by Caterina Sbrana.
In my latest article I have been talking about the digital collection of the New-York Historical Society. During my research I was really captivated by a collection containing over 8,000 sheets, collected since 1816, that you can consult in the website freely.
This collection includes several categories: colonial objects, events in the history of the nation, European and American birds, landscapes, cityscapes, portraits, some portraying historical figures and many self-portraits of artists, illustrations of literary or journalistic works, graffiti and documentary Civil War sketches.
Among the highlights we can find 500 watercolours by John James Audubon, his largest repository in the world; 221 drawings of George Catlin about Native American culture; 350 drawings and sketchbooks of Asher B. Durand; including important drawings by Hudson River School artists such as Thomas Cole, Jasper Cropsey, and John Frederick Kensett.

Audubon was an extraordinary lover and observer of birds and nature.
The drawing section is divided into: About, Hightlights, Has image and Full collection. With its 243 pages the full collection allows you to view drawings in different ways. We can view the drawings by filtering the search by title, date, object name. In this way the drawing appears on the left, then the title, the date and object number on the right.

https://www.nyhistory.org/exhibits/category/all/55/grid/paged/title
In the other way you can see only the images of the drawings; passing over them with the mouse, without clicking, we acquire some information about the work such as the title, the date, the author. In both modes you can acquire more information by clicking on the image. It is also possible to either send the image to a friend or order it in a digital version.

https://www.nyhistory.org/exhibit/president-abraham-lincolns-coffin-lying-state-white-house-washington-dc
To conclude, the collection furnishes a comprehensive survey of American art from its Inception, dominated by European artists, up through the 1860s, by which time native-born artists had asserted an American identity.
Louise Mirrer, President and CEO of the New-York Historical Society, presenting the exhibition titled Silicon City wrote that “the future” very quickly becomes history, and that history is all too easily lost.
I agree with this thought, and I would add that history can continue to live in the second reality that humanity has created: virtual reality.
Visit the website: https://www.nyhistory.org




Next September 2019 world leaders from industry, finance, academia and business will meet in Brussels in occasion of the European research & Innovation Days, the annual policy event which aims is to mobilise EU citizens, increase awareness and understanding of how important research and innovation are in addressing the challenges that face society. The debate will cover vital areas of science, engineering, medicine, and wider social and environmental concerns.





The 6th of April, 2009, 10 years ago, L’ Aquila, the Regional County Seat of Abruzzo, was destroyed by a terrible earthquake whose effects are still visible today.







A wide programme of ICOM members meetings, keynote speeches and excursions constitutes the 25th edition of ICOM conference, in Kyoto, under the main theme “MUSEUM AS CULTURAL HUBS: The Future of Tradition”.
Museums for all people! This was the title of the international conference held from 2 to 5 April 2019 at Complutense University in Madrid. Keynote lectures, short talks and posters discussed the diverse and multi-layered dimensions of art and cultural heritage and in particular of the museum as an institution. The focus was in particular on the great diversity of the public and barrier-free access to culture. Further topics were: the relations between museums and universities, the use of new technologies as well as participative, integrative and cooperative projects. The majority of the presentations and discussions again highlighted the social importance and responsibility of museums. The congress offered valuable opportunities for an intensive exchange across countries and sectors, which will enable the further development of ideas on future museum work in theory, practice and politics.


































