Digital meets Culture

The Hague, 16-18 September 2015

DiXiT Convention: submission deadline extended!

The deadline to submit proposals for the DiXiT Convention “TECHNOLOGY, SOFTWARE, STANDARDS FOR THE DIGITAL SCHOLARLY EDITION” has been extended to Thursday the 28th of May 2015.

The call for paper is open to everybody (except DiXiT fellows).

The Huygens Institute for the History of the Netherlands is organising the first of DiXiT’s three conventions, being held on September 16-18 2015 in The Hague, the Netherlands. The convention will be an informal meeting where the DiXiT research fellows will present their first results within interactive sessions. The event will be a lively get-together bristling with new ideas and people working in the field of scholarly editing and digital humanities are warmly invited to participate!

Programme

Monday 14: informal meeting of DiXiT fellows
Tuesday 15: two parallel workshops
– Net7 will present Pundit and Muruca
– Huygens ING will run a workshop ‘TEI and neighbouring standards’
Wednesday 16 until Friday 18 (morning): the Convention proper (“Technology, Software, Standards for the Digital Scholarly Edition”)
Friday 18 (afternoon) DiXiT supervisory board session

Keynotes will be given by Leo Jansen, editor of the acclaimed edition of Van Gogh’s letters, Laurent Romary, director of DARIAH, and Lorna Hughes, chair in digital humanities at the University of London’s School of Advanced Study (SAS).

Call for papers:

In order to broaden the scope and diversity of the meeting, the convention organisers are issuing this call.
While the focus of the convention is on technology, software and standards, topics for the sessions may include anything related to scholarly digital editing, such as:

tools for editing, collation, publication
text mark-up: application, development, advantages, disadvantages
sustainability and preservation of editions: economic and technical
editing as a social endeavour: crowd-sourcing, social editions and other forms of collaboration
the role of the editor in digital editing
other

Organisers encourage exploratory papers. Early-career scholars are welcome.
People interested in presenting a twenty-minute paper please mail their proposal to congres@huygens.knaw.nl.

The proposal should include:

name and email of the presenter
title of paper
abstract (ca. 400 words)

Dates:

call for papers: April 21, 2015
proposals due: May 28, 2015
decision about acceptance: June 14, 2015
meeting: September 14-18, 2015

Dixit Convention website: dixit.huygens.knaw.nl

The DiXiT project is an Initial Training Network funded by the European Commission under the Marie-Curie scheme. Its consortium is composed of many high-profile European universities and research institutions, which work together training a new generation of digital scholarly editors.

RICHES Workshop in Ankara (Turkey), Turkish National Library, 13-14 May 2015

International experts explore the context of change and the move from analogue to digital

Cultural Heritage (CH) itself, the ways in which it is made, held, collected, curated, exhibited, or simply exists, have completely changed in the 21^st century. This context of change has also transformed the roles and links between memory institutions, CH professionals, citizens, and economic and social actors at all the spheres of society.

In order to understand this context of change, the RICHES project organised a workshop at the Turkish National Library (Ankara, Turkey). Two intense days of discussion allowed the participants to discuss key questions about how these transformations are evolving, and identify the main opportunities and trends for the upcoming years.

After the welcome messages by Zulfi Toman, General Director (National Library, Turkey) and Hamdi Tursucu, General Director (KYGM, Turkey), the RICHES project was presented by the project coordinator Neil Forbes (Coventry University, UK). The first day of the workshop was devoted to explore the move from analogue to digital. The session was opened by Dr. Yasar Tonta (Hacettepe University, Turkey), who presented the Digital Future of the Past. The presentation addressed some of the stewardship challenges such as infrastructure and policy issues to preserve the past in digital form in perpetuity. The Rijksmuseum Volkenkunde-National Museum of Ethnography (Netherlands) explored the impact of the digital on ethnographic museums. Ahmad Lash, from the Department of Antiquities (Jordan), presented MEGA JORDAN, a geographic information system (GIS) to inventory and manage archaeology sites, which constitutes a best practice example on how to exploit digital technologies in the Cultural Heritage field. This session was complemented by the case studies developed within the RICHES project. On that sense, Bahadir Aydinonat (KYGM, Turkey) presented the evaluation of the Turkish National Library Digital Services in terms of user perspective, and Katerina Charatzopoulou (SPK, Germany) the case study on Museum Collections online and their potential for research. This first day was closed by Antonella Fresa (Promoter Srl, Italy), who presented the final conclusions of this session seeking to understand the context of change and the move from analogue to digital.

