Digital meets Culture

Athens (Greece), 24-27 May 2018

14th Athens Digital Arts Festival | Call For Volunteers

Athens Digital Arts Festival (ADAF) announces its 14^th edition on 24 – 27 of May, 2018. This year, the Festival will take place at Megaron – The Athens Concert Hall. Under the theme Singularity Now, ADAF 2018 aims to explore the future through the triptych art – science – technology.

ADAF 2018 collected 4.237 proposals from 3.852 artists (125 countries) who submitted their tales from the Event Horizon.

Website of the event: http://2018.adaf.gr/

Call for volunteers: Athens Digital Arts Festival invites you to join the team!

Volunteers are a vital part of Athens Digital Arts Festival. Every year, plenty of creative people join the Festival’s team in order to develop their abilities and help in all sectors of the festival, such as in the audience reception, exhibition set-up and production as well as in guided tours. By participating at ADAF you will have the opportunity to live a unique experience and contribute, according to your dexterity, skills, interests and availability, to all creative and organizational processes of the 14^th edition of the festival. If you are over 18, please fill in the following form. Deadline: 15.4.2018

Singularity has arrived at ADAF 2018! Will you miss it?

At the end of the festival, all volunteers will receive a certificate of participation.

More Info: volunteers@adaf.gr

*/ 14^th Athens Digital Arts Festival | 24 – 27 May 2018

Main Venue:

Megaron – The Athens Concert Hall

2018.adaf.gr | #ADAF2018 #SingularityNow

Rome (Italy), 3-5 October 2018

Technology for All 2018 – the international forum

technology for all

Great news for “Technology for All 2018“, a forum dedicated to technological innovation for the territory and the environment, cultural heritage and smart cities. Now in its fifth edition, the event will be held in Rome next October 3 to 5 in a new and prestigious location to be announced soon. Also renewed the format of the event, which will always offer information and training moments of high level, as well as opportunities for discussion and business between public administrations, universities and specialized companies. When defining the intense program of conferences, lectures and workshops, which will address the entire process of using innovative technologies, from data acquisition to processing them until the dissemination to end users.

The Forum will be organized with workshops in continuous field, alternating with training and conferences necessary to promote the comparison between producers and users of new technologies .

https://www.technologyforall.it/

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In the previous edition of the Forum for ALL TECHNOLOGY it was held in the conference room of the National Library in Rome from 18 to 19 October 2017 , preceded by a workshop in the field in the archaeological site of the Villa dei Quintili Via Appia Antica in Rome.

The role in the development and preservation of the World Heritage is the framework within which you can see the ‘ weighted contribution of technologies that exceeded the enthusiasm of the first innovative impact, it may actually be admitted to a production cycle normed with shared standards for sustainable socio-economic development in which the intelligent innovation play a key role in the Territory, the Cultural and Heritage Cities .

The program emphasizes general, to the extent possible, the emerging content of the Forum in the fruition within the international scenario and operation of Italian companies in the sectors in which Italy plays a testimonial role in the world, where not only aim to integration and interactivity of the impact of technology, but also sustainable socio-economic contribution in the production cycle to the final destination.

Parallel to the conference will be carried out training of relief, development, structuring and organization of information also web and mobile vertical applications. The described production processes affect a broad range of users, ranging from government agencies to private companies, professional researchers, from students to citizens.

The Forum also aims to collect experiences, the interventions and the application workshop results on the ground, giving way for participants to retrace the process of acquiring and processing, enriched with the expertise and the presentation of keynote experts, best practices, achievements and projects.

These processes involve a wide range of users, from public bodies to private companies, professional researchers, from students to citizens. In particular, the workshops allow participants to actually see in action, touch and experience, innovative technologies and the consolidated figures that best suit the proposed theme.

The conference is divided into thematic depth sessions that, in addition to giving way participants to retrace the experiences of the workshops in the field, hosting talks by experts. The Forum hosts one exhibition space dedicated to companies, who will have the opportunity to take part in sessions with socializing and sharing.

