Pisa meets Beijing and Shangai through ArTour

img. courtesy: sestaporta.news

Within a varied programme of activities, a group of Chinese students of arts had the opportunity to do laboratories and “artist jam sessions” in Pisa and its territory, and to showcase their works in a dedicated exhibition, opening on the 29th July 2023 in Pisa.

The young Chinese artist Wang Yitong, a graduate of the Academy of Fine Arts in Florence, has accompanied the students in their interpretation of the landscapes and architecture of the coastline, aswell as following many other activities that included mutual confrontation, meetings with other artists, art workshops, and more.

The outcome of this exchange on the Tuscan territory was possible thanks to the active cooperation and dedication of the Italian Cultural Institute in Beijing and the Italian Embassy in China, which contributed to the making of the peculiarities of the Pisan territory accessible and usable to the Chinese community. The association Est Ovest Est based in Pisa promoted the initiative as a way to establish and reinforce artistic and cultural bridges with China.

Read the full article (Italian language) in this blog.

 


INCULTUM graveyard trails design launched in Waterford graveyard

img courtesy: John Tierney

A QR code based trail was launched on the 23rd July to celebrate the Pattern Day for St Declan in Ardmore, West Waterford, Ireland. A design process run through the INCULTUM Pilot resulted in an A7 sized brochure with 8 points of interest being presented and tested, by the local community in Ardmore village.

A well attended talk on the history and archaeology of the monastic enclosure in Ardmore by John Tierney and Martha Hannon of Eachtra, served to launch the new Past in Your Pocket brochure, which is being trialled as a model for grassroots tourism guides.

This activity is  linked to INCULTUM’s Ireland pilot, that plans to augment the touristic potential by improving communications among communities and also among those communities and the diaspora population to whom they supply heritage data and stories.


What kind of technological growth are we aiming for? Event in Ioannina (Greece)

text and photos courtesy of The High Mountains cooperative.

On Friday, 23/06/2023, at the “Dim. Hatzis” Cultural Centre (Old Slaughterhouses) in Ioannina, the event entitled “What kind of technological growth are we aiming for?” took place. This event is a continuation of the action “A cooperation for the Dragonlake of Tymfi” and the training workshops on 3D printing.

Sotiris Tsoukarelis, President of the Social Cooperative Enterprise “The High Mountains”, wishing to introduce the audience to a productive discussion, referred to the issues of the climate crisis that year after year makes its impact more noticeable, to the ecosystems that are collapsing and to the necessity of our immediate reaction. He stressed the importance of using open-source technologies as innovative tools for the preservation of cultural heritage and the promotion of cultural tourism. Some of the questions that emerged from this statement and monopolized the discussion were: How can technology become a catalyst for the transition to equitable and inclusive development? What is the role of cosmolocalism in a global environmental disaster?

Minas Liarokapis, founder of the New Dexterity Lab, and professor at the University of Auckland was there to provide answers as he shared practical examples of open, sustainable and inclusive technologies, opening up the discussion about the problems, challenges and opportunities of a new way of production by engaging different models of technological development where robots, automation and artificial intelligence meet traditional techniques such as the loom, water mill and manual digger to determine which ones ultimately serve people and the planet.

Afterwards, a demonstration of the WaterJet that collects environmental data took place at the Lake of Ioannina. The WaterJet is an open technology tool designed in New Zealand by the team of Minas Liarokapis and was printed in the public library of Konitsa in the framework of the Incultum project, in which The High Mountains SCE participates, in collaboration with P2P Lab Ioannina and the Tzoumakers Lab. The WaterJet will remain in the area as a tool for monitoring its sensitive aquatic ecosystems.

The discussion was followed by a relaxed discussion at the Thimomeno Portreto bar.

In collaboration with Stegi – Onassis Foundation, in the context of the exhibition Plásmata II: Ioannina.


More about the Aoos Pilot:

The Vjosa/Aoos River, considered as ‘one of Europe’s last living wild rivers’, springs from Mt. Pindus in Greece, and then enters Albania. On both sides of the river banks, extends a terrain of agrarian field terraces alternated with hilly lands of rich Mediterranean vegetation where the traditional settlements are situated, followed by high mountain massifs dominated by continental climate with rich water sources, forests, flora and fauna, and broad prominent pastures.

On the Greek side, Konitsa is the main town of the area and the capital of the municipality surrounded by some of the highest mountains of Greece. It is built on the edge of Vikos Canyon, core of the National Park of Vikos-Aoos and one of the four Greek Geoparks, which became a member of the European and Global Geopark Networks in 2010. Numerous geosites within the territory are situated in landscapes of incomparable beauty.

