Lifestrings screendance, an important contribution in the WEAVE project, is a semi-finalist at film festival

text by Rosa Cisneros, Coventry University.

LifeStrings is a screendance film that investigates climate justice, violins and motherhood using a contemporary flamenco dance vocabulary. The film is a semi-finalist and part of the Centre for Media and Celebrity Studies Wall of Fame Film Festival. WEAVE partner Rosa Cisneros (Coventry University) will be discussing the piece  October 1st 2022 from 3:00BST.

More info here: http://cmc-centre.com/cmcs-wall-of-fame-film-festival/

LifeStrings is an important contribution to the WEAVE project as it is referenced in Europeana Romani Re-presentation editorial piece, and also a part of the Gypsy Maker 5 programme. The piece is currently touring Wales and being exhibited throughout the country.

Cisneros is very excited to be part of the CMCS Wall of Fame Festival to discuss the process of making the work and to reflect on its role within the CEF EU-funded WEAVE project.


TWA Digitisation Grant 2022 – Winners Announced!

>>> Press release

Having announced the successful applicants at the ARA Conference on 1st September, we have pleasure confirming this year’s lucky winners!

After some key changes to the TWA Digitisation Grant, as a result of COVID-19, we are pleased to see even more heritage archives being protected this year, opening up opportunities for accessibility and reach.

The standards have always been high, and the quality astounding, presenting our judges with some very tough decisions indeed!

If you missed the Winners Announcement at the ARA then you can watch a recording and find out more about the successful organisations, and their exciting new projects, in our blog: https://blog.townswebarchiving.com/2022/09/twa-digitisation-grant-winners-announcement

As a brief overview, we were thrilled to put our hands together for the following organisations:

Brass Bands England – Digitisation of sheet music papers

This project seeks to preserve brass band heritage, making this important archive accessible online as a great source of inspiration for present and future bands.

Cinenova – Digitisation of film stills, slides, negatives, transparencies, and various paper records

This project aims to make valuable content relating to feminist film and video accessible online, protecting delicate material against deterioration and loss.

The Vintage Sports-Car Club – Digitisation of handbooks, leaflets, engineering books, drawings, photos, and more!

The digitisation of this archive will result in online accessibility, inspiring current and future engineers, and has a clear agenda for social impact.

Wiener Holocaust Library – Photographs relating to the Jewish Committee for Relief Abroad and Jewish Relief Unit

Digitisation will protect and safeguard albums and loose photographs, with inscriptions, to be accessed online and through events and workshops.

 

Please join us in congratulating this year’s winners and in thanking our judges for the time they invest year-on-year to support the grant and the heritage industry.

Website: townswebarchiving.com


INCULTUM meeting about policies, innovation and training

On the 5th September 2022, in an online meeting coordinated by partner Bibracte, the INCULTUM partners met to discuss the ongoing work in the area of policy recommendations and innovation.

After a brief opening introduction by Antonella Fresa (Promoter), the group initiated a roundtable discussion for the development of the Policy Brief deliverable, that was presented in its context, targets, objectives, methodology by responsible partner Bibracte, Vincent Guichard, general manager, and Matei Gheorghiu, sociologist and researcher. Various questions and suggestions came from the partners and offered good reflections to inform the document development.

This work on policy recommendation links to other areas of research of INCULTUM, and especially on the use of European Structural and Investment Funds, which will be the subject of specific guidelines developed by partner SDU. The access and use of Structural funds also has a relevance for planning the exploitation of the project’s results, particularly by the INCULTUM Pilots, some of which are already using structural funds for their innovation activities. Such expertise can also be leveraged in the project, not only in terms of training, but also in the direction of possible replications and re-use of good practices.

This aspect brought the meeting to discuss the importance of innovation and the innovation manager role in the consortium, that is a task conducted by the Coordinator José Maria Martin Civantos (University of Granada), and the upgrading and extension of the project’s Training Portal published by partner Promoter with collaboration of the University of Pisa, who is responsible for the training task.