On the 14th May the workshop explored best practices and trends on Cultural Heritage transmission in a changing world. Amalia Sabiescu (Coventry University, UK) provided insights about this context of change, particularly on the development of new skills and the preservation of traditional skills. Mayor Veysel Tiryaki, from the Ankara Municipality of Altindag (Turkey), presented the experience of Hamamonu and the transformation of physical resources. A guided tour on the afternoon allowed the participants to discover the results of the intervention at Hamamonu, which constitutes a case study in the framework of the RICHES project. Exploring the CH transmission and its impact on education and learning, Prof. Dr. Mehmet Emin Kucuk (Hacettepe Technology Transfer Center, Turkey) presented the Global Libraries Project Turkey. Closing that session, MEMOLA Project presented its activities on Cultural Landscapes as places to get involved.

The final session of the workshop was completely interactive and open to discussion. Participants addressed specific aspects linked to the workshop topics in three parallel discussion groups:

TRANSMITTING CULTURAL HERITAGE: preserve & curate in a context of change
TALKING CULTURAL HERITAGE: communication and connectedness in the digital age, user engagement, mediated and un-mediated culture
THE MOVE FROM ANALOGUE TO DIGITAL: main risks and opportunities

Finally, the findings of the discussion sessions where reported to the global audience, and the RICHES project coordinator, Neil Forbes, concluded the event sharing the closing remarks. The event has been a successful platform to discuss key aspects linked to the RICHES project research, proving insights to continue exploring and understanding the context of change and the move from analogue to digital.

The abstract and speakers profile of the delivered presentations can be downloaded here: ANKARA WORKSHOP_SPEAKERS_Presentations

The workshop presentations are online:

Neil Forbes (Coventry University, UK): RICHES General Presentation

Dr. Yasar Tonta (Hacettepe University, Turkey): The Digital Future of the Past

Wayne Modest (Rijksmuseum Volkenkunde-National Museum of Ethnography, Netherlands): Fashioning Futures – Digitality and the Museum of World Cultures

Ahmad Lash, Arwa Massa’deh (Department of Antiquities, Jordan): Data Base and monitoring the Heritage of Jordan

Bahadir Aydinonat, Hakan Koray Ozluk (KYGM, Turkey): Evaluation of Turkish National Library Digital Services in terms of user perspective

Monika Hagedorn-Saupe, Katerina Charatzopoulou (SPK, Germany): Museum Collections online and their potential for research

Antonella Fresa (Promoter Srl, Italy): Understanding the context of change and the move from analogue to digital

Amalia Sabiescu (Coventry University, UK): Digital Craft Traditional and New Skills

Prof. Dr. Mehmet Emin Kucuk (Hacettepe Technology Transfer Center, Turkey): Global Libraries Project Turkey_Education-Learning

Lara Delgado Anés, Maurizio Toscano, José María Martín Civantos (MEMOLA Project): Cultural Landscapes Places to get involved

Creative re-use of digitised contents and citizen participation among the main challenge of the Digital Age

NALIS Forum 2015 successfully concluded

The fourth international forum, organised by the NALIS Foundation with the support of America for Bulgaria Foundation, took place on 12 May 2015 in Sofia, at the Radisson Blu Grand Hotel Sofia. This year the event, entitled “The Challenge to Collaborate in the Digital Age“, was dedicated to the large library consortia.

Jo Rademakers, Director of LIBIS, the Belgian library network (Photo: E.Voleva)

Special guests were: delegates of the Ministry of Education and Ministry of Culture; members of the Parliament and other official guests; representatives of the NALIS Foundation, its founders and associates; representatives from libraries and universities; museums; NGOs (non-governmental organisations) and other cultural organisations. Among them Antonella Fresa from Promoter SRL, participating as invited speaker with a talk on digitisation, creative re-use of cultural content and citizen participation. In order to validate the sociological impact of digital cultural heritage and technologies, Fresa presented some of the successful projects Promoter and NALIS were involved in (in particular EuropeanaPhotography, giving life to the Photoconsortium Association) and added some words about the ongoing EU projects E-Space, Civic Epistemologies and RICHES, whereof Promoter is taking care with the role of Technical Coordinator/Communication & Dissemination Manager. [download Fresa’s presentation]

The event was opened by Vanya Kastreva, Deputy Minister of Education, and Carl H. Pforzheimer III, Co-Chairman of the America for Bulgaria Foundation. The lecturers were representatives of leading libraries/library networks and cultural organisations from Europe and the US, who shared their experience in local and global collaboration (not only within the library community, but also within the IT community) in the framework of projects involving the digitisation of cultural heritage, creative re-use of digitised cultural contents and citizen participation.