A Forum in three intense days of information and training, socialization and sharing, discussion and debate.

From 27-31 May 2018, 300 culture professionals will debate the changing role of museums in our society

“ARE YOU READY TO PARTICIPATE?” Communicating the Museum’s 20th edition

Today’s museums are working towards being more inclusive, encouraging participation and a greater diversity of audiences, ideas and perspectives. The main challenges remain as museums strive to meet with their audiences in genuinely participatory ways. The pressure is on museums to be more representative and to embrace community involvement.
Across a five-day programme of events, debates, workshops, talks and tours, you will discover the best museum participation initiatives, the most challenging collaborations, and the most insightful successes (and failures) in the fields of communications, education and audience engagement.
HOW TO CREATE MEANINGFUL PARTICIPATION WITHIN THE CITY? Lessons from London, Los Angeles and Mons
From organising the Olympic Games to managing a city-wide festival of 70+ institutions and being a European Capital of Culture, learn how to become an active member of your community.
Munira Mirza, Head of HENI Talks and former Deputy Mayor of London for Culture and Education, Gloria Gerace, Co-Founder of Culture Projects and Director of PST: LA/LA, USA and Xavier Roland, Director of the Pôle Muséal de la Ville de Mons in Belgium, will step on stage to share their story and key advice.
With this panel conversation you will find out how to build a strong legacy in your city and organise events and exhibitions that are relevant to local audiences and partners.
MIGRATION AND THE CHANGING ROLE OF MUSEUMS
A specific session is dedicated to explore how collaborative practice helps build relevant programs that broaden educational opportunities and participation when working with immigrant communities
IS THE MUSEUM A DEMOCRATIC INSTITUTION?
The idea of Cultural Democracy has become a new focus of attention for both policymakers and practitioners – and promises to radically re-invent how we understand the role of subsidised cultural organisations. In this context, a dedicated keynote session, will face the important question “Is the Museum a democratic Institution?”
These are just some spots about a rich and intense Conference programme.
After that, you are invited to join the post-conference day on 31 May to explore 3 major cultural institutions of Brussels and learn about their collections and latest projects.
For the first time in 18 years, the conference is going to take place in Brussels not only because is the capital of Europe, but also for its complex and fascinating environment, which offer one of the most diversified populations on the planet and where 152 languages are spoken.
Start the day at the Royal Belgian Institute of Natural Sciences. From raising funds for a new dino to promoting a more respectful approach to nature, learn about the RBINS’s mission and communication strategy.
Step inside the Cinquantenaire Museum. This historic building, one of the biggest museums in Belgium, was erected by King Leopold II. Visit the recreation of the Wolfers Frères jewellery store as designed by Horta in 1912 and enjoy a lovely lunch in the museum Cloister and garden.
Last but not least, go behind the scenes of the City Hall, on The Grand-Place, a masterpiece of Gothic civil architecture from the 15th century. Discover the impressive paintings, sculptures and tapestries, many of which are not open to the public.

Contacts
Programme & Promotion & Participants
Clémence Ferry: cferry@agendacom.com
Partners & Sponsors
Corinne Estrada cestrada@agendacom.com

A night dedicated to contemporary poetry with digital media, on the occasion of World Poetry Day

Digital Nights: Digital Poetry

Onassis Cultural Centre organized an interesting encounter with J. R. Carpenter, moderated by Prodromos Tsiavos and Thodoris Chiotis.

Athens (Greece), 21st March 2018, h19:00
Galaxia & Evridamantos str. (behind the OCC building)
Website: http://www.sgt.gr/eng/SPG2112/

J.R. Carpenter first began using the internet as a medium for experimental writing in 1993. She has been publishing books for just as long. In this talk she lead audience on a tour of early and more recent web-based works, demonstrating how she explores themes of place, displacement, community and the environment through performance, print and digital media.