Ars Electronica Festival 2022: Welcome to Planet B

From 7 to 11 September 2022, the Ars Electronica Festival for art, technology and society  will be held in Linz.

The first edition of the Ars Electronica Festival was launched in 1979 to take the emergence of the digital revolution as an opportunity to examine the potential future and to focus these questions on the link between art, technology and society.

Since then, every year, the Festival has offered cultural and scientific meetings focused on a specific theme that is discussed in public and together with people from all walks of life, since one of Ars Electronica’s distinctive objectives is to leave conventional conference rooms and artistic spaces and stage an internationally unique festival of art, technology and society.

The 2022 topic addresses the need to change our life on this planet to prevent ecological disaster. The title is “Welcome to planet B“, where “Planet B” means a different, indispensable, new action, it is a chance for a new and fair coexistence of humans on this planet.

The event will explore how art, technology and creativity can help overcome crises and design a positive future and worth living for ourselves and all those who come after us.

The rich program of the event includes concerts, exciting performances and lots of art, technology and new inspirations; there will be conferences to promote stimulating discussions and workshops where you can exchange experiences, ideas and draw mutual inspiration.

The detailed program of the event is available on the festival web page at https://ars.electronica.art/planetb/en/program/
The festival catalogue can be downloaded at https://ars.electronica.art/planetb/en/download/


WEAVE blogpost: Exploring Slovenia’s castles in 3D

img:  Koper – Pretorska palača, sejna soba, by Arctur, CC-BY-SA via Europeana

Let’s zoom in on some of Slovenia’s heritage sites, with a beginner’s guide to picturesque castles and evocative ruins illustrated by 3D models and digitised cultural heritage, in a great blog published by the WEAVE project editorial team in Europeana ➡️ HERE

 


This blog is part of WEAVE – Widen European Access to cultural communities Via Europeana: a project funded by the European Commission under the Connecting Europe Facilities (CEF) aimed at developing a framework to link the tangible and intangible heritage of cultural communities.


WEAVE Team presents guest authors for editorials about Roma culture and heritage

text by Rosa Cisneros, Coventry University.

The EU-Funded WEAVE project ends in September 2022 and has worked over the last 18 months to ensure that the team develop a framework to link the tangible and intangible heritage of cultural communities, while also safeguarding the rich and invaluable cultural heritage which they represent.

In particular, we aggregated nearly 8,000 new high-quality records to Europeana, and  are now starting to showcase these collections in a set of engaging editorials and virtual exhibitions. For one of the editorial pieces we invited two guests, Dr Adrian Richard Marsh and Imogen Bright Moon to contribute to the editorial on Romani Re-presentation that will be published in late September. We are delighted to introduce our colleagues and to celebrate their accomplishments.

Imogen Bright Moon photographed by Alun Callender

Imogen Bright Moon

Imogen Bright Moon (b.1983) is a British Romani artist, creating contemporary works through her studio/site-based material practice, culminating in the exploration of large textile-based installations. Imogen’s practice has an intersectional focus on areas of artistic visibility/invisibility, including hidden ethnicity (GRT), neurodiversity (HFA), motherhood and maternal mental health, and object-centred narratives. All these areas impact and inform her artwork, whilst her practice is equally founded in material processes, material ethics and heritage craft processes; being textile works and constructions, Imogen’s works also have the socio-economic-political implications of domesticity, ‘women’s work’ and impermanence. In tandem with her studio practice, Imogen is also a researcher, writer and textile-crafts historian, with particular emphasis on cultural languages implicit in making methodologies and crafted objects.

Imogen is a 2022 recipient of Gypsy Maker 5 (Romani Cultural & Arts Company / Arts Council Wales).