In the INCULTUM pilot 7, the main expected action relates to the mapping of the natural, social, cultural and productive resources of the area, analysis of the data gathered during the mapping and their visualization using Business Intelligence tools. With this digital platform we are going to give the ability to citizens, local authorities and stakeholders, but also to visitors, to virtually combine resources of the area and propose their own evidence-based development actions and policies. Furthermore, the database is going to be participatory and always open to new inputs, collected by questionnaires, free text, business registrations, comments for the area etc.

Discover all the INCULTUM Pilots: https://incultum.eu/pilots/

 

 

 



“De-centering the history of international organisations”

International and transnational organisations have been prominent actors in histories of the long 20th century, but there has been little reflection on how historians can apply those same methodological perspectives to the use of these organisation’s archives.

In order to discuss the “de-centering” of the history of international and transnational organisations, this workshop focuses on methodological and epistemological reflections, and aims to bring together scholars working on all different strands of internationalism – from intergovernmental to non-governmental and civil society organisations, from religious internationals to trade union confederations and financial institutions while answering key questions. Contributions that are based on a critical evaluation of experiences in the field (particularly in archives) will be welcomed, in order highlight how researchers have considered the methodological implications of de-centring their examination of these international organisations.

The workshop, “De-centering the history of international organisations”, will take place from November 29 to December 1, 2023. Participants will be asked to submit a max. 4 page paper by 14 November, 2023, complementing the 12-15 min oral presentations given during the workshop.

More information will follow, it’s possible to get updated at this link.


TWA cultural heritage Digitisation Grant 2023 for UK-based digitisation projects

Stemming from a conversation around the impact of funding on the heritage sector, the TWA Digitisation Grant has adapted and evolved over the years, responding directly to the real and current needs of the heritage organisations it seeks to support.

This year, the fund offers three grants of up to £3000 for the winners, and Up to £1,000 in match funding for all other eligible applicants. The fundings can be spent on any UK-based digitisation project, provided in the form of TownsWeb Archiving’s digitisation and software services of equivalent value.

To apply for funding, it’s necessary to provide a few information in order to receive the grant application via email. You can apply here. All applications must be submitted by 11:59pm on 28th July 2023. Winners will be announced live at the ARA Annual Conference and via livestream on 30th August 2023.

Learn more at this link and by watching a video presentation on the Overview: https://share.vidyard.com/watch/m66JDTYT7F26RnhBMX2XZW.


Postgraduate course in Management, Preservation and Dissemination of Photographic Archives

On November 2023, FUAB Formació School – Archival Studies and Records Management at the Autonomous University of Barcelona, the Centre for Image Research and Dissemination (CRDI), and the Institute of Photographic Studies of Catalonia (IEFC) will start a new edition of the online Postgraduate in Management, Preservation and Dissemination of Photographic Archives, an universitary training that offers a specialisation within archival and photography studies.

This programme has a double purpose:

  • To respond to many public and private entities’ need to properly organise and exploit their photographic fonds and collections;
  • To equip photography professionals with different strategies and knowledge tools that will help them in managing and commercialising their photographic production.

The programme takes into account the various aspects that must allow a correct management of these photographic documentary collections, collected in the contents of the different modules that make up the study plan. It is developed with the collaboration of professionals from the sector of recognized prestige in the fields included.

Who is it for:
Archivists, photographers, librarians, documentalists, museologists, curators, researchers, collectors and people interested in photography in general.

More information: https://scur.cat/2YEXD2


EUreka3D established a cooperation agreement with Archéosciences Bordeaux

Archéosciences Bordeaux is a research laboratory part of the Université Bordeaux Montaigne, and is focused on the chronology of human settlements, the circulation of materials and ancient techniques, and imaging applied to heritage. The laboratory also collaborates with Bibracte, one of the partners of EUreka3D, for the digitisation and metadata preparation of their cultural and archaeological collections, which will be published open access in Europeana.

The cooperation with EUreka3D is progressing with various activities, in particular on the development of the EUreka3D pilot dedicated to Cultural Heritage Institutions for managing digital assets, and especially 3D collections. The pilot relies on a cloud-based platform managed at EGI the European Grid Initiative together with ACK Cyfronet AGH, offering advanced services and tools for digital collection management, especially with 3D objects and their metadata and paradata management.