Antonella Fresa, Promoter SRL (Photo: E.Voleva)

After the conference, the lecturers went for a pleasant sightseeing in the old Sofia.

Watch the speakers’ presentations on the NALIS YouTube channel.

View the photogallery of the NALIS Forum 2015:

[Show as slideshow]

Download the programme

Visit the NALIS Foundation’s website

October 11 - 16, 2015 - St. Julians, Malta. Deadline: June 1, 2015

HUSO 2015: First International Conference on Human and Social Analytics – Call for Papers

The recent development of social networks, numerous ad hoc interest-based formed virtual communities, and citizen-driven institutional initiatives raise a series of new challenges in considering human behaviour, both on personal and collective contexts.

HUSO 2015, The First International Conference on Human and Social Analytics, is an inaugural event bridging the concepts and the communities dealing with emotion-driven systems, sentiment analysis, personalized analytics, social human analytics, and social computing.

The event has opened a call for papers, looking for academic, research, and industrial contributions. Technical papers presenting research and practical results are welcome, as well as position papers addressing the pros and cons of specific proposals, such as those being discussed in the standard fora or in industry consortia, or survey papers addressing the key problems and solutions on any of the above topics short papers on work in progress, and panel proposals.

All tracks/topics are open to both research and industry contributions.

Tracks:

– Emotion basics
– Emotion-driven systems
– Sentiment analysis
– Social human analytics
– Personalized human analytics
– Social computing

The submission deadline for the presentation of full papers is June 1, 2015.

INSTRUCTION FOR THE AUTHORS

Authors of selected papers will be invited to submit extended versions to one of the IARIA Journals.

Publisher: XPS (Xpert Publishing Services)
Archived: ThinkMind^TM Digital Library (free access)
Prints available at Curran Associates, Inc.
Articles will be submitted to appropriate indexes.

Important deadlines:

Submission (full paper)	June 1, 2015
Notification	July 12, 2015
Registration	July 30, 2015
Camera ready	August 30, 2015

Contribution types

regular papers [in the proceedings, digital library]
short papers (work in progress) [in the proceedings, digital library]
ideas: two pages [in the proceedings, digital library]
extended abstracts: two pages [in the proceedings, digital library]
posters: two pages [in the proceedings, digital library]
posters: slide only [slide-deck posted on www.iaria.org]
presentations: slide only [slide-deck posted on www.iaria.org]
demos: two pages [posted on www.iaria.org]
doctoral forum submissions: [in the proceedings, digital library]

Proposals for:

mini symposia: [in the proceedings, digital library]
workshops: [in the proceedings, digital library]
tutorials: [slide-deck posted on www.iaria.org]
panels: [slide-deck posted on www.iaria.org]

FORMATS

Only .pdf or .doc files will be accepted for paper submission. All received submissions will be acknowledged via an automated system.

Final author manuscripts will be 8.5″ x 11″, not exceeding 6 pages; max 4 extra pages allowed at additional cost. The formatting instructions can be found on the Instructions page. Helpful information for paper formatting can be found on the here. Latex templates are also available.

Slides-based contributions can use the corporate/university format and style.

Your paper should also comply with the additional editorial rules.

Once you receive the notification of contribution acceptance, you will be provided by the publisher an online author kit with all the steps an author needs to follow to submit the final version. The author kits URL will be included in the letter of acceptance.

It is recommended to not use too many extra pages, even if you can afford the extra fees. No more than 2 contributions per event are recommended, as each contribution must be separately registered and paid for. At least one author of each accepted paper must register to ensure that the paper will be included in the conference proceedings and in the digital library, or posted on the www.iaria.org (for slide-based contributions).

CONTRIBUTION TYPE

Regular Papers (up to 6-10 page article -6 pages covered the by regular registration; max 4 extra pages allowed at additional cost- ) (oral presentation)
These contributions could be academic or industrial research, survey, white, implementation-oriented, architecture-oriented, white papers, etc. They will be included in the proceedings, posted in the free-access ThinkMind digital library and sent for indexing. Please submit the contributions following the instructions for the regular submissions using the “Submit a Paper” button and selecting the appropriate contribution type. 12-14 presentation slides are suggested.