J. R. Carpenter is a Canadian-born UK-based artist, writer, performer, and researcher working in Performance Writing, Digital Literature, and Media Archaeology. Her pioneering web-based works have been exhibited, published, performed and presented in journals, galleries, museums and festivals around the world. She is a winner of the Dot Award for Digital Literature (2015), and the New Media Writing Prize (2016). She is the author of three books with a fourth forthcoming from Penned in the Margins in April 2018. She lives in Plymouth, UK.
http://luckysoap.com

to celebrate the Museums' 2013 reopening, a huge stunt show was organized in a shopping mall

2013 flashmob by Rijksmuseum, always worth to watch!

A flashmob recreated one of Rembrandt’s paintings in a shopping centre in Breda, to mark the painting’s return to the Rijksmuseum in Amsterdam. The museum was going to reopen on 13 April 2013 following a 10-year renovation.

Passers-by were both shocked and amused to see performers taking part in a large-scale live reconstruction of Rembrandt’s famous painting “The Night Watch”. The painting, completed in 1642, depicts Captain Frans Banning Cocq and his lieutenant, Willem van Ruytenburch, leading out their city guard, Schutterij.

The trend of making tours of cultural institutions available online is a new way to allow more people to access the exhibitions

The National Museum of Scotland can be toured via Google StreetView

The National Museum of Scotland has become the first museum or gallery in Scotland available for exploration online via Google. Using Google Arts and Culture’s museum view experience, which is similar to how Google’s Street View works, tourists can view the 20,000 objects on display at the National Museum. The virtual display also includes 1,000 pictures of objects from the Edinburgh museum’s collection.

View here: https://artsandculture.google.com/partner/national-museum-of-scotland

Museum’s website: https://www.nms.ac.uk/national-museum-of-scotland/

It’s the first museum in Scotland that can be toured online, but not the first in the world. The Taj Mahal in India, the Uffizi in Florence and the Palace of Versailles in France have also opened up their exhibit in a similar way, giving visitors from around the world a novel opportunity to explore their interior.

Milan (Italy), 16-18 March 2018

Digital Design Days 2018

Digital Design Days is a 3-day event offering exclusive conferences, the third edition of Offf Milano, professional workshops, digital showcases & installations, a party and many networking activities: an event celebrating creativity in digital design, putting under the same roof the best Italian and International creative designers.

Website: https://www.ddd.it/en

The workshop seeks to identify case studies and examples of these processes in action in both urban and rural contexts.

REACH project at conference/workshop “Cultural heritage, social cohesion and place attachment” in Budapest

Organized by the Hungarian Academy of Science, Centre for Social Science / Institute of Sociology, an important event took place in Budapest on 20-21 March.

Following the opening talk by Melanie K. Smith (entitled “New Insights into Cultural heritage and Sense of Place using a Cultural Ecosystem Services Framework”) the event was organized in various parallel sessions across two days. The main focus of this event was to explore the relationship between cultural heritage (both built/material and intangible/immaterial), social cohesion and place attachment.

REACH project and the pilot on minority heritage was presented by Eszter György and Gábor Oláh (ELTE Eötvös Loránd University) in the Parallel session 10 “Heritage of ethnic and minority groups”, chaired by Zsuzsanna Árendás.

The talk “The creation of resilient Roma cultural heritage. The case study of a bottom-up initiative from North-Eastern Hungary” presented the research carried on by ELTE in the framework of REACH project, focused on marginalised minorities and aiming to show how the institutionalisation of their (re)appropriated Cultural Heritage (CH) can result in the economic and social revival of their communities.

Full programme of the event available here

Girona, 21-24 November 2018

Image and Research | 2018 Edition

The Centre for Image Research and Diffusion (CRDI) of the Girona City Council and the Association of Archivists of Catalonia, are calling the 15th Image and Research International Conference, which will be held in the Palau de Congressos de Girona from 22th to 23th of November. On 21th and 24th, two workshops related to the areas of interest of the Conference will be organized.

