Next RICHES workshop: “Building the project’s foundation”

UICThe workshop, celebrated on May 13th at The Universitat Internacional de Catalunya (UIC) Barcelona’s Campus, served as the foundation of the RICHES Project research areas. The workshop outcomes established an initial agreement of basic definitions and frameworks which will delineate RICHES’ fields of research and further study on the context of change and the role of Cultural Heritage (CH) in the economic and social development in Europe. Project’s partners, international guests and attendees – key figures in developing the field – were invited to participate and contribute to the taxonomy and definitions of the contextual framework of RICHES Project.

Barcelona’s workshop enabled all participants to:

– Elaborate and agree on a Taxonomy of Terms and Definitions which will support the project’s research.

– Share knowledge and enrich debate through the Network of Common Interest and its groups.

– Develop a framework of understanding of copyright and IPR laws as they relate to CH practice in the digital.

The Workshop was addressed to:

• Cultural ministries of member states within and beyond the project partnership;

• Regional, national and state authorities;

• CH organizations;

• AHSS (Arts, Humanities and Social-Sciences) experts, researchers and students;

• Public administrations;

• SMEs working within the digital cultural economy;

• Industrial associations and organizations dealing with creative industries;

• Citizens.

 

VENUE AND DATE

13 May 2014 from 9:00 AM to 4:30 PM (CEST)

UIC – Universitat Internacional de Catalunya, 22 Carrer Inmaculada, 08017 Barcelona, Spain

 

WORKSHOP PROGRAMME:

09.00 –09.30 Workshop Registration

09.30–09.45 Welcome & introduction to the event

Artur Serra, Deputy Director at i2Cat Foundation and Dr. Teresa Vallès, Dean at the Faculty of Humanities, Universitat Internacional de Catalunya (UIC)

09.45–10.15 Introduction to RICHES Project

Neil Forbes, Project Coordinator. (Professor of International History at Coventry University, Coventry’s Director of Research)

10.15-10.30 Establishing the RICHES conceptual framework

10.30-11.00 Coffee/Tea break

11.00-13.00 Workshops/discussion areas

1. General/common terms: This global and common field of definitions is basic to identify the existing practices in the domain of ICT for digital CH and boost new research on the consequences of the introduction of new digital practices and their impact/change on issues such as identity, creativity, curatorship, etc.

2. Understanding the context of change for tangible and intangible CH: An agreed set of definitions will further develop the research on the context of change in which analogue CH is held, preserved, curated and accessed digitally. This is particularly relevant when researching how digital practices are transforming the traditional CH practices of cultural institutions.

3. Digital copyrights framework: Copyright law is likely to be a factor in the dissemination and exploitation of many of the project’s research outputs, especially by those working within the digital CH sector. Copyrights laws developed in the analogue era are now causing challenges in the era of the digital. A full understanding of each term is vital to agree on a new route-mapping in this area.

4. Visualization and Interaction, exhibition of digital heritage and digital art. Digital Presentation & Output: Understanding the new technologies and the changes in the process of distribution, circulation, creation and sharing of CH and the practices in which CH is revaluated and reinvigorated. 

5. Digital Cultural Heritage: Understanding how the various CH institutions (national, public, research, private) are now implementing systems to manage the different types of data (e-books, online catalogues, digital libraries, metadata records) and their means in order to respond to current and new users demands.

6. Role of CH in European Social development: This framework of definitions will help to best understand and explore the impact on the relationship among CH, citizens, civil society, territories and communities. This will contribute to identify further novel directions for digital CH in order to contribute to social cohesion, inclusion and represent multicultural practices.

7. Impact of CH on EU economic development: Defining the many factors and “actors” that constitute the changing context of the CH in the economic field, in order to recognize their impact on employment, new economic strategies and alliances in the EU.  This framework of definitions will further help to identify practices, methodologies and structures that can be applied to CH in order to contribute to economic development in Europe.

13.00-14.30 Lunch

14.30-16.00 Community discussion & conclusions

The chairmen / representatives of the discussion sessions shared their agreed definitions for a final discussion open to all participants in order to validate all of them.

16.00-16.30 Closing Remarks

 

WORKSHOP DISCUSSION SESSIONS 

The open-to-all workshops and discussion panels brought together RICHES partners representatives, key researchers, professionals, academics, students from the heritage as well the ICT domain in the state-of-the-art area, set an overall understanding of each themes, contributed to further develop each area of research and helped establishing a larger research community beyond the area.