Publications include:

  • The Selkie : Weaving & The Wild Feminine, Magpie Press, 2018
  • Woven & Worn, Canopy Press, 2019
  • Wagtail; The Roma Women’s Poetry Anthology, Butchers Dog Press 2021
  • Black Tent / Black Sarah, forthcoming Autumn 2022

Blog; www.brightmoon.co

Gypsy Maker 5; www.blacktentblacksarah.com

IG @imogen.bright.moon

 

dr. Adrian Marsh

Adrian Richard Marsh

Dr Adrian R. Marsh is of U.K. Romany-Traveller origins, a Researcher in Romani Studies and an expert consultant in Romani and Traveller early years education, working with Romani, Gypsy and Traveller communities and NGO’s (such as the Romani Cultural & Arts Company) in the UK, Sweden, Turkey, Egypt, and across Central, Eastern and South-Eastern Europe.

He gained a PhD in Romani Studies from the University of Greenwich, London (2008), an MA in South East European and Turkish area studies from the School of Oriental and African Studies, University of London (1998) and was awarded a BA first-class honours degree in East European history at the School of Slavonic and East European Studies, University College London (1996), where he won the Andrew Ferguson Memorial Prize for his dissertation on royal women and power, in the Ottoman Empire (1996).

Marsh has taught Romani Studies at universities in London, Malmö, Lund, Stockholm, Cairo, Istanbul and Lyon and has held an Economic and Social Research Council fellowship as Researcher in Romani Studies at University of Greenwich, London (2007-2008).

He recently designed and managed a large portfolio of Romani and Traveller early childhood development projects, implemented by the Open Society Foundations (London) as part of its Early Childhood Programme and set up the Romani Early Years Network [www.reyn.eu] for educators (2012), where he remains a consultant.

He is currently living in Istanbul, where he leads the International Romani Studies Network, an NGO he established there, in 2002. Marsh has published numerous articles on Romani identity (2003; 2005; 2006), history (2008) and religiosity (2012), edited collections from international conferences on Romani studies organized by him in Istanbul_ (2003; 2005) such as Gypsies and the Problem of Identities: Contextual, Constructed and Contested (2006) and contributed to various conference proceedings (including the GLS Annual Meeting and Conference), peer-reviewed journals on education for Romani and Traveller children, as well as co-authoring the entry for ‘Roma’ in the _Encyclopedia of GlobalHuman Migration (2013).

Some of his writing for the RomArchive can be accessed here: LINK

And his online course for the ERIAC Barvalipe Online Roma University can be viewed here:  LINK

 

 

 


WEAVE blogpost: Five flavours of intangible cultural heritage

Retrat d’una noia amb un antifaç.

img: Carnaval by Massafont Costals, Martí – 1953 – CRDI / Girona City Council – CC BY-NC-ND.

What does ‘cultural heritage’ mean to you? Does your mind immediately turn to the iconic works of illustrious artists on show in museums and galleries? To the kilometres of shelves in public archives and libraries? Or to something more private – a photo album unfolding your family history generation by generation?

There are various things we consider heritage and most of them are touchable and tangible. Nonetheless, a substantial part of what makes up our history and identity are practices, ideas, insights and experiences.

Read the blog published by the WEAVE project editorial team in Europeana to discover examples of intangible heritage.
➡️ HERE


This blog is part of WEAVE – Widen European Access to cultural communities Via Europeana: a project funded by the European Commission under the Connecting Europe Facilities (CEF) aimed at developing a framework to link the tangible and intangible heritage of cultural communities.


INCULTUM Pilot: Historic Graves recording toolkit

INCULTUM partner Eachtra is engaged in The Historic Graves project, that is a community focused, grassroots heritage project where local community groups are trained in low-cost, high-tech field surveys of historic graveyards; also recording their own oral histories. They build a multi-media, geotagged, high-resolution online record of the historic graves in their own areas and unite to form a national resource.

photo courtesy of EACHTRA

The project outlines a system and sequence which helps to coordinate and standardise a historic graveyard survey.

Since its inception, the Historic Graves project applied an open methodology approach that led, in the current framework of the H2020 INCULTUM project, to the release of the first version of the Historic Graveyards recording toolkit. This work is part of Eachtra contribution to project’s task 6.1 Local training resources produced in the pilots.