21 November – Workshop 1: When the alarms fire. 5 critical aspects for the conservation of
photography

24 November – Workshop 2: Digitization of color photography

Keynote speeches 22-23 November:

The digitization of color negatives in the perspective of archival fonds; Bea Martinez, CTIM / Polytechnic University of Catalonia
Integrity of digital image; Frederik Temmermans, IMEC, Vrje Universitet Brussels
30 years of photographic collections management. A projection towards the future; Joan Boadas, CRDI City of Girona
The gammification of photographic archives: a new scenario for access and citizen participation; Tomislav Ivanjiko, University of Zagreb

Website: http://www.girona.cat/sgdap/cat/jornades_properes-ENG.php

In addition to the programme of keynotes speeches, presentations and workshops, the conference includes a discussion space to reflect on the possibility of bringing photographic and audiovisual archives closer to new audiences. On the one hand, the prominence of the image in today’s society and in various fields has been established, whether information, creation or interpersonal communication. On the other hand, the conversion of archives into digital spaces allows many barriers imposed by the media itself to be broken down and, at the same time, offers a series of possibilities for the dissemination and re-use that may be of interest to a much wider audience.

Program, schedule and workshops at the following link: http://www.girona.cat/web/sgdap/docs/JornadesIR/Imatge_Recerca_programa_2-ENG.pdf

Conference registration: http://www.girona.cat/sgdap/cat/jornades_inscripcions-ENG.php

Workshops registration: http://www.girona.cat/sgdap/cat/jornades_inscripcions_tallers-ENG.php

Call for papers open until 15th June

Tribune of Experience call open until 31st July

Her multimedia installations make use of digital and interactive technologies integrated into traditional methods of art production.

Still Life, Rhonda Holberton’s solo exhibition in NY

April 6 – June 2, 2018
Opening Reception, April 7 (check gallery website for hours)
Transfer Gallery
1030 Metropolitan Ave
Brooklyn, NY 11211

CULT | Aimee Friberg Exhibitions is pleased to present Still Life, Rhonda Holberton’s third solo exhibition with the gallery, on view from April 6 – June 2, 2018 at Transfer Gallery, NY.

Still Life features a networked video installation, prints rendered from augmented reality, immersive wallpaper constructed from bump map imaging, and gold mined from the California landscape. The installation peels back multiple layers of material translation to reveal a displaced human body within contemporary systems of value creation.
As the title Still Life suggests, this exhibition utilizes material and process to transgress the boundary between stillness and life. Materials run the gamut from gold dust and mosquitoes, to psychic readings and mannequins salvaged from the American Apparel bankruptcy liquidation. These objects are not simply things in themselves. Rather, they carry a coded memory of their personal, material, and cultural relations. The works weave together to form a narrative documenting the artist’s attempts to make sense of the corporeal body within a dematerialized landscape.
Artificial intelligence, advanced robotics, and blockchain accounting are already destabilizing the role of the body in manufacturing, transportation, finance, and communication. Holberton’s investigations attempt to recover the value of the biological body through labor and material transformation.

Holberton explains, “I wanted to insert my body into a local system that indexes a much larger system, what Timothy Morton would call a hyperobject, something too large and complicated to be understood by a single human processor. The works represent my attempts to engage corporeally within a global metabolism represented in concepts of the Anthropocene and Capitalocene- to pull value out of the system through direct physical labor.”

Today, the technology boom of Silicon Valley parallels last century’s gold rush; both activities belong to a similar narrative circumscribed by masculine entrepreneurial ideology. Similarly it’s hard not to think about the mosquito without thinking of the virus, currently one closely associated with fertility and as index of a changing climate. These works offer a reminder that while the bio-technical divide grows ever more transparent, we are still very much dependent on the ‘six-inch layer of topsoil, and the fact that it rains.’

http://www.rhondaholberton.com
http://cultexhibitions.com/
http://transfergallery.com/