration : 15 February 2019
Camera Ready Submission : 01 March 2019
Conference Dates : 5-6 September 2019

Complete details are available on the conference website : http://saiconference.com/IntelliSys

intellisys1

IntelliSys 2019 proceedings will be published in the Springer series “Advances in Intelligent Systems and Computing” and submitted for indexing to ISI Proceedings, EI-Compendex, DBLP, SCOPUS, Google Scholar and Springerlink. The publications within “Advances in Intelligent Systems and Computing” are primarily proceedings of important conferences, symposia and congresses. They cover significant recent developments in the field, both of a foundational and applicable character.


A concept workshop for 50s in Europe Kaleidoscope

all photos courtesy Fred Truyen.

One of the technological aspects in the 50s in Europe Kaleidoscope project relates to implement a specific visual matching search tool for photography of the Fifties, that will support user engagement with Europeana content and also provision and matching of personal content.

This means to train an algorithm to browse huge amounts of visual resources and recognise certain, specific, aspects or – in other words – specific concepts relating to the visual imagery and historical context of the Fifties.

kal brussels 3

Initial thoughts on the main concepts of a ethical, societal, historical, philosophical and psychological nature to inspire discussion drove to the following “meta-themes”:

  • optimism vs. anxiety
  • innovation vs. tradition
  • east vs. west
  • freedom vs. restriction
  • liberalism vs. oppression
  • wealth vs. crisis
  • growth vs. competition

kal brussels 2

While the partners are already discussing under the guidance of Coventry University and KU Leuven / Photoconsortium for distilling key concepts applicable to the Fifties, a dedicated workshop was organized in Brussels on 10-11 December for partners to meet and refine the discussion, in sight of finalizing the list of concepts the algorithms will be trained with. The workshop was organized by partners imec and KIK-IRPA and welcomed content providers, photography professionals and amateurs, and photography expert from the project partners and from the Photoconsortium network.


e-AGE18, Amman, Jordan, 2-3 December 2018

Amman – Under the patronage of HE the Minister of Education, Higher Education and Scientific Research, and chaired by H E Dr. Talal Abu-Ghazaleh, the “8th International Platform on Integrating Arab e-Infrastructures in a Global Environment” and the “10th Annual Conference of the Arab Organization for Quality Assurance in Education” concluded their activities on 3 December 2018. Academics, scientists, experts, and representatives of institutions and research and education networks in Europe, America, Africa and Asia.

Video links for the sessions and presentations HERE

PHOTO GALLERY at Dropbox HERE

eage2018

The meeting was attended by HE Mr. Sami Al-Salaita, Secretary General of the Ministry of Education, HE Dr. Sabri Saidam, Minister of Education and Higher Education in Palestine, HE Dr. Duaa Khalifa, Director of the Department of Education and Scientific Research, League of Arab States, HE Mr. Andrea M. Fontana, the EU Ambassador to Jordan, and Dr. Abdel Rahim Al-Hunaiti, Assistant Secretary General of the Association of Arab Universities

HE Dr. Talal Abu-Ghazaleh, Chairman of the Arab States Research and Education Networks and the Arab Organization for Quality Assurance in Education, acknowledged the role of the European Union in co-funding high speed networks in the context of EUMEDCONNECT and AFRICACONNECT projects. These networks have contributed to supporting research and education in the Arab region through interlinkage to the European GEANT research and education network.

A cooperation agreement was signed with the Palestinian Ministry of Education and Higher Education for cooperation to launch education for innovation in schools. Other cooperation agreements were also signed with the research and education networks in Morocco and Tunisia to establish high speed links for research and education and linking to ASREN POP in London.

A number of case studies have been presented on the status of national and regional research and education networks and their importance in supporting research communities. The development of a comprehensive Arab regional e-infrastructures is needed to advance research and provide access to computational resources and repositories.

Research and networking priorities have been identified, including the development of services, coordination with regional e-infrastructures, and enhanced research and education cooperation in various areas among Arab countries and regional communities in Europe, the United States, Canada, Latin America, Africa.

Website: http://asrenorg.net/


The REACH Workshop on participatory approaches for Cultural Heritage management
20181121_121204

 

On 20 and 21 November 2018, an international workshop entitled “Daring Participation!” took place in Berlin, organized by the Institute for Museum Research/Institut für Museumsforschung (SMB-PK).

 

Participants from different institutions (museum, archive, library, ministry, association) were invited to present their participatory activities and to discuss their experiences and the value of participatory management of cultural heritage.
The topics covered different areas of work (exhibition, conservation, education), various participatory practices (e.g. co-creation, out-reach, digital/analog) and participation as an institutional concept.

 

In this lively and very enriching exchange it became clear that the implementation of participatory initiatives concerns different areas of work and that the social dimension of this work gains importance through the involvement of citizens. Participation should therefore be seen as an integral part of the institution’s concept and should provide a structural framework for the specific needs. All staff in the institutions must be involved in this process and receive comprehensive training.

 

Get more information here.