Participants were asked to register to one of the following 7 proposed discussion sessions according to their field of expertise / practice. Each area of discussion had a designated representative/chairman whose mission was to conduct the discussion, coordinate the session (ensuring that timings are respected), record the contributions and deliver final definitions during the conclusion phase of the workshop’s programme. Each 7 session of research should contribute to determining a route map and future global trends related to each field/terms.

 

REGISTRATION

 

 

 

i2catRICHES (Renewal, innovation & Change: Heritage and European Society) is a research project about change: about the decentring of culture and cultural heritage away from institutional structures towards the individual and about the questions which the advent of digital technologies is posing in relation to how we understand, collect and make available Europe’s cultural heritage (CH).

Digital technologies now permeate all of society, compelling us to rethink and ask questions such: how can CH institutions renew and remake themselves? How should an increasingly diverse society use our CH? How may the move from analogue to digital represent a shift from traditional hierarchies of CH to more fluid, decentred practices? How, then, can the EU citizen, alone or as part of a community, play a vital co-creative role? What are the limitations of new technologies in representing and promoting CH? How can CH become closer to its audiences of innovators, skilled makers, curators, artists, economic actors? How can CH be a force in the new EU economy?

UIC logoWith this event, i2Cat and The Universitat Internacional de Catalunya (UIC) joined forces to bridge the gap between the world of change in which the CH is reinventing itself, the academic community (professors and researchers) and the alumni (soon to be the next generation of cultural managers worldwide). In addition, the event was a unique opportunity to disseminate and promote RICHES project amongst researchers, educators, scientists, industry professionals and policy makers and the new strategies and fields of research taking place in the European context.

 

 

Download the programme 

For more information, please visit the Project website

 

RICHES-LOGO1RICHES on Twitter: #richesEU


Art, Science and Technology Topic @ IPCAM 10

ICPAM 10The 10th International Conference on Physics of Advanced Materials (ICPAM-10) was held at Alexandru Ioan Cuza University of Iasi, Romania, from 22 to 28 September 2014. ICPAM-10 was intended to be a forum of physicists, chemists, material scientists, physicians, engineers and artists for discussion and exchange of ideas and results, both in fundamental and applied research of advanced materials, and consisted of invited and contributed papers during plenary, oral and poster sessions.

An Art-Science-Technology special session was held during the conference. This session focused on presentations (oral and poster) related to:

NanoArt, Scientific Photography(metallography, bio, medical, space, environmental, etc.), Digital Art, Video Art, Computer Graphics, Computer Animation, Game Design, Interactive Art, Net Art, Fractal Art, Algorithmic Art, Virtual Reality, Math Art.

The Art, Science and Technology topic had 3 events:

 

Official website of the event: http://artsciencephotography.com/

RICHES-LOGO1RICHES on Twitter: #richesEU


First ICCA Workshop on Cultural Industries

ICCAThis Workshop, hosted by the Labex ICCA (an interdisciplinary research centre on the arts, culture and digital markets and their practices), intends to provide a forum that allows the development and the dissemination of researches on a single object (cultural industries) but from different scientific fields (economics, communication sciences, sociology, law, education sciences…). It aims at favouring discussions and connections between various scientific fields and various cultural industries. Professionals and institutional representatives of the cultural sector will also be invited to compare their experience with the researches presented during the workshop, which will be held in English.

Propositions of communication will be selected on the basis of a detailed abstract or a full- paper. These propositions may cover all the above mentioned scientific fields, all the cultural industries (publishing, audiovisual, movie, music, videogame, …) and deal with various topics like (among others): the impact of digitization on cultural industries (disintermediation, redefinition of the authorship, cultural diversity, new modes of distribution and consumption), the assessment of cultural policies, creativity in cultural industries

Deadline for submitting detailed abstracts or full-papers was June 30, 2014. Authors will be notified on acceptance or rejection by July 11, 2014. There is no submission or registration fee. Monday evening dinner, Tuesday lunch and accommodation expenses (up to two nights) of the conference participants who presented a paper will be covered by the Labex ICCA.

Travel expenses will not be covered.

Local Organization Commitee:

Prof. Françoise Benhamou, University Paris 13

Prof. Bertrand Legendre, University Paris 13

Prof. François Moreau, University Paris 13.