Short papers (work in progress) (up to 4 pages long) (oral presentation)
Work-in-progress contributions are welcome. These contributions represent partial achievements of longer-term projects. They could be academic or industrial research, survey, white, implementation-oriented, architecture-oriented, white papers, etc. Please submit the contributions following the instructions for the regular submissions using the “Submit a Paper” button and selecting the contribution type as work in progress. Contributors must follow the conference deadlines, describing early research and novel skeleton ideas in the areas of the conference topics. The work will be published in the conference proceedings, posted in the free-access ThinkMind digital library and sent for indexing. For more details, see the Work in Progress explanation page. 12-14 presentation slides are suggested.

Ideas contributions (2 pages long) (oral presentation)
This category is dedicated to new ideas in their very early stage. Idea contributions are expression of yet to be developed approaches, with pros/cons, not yet consolidated. Ideas contributions are intended for a debate and audience feedback. Please submit the contributions following the instructions for the regular submissions using the “Submit a Paper” button and selecting the contribution type as Idea. Contributors must follow the conference deadlines, describing early research and novel skeleton ideas in the areas of the conference topics. The work will be published in the conference proceedings, posted in the free-access ThinkMind digital library and sent for indexing. For more details, see the Ideasexplanation page. 12-14 presentation slides are suggested.

Extended abstracts (2 pages long) (oral presentation)
Extended abstracts summarize a long potential publication with noticeable results. It is intended for sharing yet to be written, or further on intended for a journal publication. Please submit the contributions following the instructions for the regular submissions using the “Submit a Paper” button and selecting the contribution type as Extended abstract. Contributors must follow the conference deadlines, describing early research and novel skeleton ideas in the areas of the conference topics. The work will be published in the conference proceedings, posted in the free-access ThinkMind digital library and sent for indexing. 12-14 presentation slides are suggested.

Posters (paper-based, two pages long) (oral presentation)
Posters are intended for ongoing research projects, concrete realizations, or industrial applications/projects presentations. The poster may be presented during sessions reserved for posters, or mixed with presentation of articles of similar topic. A two-page paper summarizes a presentation intended to be a POSTER. This allows an author to summarize a series of results and expose them via a big number of figures, graphics and tables. Please submit the contributions following the instructions for the regular submissions using the “Submit a Paper” button and selecting the contribution type as Poster Two Pages. Contributors must follow the conference deadlines, describing early research and novel skeleton ideas in the areas of the conference topics. The work will be published in the conference proceedings, posted in the free-access ThinkMind digital library and sent for indexing. 8-10 presentation slides are suggested. Also a big Poster is suitable, used for live discussions with the attendees, in addition to the oral presentation.

Posters (slide-based, only) (oral presentation)
Posters are intended for ongoing research projects, concrete realizations, or industrial applications/projects presentations. The poster may be presented during sessions reserved for posters, or mixed with presentation of articles of similar topic. The slides must have comprehensive comments. This type of contribution only requires a 8-10 slide-deck. Please submit the contributions following the instructions for the regular submissions using the “Submit a Paper” button and selecting the contribution type as Poster (slide-only). The slide-deck will be posted, post-event, on www.iaria.org.
8-10 presentation slides are suggested. Also a big Poster is suitable, used for live discussions with the attendees, additionally to the oral presentation.

Presentations (slide-based, only) (oral presentation)
These contributions represent technical marketing/industrial/business/positioning presentations. This type of contribution only requires a 12-14 slide-deck. Please submit the contributions following the submission instructions by using the “Submit a Paper” button and selecting the contribution type as Presentation (slide-only). The slide-deck will be posted, post-event, on www.iaria.org.
12-14 presentation slides are suggested.

Demos (two pages) [posted on www.iaria.org]
Demos represent special contributions where a tool, an implementation of an application, or a freshly implemented system is presented in its alfa/beta version. It might also be intended for thsoe new application to gather the attendee opinion. A two-page summary for a demo is intended to be. It would be scheduled in special time spots, to ensure a maximum attendance from the participants. Please submit the contributions following the submission instructions by using the “Submit a Paper” button and selecting the contribution type as Demos. The Demos paper will be posted, post-event, onwww.iaria.org.

