SINGULARITY NOW – Tales form the Event Horizon

The 14th Athens Digital Arts Festival exploring the unknown future of the upcoming Technological Apocalypse through art, science and technology, invites you to submit your proposals for its next edition, under the theme “SINGULARITY NOW”. Due to high demand by the artistic community, the applications deadline for ADAF 2018 Open Call is extended until 31 December 2017.
This year for its annual date, ADAF, the most renowned festival for digital arts in Greece, will present its content in May, at a TBA location in the historic center of Athens. The festival attracts and presents works and artists from all over the world.

athens digital artsEvent Horizon is the conceivable surface of a black hole, a place where gravity curves space-time so much, there is no escape, not even by light itself. Its core is the singularity, a zero point, where space and time are discontinued and is unknown what exactly happens further. A wormhole? Termination of everything? A new universe through a white hole?

When something enters the event horizon, all physics laws get distorted, while gravity becomes  such, that inevitably reaches singularity and from there on…..

Singularity is a notion that has different definitions in the various fields of science, nonetheless, it retains a common axis regarding its main idea. In mathematics, it is the point where a function or an equation degenerates or diverges toward infinity, changing its nature and thus becoming impossible to define. In physics, it is the core of a black hole as well as the state right before the Big Bang, the zero point of space and time where everything is compressed in zero dimensions and density is infinite. In mechanics, it is the calibration of a machine in a way that its behavior cannot be predicted and the physical variants involved are either not definite or infinite. In technology, it is a scenario where artificial intelligence surpasses humanity, the technological boom becomes infinite and the outcome is unpredictable.

Is evident that singularity as notion is associated with infinity, with the unknown, and the beginning of universes, both physical and conceptual, but how does it link to art and technology?

Every universe launches its existence in subject to time, while the perception of time is by birth connected to creation and technicality. In the Promethean myth, we can perceive as singularity the gesture of the maker to offer fire to the humankind, passing thusly the torch of knowledge to the creation and enabling it to create on its own. As a consequence comes torment for the creator, but also time emerges in the form of a circular punishment considered one of the first references to the circle of a clock. Additionally, fire, which symbolizes simultaneously both intellect and technicality, was the first medium for the development of all “tekhne”. Its arrival in humanity, signifies the beginning of consciousness, thus consequently the perception of time as well as the development of art (fine tehkne) and technology (the art of making) which resulted in civilization and culture, both means for recording time. In this way, technology and art as derivatives of singularity and instruments of time, have proclaimed the beginning of this world, but maybe also its very end.

Today, the further development of the promethean gift is slowly taking over the reins from its creator and “degenerates” tending to change its nature, holding us witness in an upcoming technological singularity, which can potentially get any form. The constant progress on robotics, AI, biotechnology, biomimicry, nanotechnology, quantum computing and space technology, is courting with the idea of surpassing humankind, constituting obvious for the spectator, that we have entered an “event horizon” where no one can predict what will follow.

Human-machine merger or enslave of humanity? Brain upload and immortality or cease of human species? Progression or Regression? Futurism or Archaism? Physics or Metaphysics? Utopia or Dystopia? Beginning or End?

ADAF_Call-for-entries-Extended

Following to this realization, the International Festival for Digital Arts of Greece, Athens Digital Arts Festival, is calling both the art world and the world of technology, to submit works and achievements which outline, comment, foresee, or determine the upcoming singularity, the human role in this new era, the role and form of art and technology in it, in order to compose the content for the upcoming 14th edition of the festival which will take place in spring 2018.

Will you tell us your tale from this event horizon…?

Detailed information about the submission process and the call for entries is available at the following link: www.adaf.gr


Call for Papers “Studies in Digital Heritage”, Indiana University journal

The aim of this special issue is to solicit interdisciplinary studies about the complex phenomenon that takes place during the aesthetic and synesthetic involvement of a human observer in the perception of Cultural Heritage and art mediated by virtual and augmented reality or other forms of multimedia technologies. The objective is to create a snapshot of the current state of the art about transdisciplinary methodological approaches.

Guest editors: Perla Gianni Falvo, Massimo Bergamasco, Giovanni Valeri Manera

EXTENDED Submission deadline: February 28, 2018

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Introduction to the Special Issue on “Perceiving Cultural Heritage Through Digital Technologies”

Contemporary cognitive science supports Cultural Heritage design activities through new and revised scientific perspectives relating to different modes of learning. The concept of affordance, the discovery of mirror neurons, studies on emotional intelligence, multiple intelligences, and psycho-physiological analyses cast light on how we establish relationships, absorb information, and then process and embody it. These disciplines offer important cues for defining design strategies in developing virtual and augmented reality applications within the framework of places or objects of cultural interest, such as museums, historical buildings, monuments or archaeological sites. Rather than being merely desirable, it is now essential to take such cognitive science advances into due consideration in design activities related to the perception of Cultural Heritage.

trident-largeThe response of the human cognitive system to the perception of aesthetic and cultural contents may trigger its understanding at once, through to the so-called “Interior Epiphany”, a concept related to the Renaissance notion of the centrality of the human being. Multimedia technologies may help an observer in activating such an interior epiphany, but the cause-effect relationship is still a matter for further research. It is crucial to verify the effectiveness of the Information and Communications Technology (ICT) strategies and understand how the phenomenon of the contact between visitor and art can be subjected to an impact assessment analysis based on a protocol combining quantitative and qualitative data.