 

For more information visit http://www.univ-paris13.fr/icca/callworkshop/


Engaging Spaces: Interpretation, Design and Digital Strategies

NODEM 2014 is part of the NODEM Nordic Digital Excellence in Museums conference series under the stewardship of the Digital Heritage Center Sweden AB.

nodem logo

Nodem 2014 theme is: Engaging Spaces – Interpretation, Design and Digital Strategies

The aim of the 2014 conference is to bring together museum and heritage professionals (galleries, archives, libraries and museums), innovation experts (universities, research and technology transfer centres, start-ups) and creative industries to enable discussion on the potential of dialogue and collaborations between architecture, experience design, strategies of interpretation and ICT. The NODEM 2014 Conference intends to reach the following objectives:

  • To examine a variety of challenges and opportunities that newly built or renovated museums and other culture-historical institutions are facing to stay competitive in engaging today’s visitors.
  • To explore interaction modes between exhibition spaces, interpretative content and digital strategies in the context of visitor engagement at cultural and heritage institutions.

PRELIMINARY PROGRAMME (PDF, 368 kB)

nodem

NODEM (Nordic Digital Excellence in Museum Conferences) was established in 2003 by the research studio Visions for Museums at the Interactive Institute and supported by the Nordic Council of Ministers. Between 2010 and 2011, NODEM is developing to become a larger international conference networking platform called NODEM INTERNATIONAL, which will be acting in Nordic countries and beyond and will be building a digital platform for archiving, collaboration and community building. In the future it intends to connect research and practice in the field of digital cultural heritage in Nordic countries and other international arenas as well.

NODEM is an interdisciplinary conference forum that connects various disciplines and professions related to digital cultural heritage:

  • interaction design
  • exhibition design
  • museum studies

 

NODEM 2014 ORGANIZERS AND PARTNERS

NODEM Network of Design and Digital Heritage

The Museum Educators Forum, Poland

Adam Mickiewicz University in Poznań / The Faculty of Pedagogy and Fine Arts in Kalisz

Digital Heritage Center Sweden AB

Museum of King Jan III’s Palace at Wilanów

The Museum of the History of Polish Jews

NIMOZ – The National Institute for Museums and Public Collections

DISH – Digital Strategies for Heritage

 

CONFERENCE VENUE

Museum of King Jan III’s Palace at Wilanów / Muzeum Pałacu Króla Jana III w Wilanowie
Stanisława Kostki Potockiego 10/16
02-958 Warszawa
Polska

The Museum of the History of Polish Jews / Muzeum Historii Żydów Polskich

Anielewicza 6
00-157 Warszawa
Polska

For more information www.nodem.org/conferences/nodem-2014 

 

 


Open Dialogue: towards a joint user model

WP_20140304_004On March 5th, 2014 PREFORMA project organised a workshop in Brussels targeted to memory institutions to agree on the joint user model for tendering the PREFORMA conformance checker.

This workshop was organised as part of the Open Dialogue between the memory institutions and the technology providers who develop the software. The memory institutions will define the functional requirements of the tender based on the outcome of the Open dialogue.

 

WP_20140305_004During the workshop several topics have been discussed: the various use cases to be taken into consideration for the conformance checking, the joint user model, the deployment options for the tools developed by the suppliers, the different formats and standards to be taken into account and the list of requirements for each media type.

 

The outcomes of this discussion will be soon available on the PREFORMA project website.


All Our Yesterdays… welcome to Pisa!

All Our Yesterdays will be a travelling exhibition all over Europe, hosted by the partners of Europeana Photography. The choice of Pisa for the first run of the exhibition was based on the fact that Pisa is a city suited to the research and the arts, home of a prestigious university, with international dimension, which offers an international airport connected with many destinations in Europe.

Lungarno Galilei

Lungarno Galilei in Pisa

The location of the exhibition was Palazzo Lanfranchi, a very prestigious exhibition centre, in an historical palace in the center of Pisa, on the Lungarno Galilei (the embankment of river Arno). Palazzo Lanfranchi hosts the permanent exhibition of Museo della Grafica, and hosted the Europeana Photography exhibition under the patronage of the Municipality of Pisa by the Chancellor of Culture and of the University of Pisa through the Department of Arts. Tuscan Region was also patronizing the event.