Doctoral forum submissions: (up to 6-10 page article -6 pages covered the by regular registration; max 4 extra pages allowed at additional cost- ) (oral presentation)
There contributions refer to PhD dissertations, new PhD approaches, and PhD out-of-the-book thinking, etc. They will be included in the proceedings, posted in the free-access ThinkMind digital library and sent for indexing. Please submit the contributions following the instructions for the regular submissions using the “Submit a Paper” button and selecting the appropriate contribution type Doctoral forum. 12-14 presentation slides are suggested.

Tutorial proposals
Tutorials provide overviews of current high interest topics. Proposals should be for 2-3 hour long. Proposals must contain the title, the summary of the content, and the biography of the presenter(s). The tutorials’ slide decks will be posted on the IARIA site.
Please send your proposals to tutorial proposal

Panel proposals
The organizers encourage scientists and industry leaders to organize dedicated panels dealing with controversial and challenging topics and paradigms. Panel moderators are asked to identify their guests and manage that their appropriate talk supports timely reach our deadlines. Moderators must specifically submit an official proposal, indicating their background, panelist names, their affiliation, the topic of the panel, as well as short biographies. The panel’s slide deck will be posted on the IARIA site.
Please send your proposals to panel proposal

Workshop proposals
See http://www.iaria.org/workshop.html

Mini Symposium proposal
See http://www.iaria.org/symposium.html

Updates about the Call for Papers and the International Conference will be regularly published at the conference website.

Brussels, 12 June 2015

Open Standards for ICT Procurement: Saving while reducing ICT lock-in

The Scenario

Under Digital Agenda, the European Commission commits itself through Action 23 to provide guidance on the link between ICT Standardisation and Public Procurement in order to help public authorities use standards to promote efficiency and reduce lock-in.

As a matter of fact, using ICT open standards results in:

Higher savings when procuring ICT
An increased level of competition among suppliers
Being compliant with EU Public Procurement directives

The Workshop

If you are involved somehow in ICT procurement and want to know how other organizations similar to yours are successfully dealing with ICT “lock-in”, you are warmly invited to attend the “Open Standards for ICT Procurement: Saving while reducing ICT lock-in” workshop, taking place in Brussels – at DG CONNECT – on June 12th, 2015.

The Workshop will be a great opportunity to meet MSP members, procurement managers, policymakers and ICT suppliers to discuss how to effectively reduce lock-in by using Open Standards.

The main goals of the event are:

Discuss ways in which Pre-Commercial Procurement can be used as a tool to steer the development of solutions towards concrete public sector needs;
Share some good and bad practice examples about the Procurement of ICT and Innovation within EU Public Administrations;
Gather new ideas to revamp the EC policy for the procurement of ICT products and services on the base of standards

Best practice examples have been carefully selected to match the needs and wants of all potential participants. In addition, we planned various networking opportunities to allow you to share your opinion with a number of top-tier experts.

Participation is free and subject to availability. You can register on-line at: http://www.pwc.com/it/OpenICTProcurement

A Detailed Agenda of the Workshop will be soon uploaded on Joinup.

Addis Ababa, Ethiopia, 17-20 May 2015

Africa’s education techies hackaton for social good

This hackathon will bring together edtech (education technology) entrepreneurs from throughout Africa to explore and develop new paths and methods for sustainable change in social systems.

Aim of the game, taking place on May 17 – 20 in Addis Ababa, Ethiopia, is in the title: over four intensive days of competitive creation, participants of the Gamify it! Hackathon! will set out to prove whether it’s possible to achieve a measurable impact towards sustainable development through fun and engagement.

«It’s the first time we’ve been able to bring 35 people from all throughout Africa together to work on social causes in this way using technology – says Markos Lemma, co-founder of iceaddis, the community-oriented innovation hub in Addis Ababa. Iceaddis is part of the team of organisers, led by GIZ (The Deutsche Gesellschaft für Internationale Zusammenarbeit ) and including eLearning Africa.

From eLearning Africa 2014

«I think it’s important to have a hackathon on social change because hackathons are a great way to collect ideas in a very informal way. It encourages people to get creative and come up with innovative solutions ».

Under the theme “Gamification for Social Good”, teams of programmers, designers, problem solvers and subject matter experts are required to identify key challenges and problems from a variety of areas (with a particular focus on the African context) such as gamification and green technologies, gamification in education and (vocational) training or gamification for emergency and disaster management.