Based on archaeological methods, this simple system for historic graveyard survey has been developed by the Historic Graves Project team in collaboration with local community groups. The core system was established in 2011, and minor but significant improvements have been made ever since. In the last eleven years, over 500 community groups have surveyed over 900 graveyards and published more than 120,000 gravestones to the internet using this simple system.

The toolkit is intended as a training resource targeting local communities and stakeholders, offering them an opportunity to learn how to easily survey an historic graveyards and fast publishing the results online, contributing to a unified community heritage dataset and engaging with Irish diaspora’s descendants worldwide.

This first version of the toolkit includes:

  • a short ten pages manual describing the 3 simple steps methodology.
  • a quick camera guide, focused on the Sony HX7.
  • 3 recording tools:
    • the memorial register sheet;
    • the graveyard sketch plan;
    • the memorial recording form.

These simple recording tools are used by the Historic Graves team and local communities in every new survey. We release them now as a package with the intention, and the wish, that it can become a useful and inspiring kit to engage with new communities gravitating into the Historic Graveyards orbit, but also an easy-to-understand and inspiring example to train local groups on how to work with local heritage and store data in a systematic way.

Download as a zip folder (1,57 Mb)


INCULTUM pilot organized an open informative discussion in Greek village Aetomilitsa

text and photos courtesy of The High Mountains cooperative.

In the context of INCULTUM project and its pilot Aoos the shared river, The High Mountains Social Cooperative organized an open informative discussion in the village of Aetomilitsa (a nomadic village of Vlach transhumance livestock farmers population, which is located on the borders with Albania and is the highest inhabited place in Greece 1.430m altitude), in cooperation with the Cultural Association of Aetomilitsa, Electra Energy Cooperative and our associated partners P2P Lab Ioannina, in order to emphasize and support the role of the Communities, which constituted and are still the fundamental cultural and developmental cell of the region. The discussion was entitled:
Aetomilitsa: From the Collective Management of Pastures to the Utilization of Water and Energy Resources by Local Communities.

The topic of the discussion was formed after the results of the research conducted to the Cultural Associations of the Villages of Konitsa Municipality by the High Mountains research team. The research demonstrated that the foreseen privatization of the common water resources of the village of Aetomilitsa, in order to be installed Industrial Hydroelectric Plants, is considered a major threat by the local population in political, environmental, but also cultural and production terms.

The research revealed that there is a strong cultural heritage and Traditional Ecological Knowledge in the area and especially in the village, linking the locals with the collective management of their common resources, such as pastures. The Customary Pasture Distribution System used by the local transhumance shepherds for centuries, preserved the biodiversity of the area and protected the environment from overgrazing. Also, the communal way of living and the historical cooperative model of “Tseligato” that was developed by the Vlach communities, suggests a collective understanding of the production and the use of the natural resources in the area. Furthermore, water was always used as a common resource to power productive activities, like communal watermills, water saws, washing machines, wool processing machines etc., working with hydropower. According to the responses of the Cultural Associations, locals believe that the water resources are of a great value and that their utilization in combination with other activities could help young people relocate in their villages. Also, they believe that cooperation is a key factor for the repopulation of the area.

The president of the High Mountains Social Cooperative, Sotiris Tsoukarelis, opened the event by presenting INCULTUM and proceeding on the issue of Culture, Tourism and Energy: Connections between seemingly unrelated concepts. During his presentation he explained that culture, tourism and energy are “commons” or they base their existence in “commons”. As he said, hydropower is a part of the local culture and production, thus it is a part of thetouristic narrative for the area. He suggested that mild technologies for energy production are closer to the local culture and tradition, they respect the environment and they can also give solutions to the transhumance shepherds in of grid places. Finally, he announced that on the 3rd of September The High Mountains will revisit the area with an expert on DIY mild technologies renewable energy solutions, in order to help shepherds to apply off grid small scale technologies and to check if there are possibilities in traditional Hydropower infrastructures to be transformed into small scale Hydroelectric plants. Two of the attendees declared their interest on the issue.