Palazzo Lanfranchi

Palazzo Lanfranchi

Palazzo Lanfranchi hosted about 120 prints following the fil-rouge of the narrative developed by KU Leuven. Each photograph displayed in Palazzo Lanfranchi is printed with the most advanced printing techniques and on a very pure, cotton-based paper that enhances the photograph at its best. This solution makes the use of covering glass superfluous, and this way it is possible to avoid glares and light effects – which may disturb the beholder. Each print is framed with a wooden, neutral frame and is accompanied by a small panel with caption and credits. In each room there was one or more explicative panels. The panels and captions were in two languages: English and Italian.

The virtual exhibition

All Our Yesterdays is also a virtual exhibition: a virtual gallery where visitors can stroll through 3D technology. The visitor, when entering in the hall of the virtual museum, will find some information panels concerning the partners of the project and also a representative image for each partner. In the same room, there will be a timeline for the first century of the photography history (1839-1939). Around 100 images will be exhibited in the eight rooms of the gallery. The virtual exhibition was a proposal by partner CRDI and it is developed with the same 3D technology applied in video games. It is a step up from currently existing projects like Google Art since in this case the move through different virtual spaces is continuous and uninterrupted. Moreover, the application is ready for access from iPad , as well as from any computer in a web environment. The virtual exhibition is also hosted on All Our Yesterday’s landing page.

The Europeana kiosk

On the first floor of Palazzo Lanfranchi, near the entrance, there was be a space dedicated to Europeana, the great European Digital Library. This space is set up in partnership with Europeana Foundation. It included a desk with a computer to be used by the visitors to browse Europeana portal and dissemination material e.g. Europeana folders, fact sheets, postcards etc. as well as banners to decorate the corner. An Europeana representative was present both to have a short speech at the opening ceremony on 11th April, as well as to perform dissemination to the visitors on the 12th April. During the rest of the exhibition, the Europeana corner remained available for consultation by the visitors..

The digitization desk

digitization desk

a digitization desk

In order to attract the citizens to visit the exhibition and to engage the visitors, Collection Days were organized to digitize family photos and albums related to the timeframe of the project. Such photos were professionally digitized on site and in real time: the original photo and the file was immediately given back to the owner, the file is returned on an USB pen or via email. The digitized photographs and their related information (metadata) are collected to be re-used in projects for the enhancement of digital cultural heritage. The same initiative will be replicated also in the other venues where the exhibition will take place.

The exhibition, organized by Promoter, featured a great launch event on the 11th April; the opening ceremony included the presence and the speech of the local Authorities (Municipality of Pisa and Chancellor of Culture), of the University of Pisa (Faculty of Arts), of the Project Coordinator and of a representative of Europeana. All the Europeana Photography partners participated to the event.

aoy_banner_480x260_arrotondato

Pisa patrons


All Our Yesterdays, story of a narrative

aoy_banner_480x260_arrotondatoAll Our Yesterdays is the great exhibition of Europeana Photography project. It is the collective effort from all the partners of this extraordinary consortium that make the exhibition so important and noteworthy: in facts, during the project, images selected by the content providers are shared and new discoveries discussed within a Content Committee of experts coming from each partner institution; and the exhibition is truly a golden opportunity and an ideal way to highlight the richness of the Europeana Photography collection.

logo_kuleuvenSo, in preparation of this exhibition, there was a lot of work to do for the Content Committee, in order  to develop an attractive narrative for the exhibition. An important role in the direction of the scientific project behind the exhibition was played by the project coordinator KU Leuven, in charge of coordinating the selection of images together with the content providers, and of developing themes and narrative of the exhibition and the catalogue book.

First proposals for the exhibition content were initially discussed in Paris in November, on the occasion of the Europeana Photography IPR workshop, where the general concept of the exhibition was outlined – stressing vernacular photography, highlighting the city life in Europe, with as theme how photography was a premier witness to our common memory.

All Our Yesterdays, Life Through the lens of Europe’s first photographers (1839-1939) is in facts the opportunity for the European modern citizens to discover  the lives that European past citizens lived throughout Europe’s history in the period 1839-1939. The exhibition is organized in different “chapters” and sub-themes, featuring photos of everyday life of people in the streets, outside, in the cities, in the countryside, in the villages, etc.

aoy_banner_240x400_cyan_itaThe photos were selected basing on their testimonial power and photographic value. They are images that inspire empathy and appeal to historical consciousness, and most of all they are images that tell a story. The content providers were extremely responsive and enthusiast of this task, and came up with a very large number of proposed images. A poll was then organized and coordinated by KU Leuven, asking all the partners to vote for their favorite images among the wider selection. These “best of the best” images have been selected for printing and framing.