What’s gamification and why is it effective? Gamification is the use of games or game-like elements to engage and motivate people to solve problems. GIZ, who are organising the event on behalf of the German Federal Ministry for Economic Cooperation and Development, say gamification and serious games are “particularly powerful ways to address individuals’ competences and change behaviour for the better.”

Starting at iceaddis, the hackathon will finish up at the eLearning Africa conference on May 20, where teams will present their newly-developed gamified tools (whether it’s an app, online platform or immersive environment) to an international audience. The conference is being co-organised by the African Union and hosted by the Government of Ethiopia and is expected to attract over 1,200 participants.

The winner will be invited to visit Berlin, Germany, for the XXI edition of OEB (the global, cross-sector conference on technology-supported learning and training) in December 2015.

Lemma says as many of Africa’s tech entrepreneurs are involved in developing technology-supported educational materials, this is a great opportunity for them to not only show the rest of the continent how the private sector can be involved in education but also, through participating in OEB, to display the different eLearning innovations coming out of Africa.

Participation is exclusively for citizens of African countries, with teams coming from throughout the continent: Botswana, Cameroon, Congo, Ethiopia, Ghana, Kenya, Madagascar, Mali, Namibia, Niger, Nigeria, Rwanda, South Africa, Togo and Zimbabwe.

From eLearning Africa 2014

For further information visit

www.icwe.net

www.elearning-africa.com

Girona, 12 May 2015

PREFORMA at the Study Visit of the Leonardo da Vinci Project

On 12th of May 2015, Sònia Oliveras from the Municipal Archive of Girona presented PREFORMA at the Study Visit of the Leonardo da Vinci Project in Girona.

This study visit was developed through several workshops about digitalisation, publication in Europeana and digital preservation.

A general presentation of PREFORMA was carried out, and an official booklet was delivered to the attendees, who came from the staff of Boras University (Sweeden), Budapest Museums, Municipal Archive of Schiedam (Netherlands), Malta National Archives and Municipal Archive of Gävle (Sweeden).

The attendees were very interested in the results of the project and also very interested in checking the conformance of their documents through the tools that PREFORMA will make soon available.

Marseille, Fort Saint-Jean, 20 May 2015

Museums as Cultural, Urban, Creative and Learning Interface

When: Wednesday, May 20, 2015, 9:00 – 17:30

Where: Institut Méditerranéen des Métiers du Patrimoine (I2MP), 201 quai du Port 13002 Marseille

What: Seminar on Technology in the Arts, Humanities and Cultural Heritage, entitled Museums as Cultural, Urban, Creative and Learning Interface (M-CSUCLI)

Organisers: Franz Fischnaller (IMéRA-MuCEM-Lab MAP Fellow Researcher); IMéRA (Institut d’études avancées d’Aix-Marseille); MuCEM (Musée des Civilisations de l’Europe et de la Méditerranée).

M-CSUCLI addresses the topic of the role of museums in times of social, cultural and technological change.

The seminar aims to investigate the intersection between technology, arts, humanities and cultural heritage and to critically evaluate how technology and digital media can be effectively used to support the museum practices. It is expected to contribute to the development of a platform for exchange of museum best practices, enhancing qualitative analysis and in-depth examination.

M-CSUCLI will bring together a variety of local and international researchers, professionals, experts and practitioners working beyond the traditional disciplinary boundaries; they will offer the attendees an insight into their practices and experience.
Through the seminar, efficient models and scenarios of museum practice, case studies, innovative approaches, experimental and creative experiences will be introduced, able to open new perspectives and to reinforce awareness and critical thinking in the framework of the current practices.

Download the Programme

For more information visit www.mucem.org and imera.univ-amu.fr

Pisa, 16 May 2015, 9.00 - 21.00

XIII IMAGO PHOTOGRAPHIC MARATHON

Pisa’s cultural association Imago presents its XIII photographic marathon: 12 hours, 4 subjects, 1 passion.

The event is taking place in Pisa (and online, for people not able to attend physically), on 16 May 2015, from 9.00 to 21.00 CEST.
Organisers will communicate to the participants one subject every three hours (9.00, 12.00, 15.00, 18.00). The 4 subjects will be communicated also on the marathon’s Facebook page, on the websites www.imagopisa.it – www.maratonaimago.it and on Twitter (@imagopisa) Within 21.00 o’clock the shots produced (max 36 images) will be given back.
It is possible to participate both with digital and analogic camera.

Attendees will meet at Bar La Tazza d’Oro (Piazza Clari nr 2, 56100, Pisa) at 9.00 o’clock.