The Cultural Association of Aetomilitsa followed with an Update on the Planned Hydroelectric Projects in the Streams of Aetomilitsa and informed the locals about the threats rising from the privatization of the water resources of their village and the foreseen construction of industrial hydroelectric plants. They focused on environmental, but also on productive issues that have to do with the water use permits and the change of the traditional perception on water as a common resource.

Finally, Chris Giotitsas from P2P Lab Ioannina and Dimitris Kitsikopoulos from Electra Energy Cooperative presented The Alternative of Energy Communities, explaining the legal context, the different models of Energy Communities and the possibilities that are raising for local societies to collectively invest, manage and protect their natural resources from overexploitation, by producing the amount of energy they need for self-consumption, reducing energy poverty.

A very interesting conversation followed between the 30 people who physically attended the event. This was almost the total number of the inhabitants of the village at this time. This is because Aetomilitsa is a nomadic village and most of the inhabitants depart for the cities at the end of the summer. Although, an amazing number of 1.000 people watched the event live online and since then the video has reached more than 3.000 views. The big number of people that sawed their interest on the event can be explained partially by the importance of the issue due to the energy crisis, but also by the will of local societies to find integrated solutions in the multidimensional problems they face.

Download Press Release (PDF)


More about the Aoos Pilot:

The Vjosa/Aoos River, considered as ‘one of Europe’s last living wild rivers’, springs from Mt. Pindus in Greece, and then enters Albania. On both sides of the river banks, extends a terrain of agrarian field terraces alternated with hilly lands of rich Mediterranean vegetation where the traditional settlements are situated, followed by high mountain massifs dominated by continental climate with rich water sources, forests, flora and fauna, and broad prominent pastures.

On the Greek side, Konitsa is the main town of the area and the capital of the municipality surrounded by some of the highest mountains of Greece. It is built on the edge of Vikos Canyon, core of the National Park of Vikos-Aoos and one of the four Greek Geoparks, which became a member of the European and Global Geopark Networks in 2010. Numerous geosites within the territory are situated in landscapes of incomparable beauty.

In the INCULTUM pilot 7, the main expected action relates to the mapping of the natural, social, cultural and productive resources of the area, analysis of the data gathered during the mapping and their visualization using Business Intelligence tools. With this digital platform we are going to give the ability to citizens, local authorities and stakeholders, but also to visitors, to virtually combine resources of the area and propose their own evidence-based development actions and policies. Furthermore, the database is going to be participatory and always open to new inputs, collected by questionnaires, free text, business registrations, comments for the area etc.

Discover all the INCULTUM Pilots: https://incultum.eu/pilots/

 

 

 



Discover the WEAVE toolkit – online workshops

DISCOVER THE WEAVE TOOLKIT

A hands-on series of online workshops is being organised to showcase the capabilities of the different tools made available by the WEAVE project towards new forms of engagement with 3D content and intangible heritage from Europeana. Through a number of specific tasks that the participants will accomplish together with the presenter the user journey is explained in detail and questions can be answered. At the end of the workshop there will be space for a discussion to be had between the participants.

 

  • 7th September at 11:30 CET: SAGE data management and enrichment platform.Discover the new functionalities of SAGE and learn how to structure and semantically enrich data. Additionally, we will demonstrate the validation system integrated into the platform used to evaluate the results of the automatic enrichment and discuss different validation approaches.
  • 8th September at 13.00 CET: WEAVER 3D Asset Manager. We will demonstrate how the 3D content can be uploaded, managed, visualised and shared.
  • 9th September 15:00 CET: MotionNotes tool for video annotation. Participants will learn how videos, in particular of dance, can be effectively annotated and how 3D can be brought into the workflow.
  • 12th September at 13:00 CET: WEAVEx tool for content re-use and storytelling. During this session we will explore how Europeana content can be brought into new forms of storytelling and what new forms of engagement these can create.

Register to the workshops