Topics of interests

The topics of interest include, but are not limited to:

  • Design strategies for virtual and augmented applications in museums
  • Neuroscience studies on aesthetic perception through digital technologies
  • Embodiment studies
  • Cognitive studies
  • Psychophysiological studies
  • Narrative approaches for enhancing user involvement in cultural visits
  • E-learning and art history
  • Virtual archeology
  • Analysis of user experience in virtual museums
  • Sustainability of ICT for Art and Cultural Heritage

More info: https://scholarworks.iu.edu/journals/index.php/sdh/announcement/view/110


veraPDF 1.10 released on International Digital Preservation Day

veraPDF-logo-600-300x149The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset.

This release has improved optimisation for the creation and cleanup of temporary files and parsing of text-related data in PDF documents. It also fixes some minor issues that users who have upgraded to Java version 9 may have encountered, including a failure to start. There are also a number of other fixes and improvements which are documented in the latest release notes.

Release notes
https://github.com/veraPDF/veraPDF-library/releases/latest.

Download veraPDF
http://downloads.verapdf.org/rel/verapdf-installer.zip.

 

Feedback

Most of the changes in this release are in response to the constructive feedback we’ve received from our users. Testing and user feedback is key to improving the software. Please download and use the latest release. If you experience problems, or wish to suggest improvements, please add them to the project’s GitHub issue tracker: https://github.com/veraPDF/veraPDF-library/issues.

Getting started
User guides and documentation are published at: http://docs.verapdf.org/.

 

Support veraPDF

veraPDF is open source, free to download, to use and to modify. However, it is not free to host, maintain, support or continue to develop the software. Currently only OPF members support veraPDF financially as part of their membership fees.

How can you help?

  • Become an OPF member;
  • Make a donation to OPF and veraPDF development;
  • Volunteer your time and skills by improving the software and documentation.

http://verapdf.org/donate/

 

About veraPDF

veraPDF was originally funded by the PREFORMA project (http://www.preforma-project.eu/). PREFORMA (PREservation FORMAts for culture information/e-archives) was a Pre-Commercial Procurement (PCP) project co-funded by the European Commission under its FP7-ICT Programme. The project’s main aim was to address the challenge of implementing standardised file formats for preserving digital objects in the long term, giving memory institutions full control over the acceptance and management of preservation files into digital repositories. veraPDF is now maintained by the Open Preservation Foundation.

Subscribe to the veraPDF mailing list at: http://lists.verapdf.org/.


CHCD – International Symposium on Cultural Heritage Conservation and Digitization

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Organized by THID Tsinghua Heritage Institution for Digitalization in Beijing, this biannual event had attracted so far foreign experts from over 30 countries and regions promoting a tradition of international collaboration and exchange on the theme of cultural heritage, digital technologies, conservation and digitization.

The theme of 2018 conference was “Re-member: heritage driven economy”. The aim was to explore the potential of heritage as a driver for the economic growth (in response to the latest Chinese policy as well as the UNESCO mandate). The conference intended to generate conversation not only among the academia but also connecting the stakeholders of the heritage sites and the heritage-sensitive creative industries, focusing on the field of heritage conservation and cutting-edge research related to the application of digital technology in heritage conservation. International panels based on country, including multidisciplinary experts,  have showcase their research, projects, lessons, and opportunities, promoting their tangible and intangible cultural Heritage.

Register: CHCD Registration System

Official email of the CHCD committee secretariat for any information: chcdcommittee@thid.cn

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Preliminary schedule:
• September 12: Registration
• September 13-14: Conference
• September 15-16: Optional excursion

 


ITS LIQUID international contest 2017: application deadline 1st December 2017

ITS LIQUID Group, a communication platform for contemporary art, architecture and design, is proud to present ITS LIQUID International Contest – 5th Edition 2017. The contest is a great opportunity to present your works in galleries and art spaces in the most influential cities in the world. Taking part in ITS LIQUID Contest, you can win the participation in contemporary art exhibitions in Venice during the 16th Architecture Biennale, in New York, Bogotá, Buenos Aires, interviews and featured articles on specialized magazines and platforms, one year contracts for the representation in influential art galleries.

ITS LIQUID Contest is developed in partnership with a professional jury, composed by renowed curators, gallerists, architects, fashion designershigh level experts and important professionals of the Art, Architecture, Design and Fashion Worlds.

ITS LIQUID Contest is composed by ten categories: painting, photography, video-art, sculpture and installation, performing art, architecture, product design, fashion design, computer graphic, illustration and drawing.

itsliquid_contest_prizes_2017

More info and application form: http://www.itsliquid.com/contest/
The deadline for registration is December 01, 2017. REGISTER NOW!