To support visualization of the 3D models, it is currently under discussion the possibility to embed an advanced viewer developed by Archéosciences Bordeaux. The viewer is already in use at the Conservatoire National des Données 3D (CND3D), the French National 3D Data Repository, also providing a backup solution for 3D data produced in the context of projects in higher education and research in digital humanities in France.

image courtesy of Archéosciences Bordeaux

The Archeovision 3D viewer is a dynamic viewer, based on Potree and 3DHop, that is able to load 3D files on demand, thus permitting to handle even very large 3D models in web-based environments. The capability of the viewer is extremely flexible, so to accomodate any type of 3D digitized cultural assets, from large ground models to tiny artefacts. This viewer would be a perfect solution for the visualization needs of cultural heritage institutions who make use of the EUreka3D platform to store and handle their 3D collections, supporting the variety of formats and types deriving from 3D digitization projects.

image courtesy of Archéosciences Bordeaux

The technical teams of Archéosciences Bordeaux, EGI and Cyfronet are currently at work to understand the integration needs between the viewer and the EUreka3D platform. As part of the development work, interoperability with the Europeana platform is also an important aspect that will enable the 3D models, visualized via the Archeovision 3D viewer, to be accessible in the Europeana website.


EUreka3D project: latest updates on 3D digitisation of heritage collections

all images in this post courtesy of CRDI/Ajuntament de Girona via the EUreka3D Twitter profile.

The EUreka3D project coordinated by Photoconsortium has just started the action on high-quality 3D digitisation, which will make great collections of cultural heritage 3D digitised objects accessible to everyone in the Europeana website.

The content provided by project partners is very diverse, and ranges from monuments at risk to archaeological objects, early cinema items and filigree paper moulds. EUreka3D will aggregate on Europeana about 5,000 new 2D and 3D records, digitised in high quality from various providers: CUT Cyprus University of TechnologyBibracteMuseo della Carta and CRDI Ajuntament de Girona, some of which have never featured on Europeana before.

The project is also creating a cloud-based platform managed at EGI the European Grid Initiative. dedicated to Cultural Heritage Institutions offering advanced services and tools for digital collection management, especially with 3D objects and their metadata and paradata management.

During these days, CRDI / Ajuntament de Girona is one of the partners fully involved in the digitisation process. Around 50 pre-cinema objects from the Cinema Museum of Girona are being digitised: magic lanterns, zoetropes, optical boxes, early cinema cameras and movie projectors. The 3D objects are being digitalised following the recommendations of the unique Study on Quality in 3D Digitisation of Tangible Cultural Heritage (VIGIE 2020/654), produced by partner CUT.

The digitisation of these objects is done using the photogrammetry technique, and is possible thanks to the great contribution both of the Cinema Museum and specialized company La Tempesta.


Smashing the Silos! The Future of Cultural Heritage Information and Visualization

img courtesy: InTaVia website

On the 9th of July, a one-day research symposium (held both online and at the Kunsthaus Graz, co-located with DH2023) was organised by to reflect on novel developments and challenges in the field of cultural heritage information and visualization.

The symposium started from a reflection on the InTaVia project main questions and results, and aimed to expand, deepen and contextualize the impulse of this European initiative with inputs from digital humanists, visualization scholars, and GLAM practitioners. It also aimed to strengthen the collaboration between actors from the cultural heritage, digital humanities, and visualization fields, and to discuss open challenges for the research field, reflecting on future means to build new bridges between communities and different perspectives.

Read more at this link.


EUreka3D promotes awareness on climate change

Dyschoriste erecta
Institution: Berlin-Dahlem Botanical Garden and Botanical Museum
Copyright: CC BY-SA

The Europeana Initiative’s Climate Action Community recently ran a series of workshops which explored climate action, better digital information management practice and more. The aim of the workshop series was to explore key topics, share best practices and discuss the role of digital cultural heritage in the fight against climate change.

An abstract is now published on Europeana Pro website, retracing the three workshops to showcase learnings and thoughts on sustainability for culture, climate action and digital management.

Furthermore, the links to the webinars’ recordings are now avaiable, along with the four main takeaways on the series:

  • Collaborative action
  • Awareness and education
  • Balancing priorities
  • Digital transformation

Since EUreka3D is committed to raise awareness on the matter of sustainability and climate action in the cultural heritage sector, we would like to encourage anyone involved in any way in the digital preservation or management of digital content in your organisation to  contribute to sector wide understanding by taking the Community’s Environmental Sustainability practice survey, by sharing your ideas, experience and challenges. The survey will be open until Wednesday, 13 of September 2023.

More information about the workshops can be found at this link.