An overall amount of about 120 photographs are represented in the exhibition, printed and framed, while a Virtual Exhibition and a showreel will include an even larger number of images. The whole exhibition includes photographs from the partners of Europeana Photography consortium and from 2 associate partners (SC Bali from Kiev and CUT from Cyprus).

Grand opening event is taking place in Pisa (Italy) 11th April – 2nd June 2014, in the historical setting of Palazzo Lanfranchi, organized by project’s Technical Coordinator Promoter.

Leuven will also host this exhibition in January 2015.

Learn more on www.earlyphotography.eu


All Our Yesterdays. Europeana Photography exhibition

aoy_banner_240x400_green_eng_locationIn Pisa, at Palazzo Lanfranchi, from 11th April to 2nd June 2014, a great photographic and multimedia exhibition based on the most advanced digitization and printing technologies, telling the stories of our grandfathers.

18 international partners – museums, archives and agencies from all over Europe – joined forces in EuropeanaPhotography project to digitize the best of their collections of early photographs; now they are proud to present the finest, and often unseen, images of the past as witnessed by the pioneers of photography.

Main objective of the Europeana Photography project is in facts to digitize over 430.000 images with historical, artistic and cultural value belonging to the first 100 years of photography, since its birth (1839) till the beginning of WWII.

Now, the project’s exhibition All Our Yesterdays is the great occasion to discover how citizens in Europe lived before Europe was born, in a moment of great change, while the future was approaching and a new medium – the photography – was capturing everyday life within a picture. The exhibition was hosted first by Museo della Grafica, under the patronage of Pisa Municipality, Pisa University and Tuscan Region.

With the camera as a time machine – framing the present, documenting the past and showing a glimpse of the future – men (and women!) have, throughout the history of photography, captured their world from its most beautiful angles as well as in its most dramatic days. Early photography is an important element of our cultural heritage as it is direct and visual witness of the great changes in Europe in between the two centuries. Digital technologies have nowadays a key role in ensuring accessibility, enhancement and preservation of cultural heritage for all the citizens, and in this light the images digitized by Europeana Photography are available online through www.europeana.eu, the great European Digital Library. This way, anybody (students, researchers, experts, professionals in the field and common people) can access these images for many and different purposes: for education, for research, for personal interest.  In Palazzo Lanfranchi a corner dedicated to Europeana allowed visitors to discover more and browse the collections.

aoy_mdg_lscape

All Our Yesterdays shows how history of Europe is our story too, and everybody could join, by bringing old family photos in Palazzo Lanfranchi: they were digitized for free and converged into projects for the enhancement of the cultural heritage of the territory, such as MemorySharing and a second exhibition in Pisa organized by cultural association Imago in December 2014.

ALL OUR YESTERDAYS

Pisa, Palazzo Lanfranchi

11 April – 2 June 2014

FREE ENTRANCE

Further info: www.earlyphotography.eu


ARQUEOLÓGICA 2.0

CARATULA-ARQUEOLÓGICA-2014-CIUDAD-REAL

 

ARQUEOLÓGICA 2.0, the 6th International Meeting on Graphic Archaeology and Informatics, Cultural Heritage and Innovation, will analize both the present and future of documentation, reconstruction and computer aided render techniques, applied to archaeological heritage and culture. The main aim is to offer an updated overview about the Archaeology of XXI Century: research and development on virtual archaeology, performed and planned projects, new render techniques, development of innovative methods and procedures. This event is being organised by the Spanish Society of Virtual Archaeology (SEAV) and Virtual Archaeology International Network (INNOVA).

Participants from any discipline are encouraged to contribute in order to create an open forum for knowledge exchange and a fertile environment for discussion relating to the topic of Graphic Archaeology and Informatics, Cultural Heritage and Innovation.

Researchers or practitioners are invited to submit papers on original work from within archaeology although contributions are particularly encouraged from other disciplines which address and inform key issues in the context of the following sub-themes:

  • Virtual reconstruction or virtual anastilosys of archaeological heritage
  • Virtual and augmented reality applied to Archaeology
  • 3D digitalization of archaeological & cultural heritage
  • CAD tools on virtual Archaeology
  • Render techniques
  • Archaeological prospection and visualization
  • Applied theory of virtual archaeology
  • Virtual Archaeology and museums.
  • Virtual museums

 

For more information download the brochure or visit the event website.