“Tourism Management at UNESCO World Heritage Sites”, a new online course, free and open

This MOOC “Tourism Management at UNESCO World Heritage Sites”, produced by the UNESCO-UNITWIN Network “Culture, Tourism, and Development”, provides an introduction to tourism at UNESCO World Heritage Sites.

Moving from UNESCO’s principles and doctrines, the MOOC covers Communication Technologies, Economy, Management and Planning, and more… It is aimed to policy makers, site managers, students and people active in the tourism industry.

This MOOC is designed and run by an international network of prestigious universities: highly profiled researchers and professors share their knowledge with you in an accessible way on tourism at UNESCO World Heritage Sites.

The course consists of 8 modules, released one per week. During each module, learners will be able to gain knowledge about different aspects of Tourism Management at UNESCO World Heritage Sites thanks to ad-hoc documents and videos produced by members of an international network of prominent universities. Participants will also have the opportunity to assess their understanding and learning progress through quizzes, as well as through various activities, discussions, and peer-to-peer evaluated activities.

Learn More and Enroll: https://www.fun-mooc.fr/courses/course-v1:Paris1+16008+session01/about

 


Symposium: Roma Cultural Heritage

Cattura symposiumRepresentatives of various institutions, researchers, art critics, Roma intellectuals and artists met at this symposium to discuss, together with the audience, the current situation of the Roma cultural heritage. The invited experts faced topics such as the distribution of Roma collections in Europe, the most effective collection methods currently used, the institutions that preserve and present the cultural heritage of the Roma at present.
They confronted the strategies and methods of collecting, caring and presenting the art of Roma, investigating possible new methodologies for the presentation of art history and artifacts of Roma without exoticism of outdated ethnographic museum exhibitions.

The symposium has been a collaborative event of the Goethe Institute Bratislava, tranzit.sk, RomArchive – Digital Archive of the Roma, and Spolka. The supporter of symposium was RomArchive’s Visual Art Section.

Read more


REACH Kick-Off Meeting

01_ProfilOn Dicember 1st and 2nd 2017, the Institut für Museumsforschung Staatliche Museen zu Berlin hosted the REACH Kick-off Meeting, organized by partner SPK.

The REACH project is based on the proposition that Cultural Heritage (CH) plays an important role in contributing to social integration in Europe, and that a fuller and more detailed picture of the range, type and impact of research and participatory research methodologies, current and future, associated with these subjects, will further enhance their potential for social good.

This project aims to establish a social platform as a sustainable space for meeting, discussion and collaboration by a wide-ranging network of development tourism bodies, education, creative industries, policy-makers, professionals, academic experts, arts practitioners, professionals in archives and galleries, and associations, local societies and interest groups representative of non-professionals– all those with a stake in research and practice in the field of culture and CH.

The REACH consortium comprises 7 partners from 6 EU countries: UK, Czech Republic, Germany, Italy, Hungary, Spain. It has been carefully built in order to secure the range of necessary, and complementary, competences for the social platform and to offer a very wide geographic spread.
The consortium includes: 4 universities (Coventry – the Coordinator, Eötvös Loránd University in Budapest, Universidad de Granada and Univerzita Karlova in Prague), one SME successfully active for many years in the sector (Promoter), the well-acknowledged foundation for Prussian CH (SPK), and the Italian Ministry of Economic Development (MISE).

Project website: www.reach-culture.eu


CyArk 500 Challenge: digital preservation of top archaeologic sites

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The CyArk 500 Challenge has the ambitious goal to digitally preserve 500 cultural heritage sites within the next five years. Heritage sites are a significant part of our collective memory and we are losing them at an alarming rate, due to natural causes and also human’s. Non-profit US organization CyArk, which has already successfully preserved “scores of the world’s most famous cultural sites,” is partnering with the International Council of Monuments and Sites (ICOMOS) to laser scan a number of at-risk sites, including some in Syria, Iraq, and the Middle East.

CyArk was founded in 2003 to ensure heritage sites are available to future generations, while making them uniquely accessible today. CyArk operates internationally as a non-profit organization with the mission of using new technologies to create a free, 3D online library of the world’s cultural heritage sites before they are lost to natural disasters, destroyed by human aggression or ravaged by the passage of time. CyArk and its partners are on a mission to save these cultural heritage sites digitally before more are ravaged by war, terrorism, arson, urban sprawl, climate change, earthquakes, floods, and other threats.

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CyArk has already completed 40 projects toward its goal of 500. These sites, called the Exemplar Projects, include Pompeii, Babylon, Mt. Rushmore, the Leaning Tower of Pisa, the Titanic, the Sydney Opera House and, most recently, the Tower of London. Members of the heritage community are invited to submit sites for consideration to be included in the CyArk 500. Interested governments, organizations and individuals are asked to submit a letter of interest. Submissions will be evaluated by the CyArk 500 Advisory Council for selection as part of the 500. Letters that pass the initial review will be asked to submit a formal application for review by the Advisory Council. Selected sites may be eligible to receive digital preservation funding through the CyArk 500 Fund.

More about CyArk and the 500 Challenge: http://www.cyark.org/projects/