-
Join the
Digital Meets Culture
Open Newsroom!
If you have interesting news and events to point out in the field of digital cultural heritage, we are waiting for your contribution.
“Programme of Small-scale partnership in school education of the Erasmus+ Project From İntangible Expression to Digital Cultural Heritage European number: 2021-Round 2-KA210-SCH-0A1738D9 Our last meeting in Turkiye took part from 23rd to 27th of October in 2023 with the participation … Continue reading
The 2024 edition of Art Meets Radical Openness (AMRO), the biennial festival for art, hacktivism, and open cultures, has just come to an end. Held in Linz from May 8 to 10, it offered a context for discussing the … Continue reading
Search Results for: "Alamire Digital Lab"
On 28-30 May 2015, in Lleida, the XV Archive Congress of Catalonia is being held, aimed at investigating and developing best practice for digital preservation. As PREFORMA Project representative, Bert Lemmens from PACKED is intervening with a speech on “Selecting Formats for Digital Preservation”. Continue reading
Bengt Neiss from the National Library of Sweden will present the PREFORMA project during a seminar organised by PERICLES in the framework of the Göteborg Book Fair. The seminar, entitled “How can we access digital objects created 20 years ago and 100 years from now?” will discuss the latest findings on digital preservation from the European scientific project PERICLES and the current experiences of major players in digital preservation. Continue reading
On December 7th and 8th 2015 the next edition of DISH, the conference about digital strategies for heritage, will take place in Rotterdam, The Netherlands. The theme for DISH2015 is Money and Power. Continue reading
by Clarissa Colangelo, KU Leuven. Article originally appeared on the E-Space Photography Pilot Blog. photo courtesy KU Leuven On January 10th 2017 the MOOC “Europeana Space: Creative with Digital Heritage” ended. With almost 1000 enrolled learners from 90 different countries … Continue reading
The project “Navig@nagni” was born in 2009 to let the world know the artistic trasures of the “City of Popes” through the web. This has been by scanning the major historical and artistic sites with a laser scanner which, in addition to a perfect 3D modeling, has allowed a scan hundreds of equirectangular pictures, using a special software developed by Massimo Iachetta, head of the ICT department of the City of Anagni. Continue reading
The Center for Art and Media ZKM in Karlsruhe extends the original duties of a museum, which it was since 1989 with the mission to perpetuate classical arts in the digital age, becoming a cultural institution unique throughout the world. It is a house … Continue reading
In the age of the “Internet of People and Things”, the dematerialisation of digital innovation creates real and solid links. An interconnected digital fabric that is ubiquitous, collaborative and adaptable, that supports the new information-based competitive and technological ecosystem. The … Continue reading
Use and Re-Use of Digital Cultural Heritage Assets – Interoperability, Repositories and Shared infrastructures was the fifth in a series of international events planned by EAGLE BPN. The event, organised by The Cyprus Institute, in collaboration with Heidelberg University and Sapienza, University of Rome, featured presentations and hands-on workshops regarding themes of the EAGLE project. Continue reading
Are you an expert in user engagement with digital heritage? Do you care about the role of digital heritage in the public domain? Are you convinced that “open” means “more impact”? Do you have a cunning business plan with digital heritage? Then submit a proposal for a table session, a workshop, a poster session or an ignite talk within 14 September 2015! Continue reading
This is an initiative of the technological branch of Chasen Sino-Sin and related company Amber Digital, sponsored by an important group of Chinese corporations and enterprises, that are seeking in Europe for the museums and institutions that hold Chinese collection to offer them a zero-cost, advanced 3D digitization service. The museum keeps the full property of the digital objects for any purpose and exploitation, while the Chinese company is licensed to the re-use the 3D models in China for educational and research purposes, and for virtual exhibitions. Continue reading
