INCULTUM Pilots meet to share about their progress

ph. Pietro Masi

In order to keep the pace of Pilots’ progress in the various areas and activities, a series of online networking meetings was organized on 9-10-11 January 2023. The Pilots have a lot of commonalities and differences, and often share challenges and to-dos. For this reason the Pilots coordinator University of Granada is facilitating internal communications by informal talks.

INCULTUM has entered since few months the very central part of the action plan, and the first outcomes of the Pilots’ activities are important to be shared among the INCULTUM partners first, to then distill solutions that can raise to a more general level of scalability and become good practices to share to the entire cultural tourism sector.

The meetings were led by prof. José Maria Civantos, the project coordinator, and attended not only by the Pilots but also by the research partners in the project, to derive interesting inputs that contribute to the work in backending the INCULTUM innovative solutions experimented in the pilot sites.

 


The Complexity of History: Unpacking the Past

EuroClio’s 29th Annual Conference on “𝐓𝐡𝐞 𝐂𝐨𝐦𝐩𝐥𝐞𝐱𝐢𝐭𝐲 𝐨𝐟 𝐇𝐢𝐬𝐭𝐨𝐫𝐲: 𝐔𝐧𝐩𝐚𝐜𝐤𝐢𝐧𝐠 𝐭𝐡𝐞 𝐏𝐚𝐬𝐭” will be held from 𝟐𝟎-𝟐𝟐 𝐀𝐩𝐫𝐢𝐥 𝟐𝟎𝟐𝟑 in 𝐕𝐢𝐥𝐧𝐢𝐮𝐬, 𝐋𝐢𝐭𝐡𝐮𝐚𝐧𝐢𝐚.

The annual conference of EuroClio, the International Association oh History Teachers,connects history and citizen educators from all over Europe. The three-day event offers a comprehensive programme containing a keynote lecture by Tamara Eidelman, active workshops, plenary sessions and cultural activities.

Get your tickets or learn more about the conference: https://euroclio.eu/event/29th-annual-conference-the-complexity-of-history-unpacking-the-past/


DOORS – Digital Incubator for Museum: 20 European museums start their digital transformation journeys

DOORS – Digital Incubator for Museum aims to set up a framework for sustainable digital transformations in the cultural sector. The project kicked off in October 2021 and will run until September 2023 conducting a two-stage incubation programme for museums and a comprehensive research plan with public outputs.

The initiators of DOORS – Digital Incubator for Museums are Ars ElectronicaMUSEUM BOOSTER and Ecsite – European network of science centres and museums.

image DOORS project

Neanderthal Museum will design more complex and personalised user journeys (IMPAKT.NL [Centre for Media Culture]), services (Univerzitná knižnica Žilinskej univerzity v Žiline (University Library of the University of Žilina)) and cultural offers (Turkcell Diyalog Müzesi / Turkcell Dialogue Museum), or content for non/absent audiences (The Royal Museum of Mariemont, The National Museum of Maps and Old Books). Others seek to engage audiences with innovative visitor experiences, by building bridges between the online and onsite (The Association of Uräjärvi Mansion´s Friends, The Regional Museum Goriški muzej), bringing collections outside out of the traditional museum space (Museo Civico di Vignola “Augusta Redorici Roffi”), or augmenting the exploration of onsite collections with digital content (Arboretum Volčji Potok, Terra Sancta Museum).

Some museums will set the steppingstone for new business models to help them become more resilient and financially sustainable with unique experiences that appeal to new audiences (Computer History Museum), blueprints for digital solutions that can be adopted by other museums (Kaiser Franz Josef Museum, Muzeon – Storytelling Jewish History Museum), an E-shop to support professionals and the museum’s community (The Museum of Urban Wooden Architecture), or a wider range of services (MoLI – Museum of Literature Ireland).

The Natural History Museum and Botanical Garden of the University of Tartu addresses the importance of in-house infrastructure for digitalisation and will roll out an innovative strategy for integrating infrastructure designed to ease the digitisation of collections and create opportunities for expanding their use by reaching wider audiences.

A full list of the pilot projects and their descriptions can be found at: https://ars.electronica.art/doors/en/stage2/


Midterm reporting for INCULTUM Pilots: progress and innovation

It is now available in the project’s website the recently released D5.1 Intermediate Pilots report, a condesed document which summarizes the work done by each of the 10 Pilot cases in the INCULTUM project.

Albeit with (sometimes big) differences and specifities, all the Pilots are aiming at developing new sustainable and collaborative strategies for local promotion of various areas, which also generate an effort in training and supporting actions to local stakeholders and a variety of innovations in rural and marginal terriotries in Europe.