After breakfast, offered by the bar, participants of the analogic section will receive a roll BLACK and WHITE ILFORD HP5 400 PAUSED ISO 36 or KODAK TMAX 400 PAUSED ISO 36. Participants of the digital one will come with their empty memory card.

Saturday the 13th of June, participants of the analogic section will receive their film developed together with the related contact sheets; by the same date, the digital photographers will receive their contact sheet in .pdf at the email address given at the time of registration.

Within 25 July, all the participants will deliver to the organisers 4 black & white or coloured photos (20×30 cm), fixed on black cardboards (30×40 cm).
The images collected will be put on exhibit at the XIII IMAGO PHOTOGRAPHIC MARATHON SHOW, being held in autumn 2015 (date to be defined) at the SMS museum centre in Pisa.

Registration fee: € 15,00

Register online at http://maratonaimago.it/iscrizione-on-line or download the subscription form and send it to imagopisa@tiscali.it (it is also possible to register directly at the Bar La Tazza d’Oro in Pisa)

All the ideas were unique and exciting in their own ways and jury deliberation certainly was difficult.

Hacking culture for E-Space: TV hackathon successfully concluded!

by Gregory Markus (NISV), WP leader for Innovation Space

From 8-10 May, 2015, Waag Society and The Netherlands Institute for Sound and Vision hosted the first of six Europeana Space hackathons. This was the main objective: come up with appealing ideas and applications to bring the rich archive of digitized European cultural heritage to the public. The Europeana Space Project seeks prove that digitized cultural heritage material can be used in creative ways, and new business and sustainability models can be developed around these innovations.

This hackathon, titled “Hacking Culture Bootcamp”, specifically sought to encourage and facilitate innovative, creative and promising projects that use multiscreen technologies and involve digitized cultural heritage objects. Participants came from diverse contexts, such as broadcasting, academia, cultural institutions, and technology development.

The three most promising projects will move on to the Europeana Space Business Modelling Workshops where the projects’ ideas will be further shaped and honed as well as the development of business models with the experts from the REMIX Summit Agency and their elite network.

[Show as slideshow]

After a day and a half of intensive work, pitch sessions, pitch coaching and pitch strategizing, the time came for the seven teams to present their projects to the jury. The jury featured experts from the creative, cultural and business sectors: Wilko van Iperen (KRO-NCRV), Dick van Dijk (Waag Society), Milena Popova (Europeana Foundation), Sarah Whatley (Coventry University & Europeana Space Project Manager), Simon Cronshaw (REMIX Summits), and Lizzy Jongma (Rijksmuseum).

After an hour of intense deliberation the jury came to a decision. The three winners are:

Bosch – Niels Poldervaart, Kimberly Bianca, Konstantin Radoslavov (Noterik), Joost Baalman (Noterik), Bart Bonnevalle (Noterik).
Add your voice to art with Bosch.
Mnemosyne – Marius Förster, Knut Perseke, Theodoros Chiotis (OCC).
Haptic and mathematical, Mnemosyne will make huge collections more manageable, serendipitous and enjoyable for educators, visitors, and curators.
ART(F)INDER – David Pronk, Matthijs van der Meulen, Frank Bosma.
Which museum should I go to and does anyone want to come with me? ART(F)INDER will answer these questions for you.

All the ideas were unique and exciting in their own ways and jury deliberation certainly was difficult. The jury assessed the projects on three areas, use of digitized cultural heritage material, job creation, and likelihood of success.

We would like to thank all the participants from team Beeld en Geluid with their metadata tagging game “Culture Derby”, team EUscreen with their educational video-poster platform “Carrot”, the team from project “Photo Exhibition 2.0”, and the MediaLab Amsterdam team’s “Project Encounter”.

To find out more about what comes next for the winners you can read our Europeana Space Incubation Handbook.

The next hackathon will occur mid-November in Prague as part of the CIANT Enter Festival. The theme is “Hacking the [Dancing] Body” and will be organized in close collaboration with CIANT and the EuropeanaSpace Dance pilot partners (Coventry University, UNL-FCSH, IN2).

Lastly, we would like to thank the Europeana TV Pilot partners for the support and invaluable tools: Noterik, Rundfunk Berlin-Brandenburg, VBOT, National Technical University of Athens and Istituto Luce Cinecittà.

Article originally appeared on the Waag’s blog

All the images by Sebastiaan ter Burg CC-BY

More photos available here