The 13th edition of the international “Surrealism Now” exhibition

Open January 26 of 2019 and stands for indefinite duration in the Municipal Gallery of Vieira de Leiria in the Municipality of Marinha Grande, the International Surrealism Now is the world’s largest surrealist exhibition in the 21th century.

veira

Municipal Gallery of Vieira de Leiria

Presenting so far 118 of the main surrealist artists from 49 countries of the five continents, continuing its work this time in the city of Marinha Grande in the Municipal Gallery of Vieira de Leiria, after having already passed through the cities of Lisbon, Porto, Setubal, Amadora, Lousã, Aveiro, Coimbra, Conimbriga Museum and in the Medieval Castle of Ega’s palace.
This ground breaking project is presented by Santiago Ribeiro, Portuguese surrealist painter, dedicated to promoting Surrealism of the 21st century, through exhibitions presented over the last 8 years in various parts of the world: Berlin, Moscow, Dallas, Los Angeles, Mississippi, Warsaw, Nantes, Paris, London, Florence,Madrid, Granada, Barcelona, Lisbon, Belgrade, Monte Negro, Romania, Japan, Taiwan and Brazil.

081017 surrealism small

International Surrealism Now of the 21st century presents a strong force for freedom of creativity, love and hope. This can be see in the works of the personal visions of 118 of the world’s leading surrealism artists representing the hopes, dreams and idealogies of 49 countries proposing new perspectives, solutions and healing journeys.

Artists:
Achraf Baznani, Morocco / Agim Meta, Spain / Aissa Mammasse, Algeria / Alessio Serpetti, Italy / Alvaro Mejias, Venezuela / Ana Neamu, Romania / Ana Pilar Morales, Spain / Andrew Baines, Australia / Aquilino Ferreira, Portugal / Asier Guerrero Rico (Dio), Spain / Brigid Marlin, UK / Bien Banez, Philippines / Can Emed, Turkey / Carlos Sablón, Cuba / Cătălin Precup, Romania / Cristian Townsend, Australia / Conor Walton, Ireland / Cynthia Tom, China / USA / Dag Samsund, Denmark / Daila Lupo, Italy / Dan Neamu, Romania / Daniel Chiriac, Romania / Daniel Hanequand, France / Canada / Daniele Gori, Italy / Delphine Cencig, France / Dean Fleming, USA / Domen Lo, Slovenia / Edgar Invoker, Russia / Efrat Cybulkiewicz, Venezuela / Egill Eibsen, Iceland / Erik Heyninck, Belgium / Ettore Aldo Del Vigo, Italy / Farhad Jafari, Iran / France Garrido, USA / Francisco Urbano, Portugal / Gabriele Esau, Germany / Genesis Cabrera, USA / Graça Bordalo Pinheiro, Portugal / Graszka Paulska, Poland / Gromyko Semper, Philippines / Gyuri Lohmuller, Romania / Hector Pineda, Mexico / Hector Toro, Colombia / Henrietta Kozica, Sweden / Hugues Gillet, France / Isabel Meyrelles, Portugal / Iwasaki Nagi, Japan / James Skelton, UK / Jay Garfinkle, USA / Jay Paul Vonkoffler, American / Argentine / Jimah St, Nigeria / Joanna Budzyńska-Sycz, Poland / João Duarte, Portugal / Keith Wigdor, USA / Leo Wijnhoven, Netherlands / Leo Plaw, Germany / Liba WS, France / Lubomír Štícha, Republic Czech / Ludgero Rolo, Portugal / Lv Shang, China / Maarten Vet, Netherlands / Maciej Hoffman, Poland / Magi Calhoun, USA / Marnie Pitts, UK / Maria Aristova, Russia / Mario Devcic, Croatia / Martina Hoffman, Germany / Mathias Böhm, Germany / Mehriban Efendi, Azerbaijan / Naiker Roman, Cuba / Nazareno Stanislau, Brazil / Nikolina Petolas, Croatia / Octavian Florescu, Canada / Ofelia Hutul, Romania / Oleg Korolev, Russia / Olesya Novik, Russia / Olga Spiegel, USA / Otto Rapp, Austria / Paula Rosa, Portugal / Paulo Cunha, Canada / Pedro Diaz Cartes, Chile / Penny Golledge, UK/ Peter MC LANE, France / Philippe Pelletier, France / Roch Fautch, USA / Rodica Miller, USA / Ruben Cukier, Argentine / Israeli / Rudolf Boelee, New Zealand / Russbelt Guerra, Peru / Sabina Nore, Austria / Sampo Kaikkonen, Finland / Santiago Ribeiro, Portugal / Sarah Zambiasi, Australia / Serge Sunne, Latvia / Sergey Tyukanov, Russia / Shahla Rosa, USA / Shoji Tanaka, Japan / Shan Zhulan, China / Shia Weltenmenge, Germany/ Sio Shisio, Indonesia / Slavko Krunic, Serbia / Sônia Menna Barreto, Brazil / Steve Smith, USA / Stuart Griggs, UK / Svetlana Kislyachenko, Ukraine / Svetlana Ratova, Russia / Tatomir Pitariu, USA / Tersanszki Cornelia, Romania / Ton Haring, Netherlands / Victor Lages, Portugal / Vu Huyen Thuong, Vietnam / Yamal Din, Morocco / Yuliya Patotskaya, Belarus / Yuri Tsvetaev, Russia / Zoltan Ducsai, Hungary / Zoran Velimanovic, Serbia.