The full deliverable can be consulted from this page along with all the other public deliverables produced in the project.

It is worth to highlight the emphasis being placed on the need to promote innovation in the products and processes proposed, or in techniques and approaches. In this sense, transversality with the innovation manager is being promoted. There is no shortage of challenges considering the nature of the pilots and the work being done with local actors and communities, based on participatory approaches that are not always simple and agile, but which we believe have greater potential in the medium and long term and will also have a deterrent effect on the negative impacts of tourism and touristification.

We can summarize the fields of innovation explored by INCULTUM in the following items:
1. The constitution of a heritage resource as a common (good) is a unanimously shared concern, but unequally explained by the pilots, even though it is obviously what provides legitimacy to the projects and grounds the actions.
2. The involvement of the community in the management of the heritage resource is a priority action over all others. The Granada team has developed a fine example of farmer involvement, which may be shared in greater depth within the consortium.
3. Most of the pilot projects have in common the objective of creating new visitor itineraries that make it possible to discover the resources of a territory along a route (most of the time using soft means of transport). These routes also involve local participation in their design and, of course, in their development. Thus encouraging local domestic tourism and knowledge of the local heritage. The systematisation of this approach through soft mobility can be considered as an element of innovation to achieve sustainable tourism.
4. The design of attractive narratives of the itineraries is essential (+in the light of the tourism revolution), the use and management of the water (pilot #1 Granada, pilot #2 Portugal, pilot #4 Sicilia), touristic resources based on a ethno-linguistic minority (pilot #7 Albania and in the next period also will be implemented in #pilot 6 Greece), or the dark tourism in pilot #9 can be detected as innovator touristic solutions.
5. In relation to the previous point, the mobilisation of artists to strengthen the attachment of communities to their heritage and to share it with others is a subject whose relevance is shown by the Bibracte achievements (see also the Apennine pilot #5).
6. The participatory heritage inventory and the participatory design of itineraries also seem to be vectors considered relevant by all the partners. It would therefore be useful to better share tools/methods to facilitate this mode of participation: importance of field surveys, availability of digital tools for collecting and sharing information.
8. Knowledge of visitors, their visiting practices and the impact (social, environmental, economic) of the involvement of the community in the management of the heritage resource as well as the sharing of this information with the community to produce ‘territorial touristic intelligence‘, is a subject that also interests several partners (pilot #6 Bibracte, the pilot #9 Irish, pilot #10 the Swedes), with concrete proposals from each pilot that should be made consistent / assembled.
9. Some pilots are modelling an integrated tourism economy approach (pilot #6 Greece, pilot #6 Bibracte, pilot #1 Granada) by mobilising the concept of territorial entrepreneurship that embrace the different sectors of activity of the territory involved in the management of the heritage common or by using business intelligence tools (pilot #6 Greece).
10. Promotional and visit tools are also a subject of interest to several partners (pilot #3 Slovaks and the pilot #9 Irish) and it would undoubtedly be useful for them to share their current work on this theme in more detail.

Additionally, all the pilots are doing their own communication on a local scale in the vernacular language, thus trying to have a greater implantation in the territory and the communities and stakeholders with whom they work and a greater dissemination on that scale, who are to a large extent INCULTUM closest and, a priori, most numerous target audience.

 

 


Be.CULTOUR and INCULTUM establish collaboration

The EU-funded Be.CULTOUR project recently establised a cooperation agreement with INCULTUM, aiming at cross-dissemination, knowledge exchange and other common actions in the area of sustainable cultural tourism.

Be.CULTOUR stands for “Beyond CULtural TOURism: heritage innovation networks as drivers of Europeanisation towards a human-centred and circular tourism economy”. It expresses the goal to move beyond tourism through a longer-term human-centred development perspective, enhancing cultural heritage and landscape values.

Read more about the project in the official website: https://becultour.eu/


RURALIZATION launches a MOOC, starting 1 March 2023

RURALIZATION is a EU-funded project aiming at developing forward-looking policies fulfilling the ‘future dreams’ of new rural generations and foster sustainable development of rural and marginal areas. In this light, RURALIZATION and INCULTUM recently established a cooperation agreement for cross-dissemination and knowledge exchange. The RURALIZATION project has identified a series of ‘innovation stories’ to better understand the problems associated with rural living, the importance of sustainable and inclusive farming practices, and how new thinking (dream scenarios, foresight activities) can help to transform rural communities. The ultimate aim is to open up rural areas to renew rural generations, jobs and farms.

Among other actions, RURALIZATION is launching a MOOC “Creating New Opportunities in Rural Areas”, which will be offered by TUDelft University and will focus on how to study the dynamics and trends in rural regions and how to create concepts, plans, and initiatives to improve rural development. This course provides ideas and insights that help to offer opportunities to young generations in rural areas.

This MOOC is mainly for:

  • (Young) professionals aiming to work on rural development policy and strategy design.
  • People aiming to make a difference in the future of rural areas, for example in the field of rural innovation and local economy.
  • Students aiming to strengthen their knowledge to become better equipped professionals in this field.

The course, free of charge, starts on 1 March 2023 with a instructor-paced format. The duration of the course is 6 weeks with a required effort of 4-5 hours per week.

Enrolling is open: https://www.edx.org/course/ruralization-creating-opportunities-for-new-generations-in-rural-areas

The course will be promoted also via the INCULTUM Training Portal and in the INCULTUM network.


Accelerazione Pericolosa, photographic exhibition about climate change

After the first display at the Museo Piaggio in Pontedera in early 2022, the exhibition by photographer Fabrizio Sbrana entitled +2° Accelerazione Pericolosa (Dangerous Acceleration) was rearranged with a new format at the Museum of Natural History of the Mediterranean in Livorno, between 8 November 2022 and 8 January 2023.

Accelerazione Pericolosa is an exhibition dedicated to the theme of climate change. The exhibition is composed by 30 large photographic panels complemented by a video that shows over 300 more pictures. It represents the reinterpretation of Sbrana’s reportage photographs shot during many travels around the world, from the 1980s to the present day: from Zambia to Italy, from Brazil to Spain, from Ethiopia to Iceland passing through Tunisia and Namibia, the images testify the drama of the climate emergency, trying to raise awareness and awaken consciences, to “educate, empower, involve, mobilize and keep the light on the very urgent issue of global warming”.

The dangerous acceleration of climate changes means the increasingly worrying speed with which they occur: two degrees Celsius higher in temperature – compared to that at the beginning of the industrial era – is the limit that must not be reached, as it would produce devastating effects on the Earth, the oceans, the atmosphere and ecosystems. And Sbrana shows the crumbling glaciers and the lakes which have become crusts of salt, the poors in a desperate search for water to survive, and other effects of the climate crisis witnessed by landslides, floods, coastal erosion, floods, drought.

image Fabrizio Sbrana

In facts, the Nobel prize for chemistry Paul Jozef Crutzen and the biologist Eugene Filmore Stoermer proposed the term Anthropocene (article here, p. 17) to indicate our geological era dominated by the humans who imprinted territorial, structural and climatic changes. To govern such man-induced stress, global and sustainable and environmental management is needed in a worldwide dimension; however, each one of us can make an important contribution to achieving this goal, with small daily gestures and also promoting the development of a collective ecological awareness.

This exhibition is an opportunity to contribute to reflections around a theme of the climate change that is dramatically in focus nowadays, so to participate in the collective awareness-raising process that must accompany the concrete actions of governments, institutions and businesses.

Press Release (Italian language; PDF, 400 Kb)

Download the exhibition catalogue (PDF, 9 Mb)

 


EUreka3D: supporting the digital transformation of the cultural heritage sector

image CC-BY-SA Europeana/drawing Jeroen Meijer

The EUreka3D project, co-funded by the Digital Europe Programme of the European Union, addresses the growing need of enabling the digital transformation of the Cultural Heritage (CH) sector, in line with and complementing the scopes of the common European Data Space for Cultural Heritage. The digital transformation comes from a decades-long process of basing museum (and also in general Galleries, Libraries, Archives and Museums-GLAM) operations on solid information-sharing infrastructures, forcing an overall rethinking of the underlying work processes and business models. However, not all institutions have achieved the same level of maturity towards the new digital environment they need to embrace, and despite the covid19 crisis which acted as an accelerator of the process for nearly everyone in the sector, much work still needs to be done especially for smaller Cultural Heritage Institutions (CHIs).

image from European Commission website

The vision of a European Data Space for Cultural Heritage as a participatory playfield for all the actors involved (cultural institutions, technology partners, multidisciplinary experts, creative industry, scientific researchers, end-users) moves in the direction of modernizing workflows and digitization capacity of the cultural heritage sector at large, and requires CHIs of any size to enter the challenge of advanced digitization (especially 3D digitization in high-quality), holistic representation of CH information and re-use approaches. The existing services of the Europeana.eu platform is a good starting point to support sharing and re-use, but an integration with more advanced, powerful and safe services is needed to answer to the demand of small institutions, as well as modern workflows and increased digital capacity are requested on the side of CHIs.

In this light, EUreka3D project focuses on improving the digital capacity of the cultural sector by offering a knowledge centre and a service and resource hub, based on a smart technical infrastructure whose services are registered on the European Open Science Cloud (EOSC). CHIs can access a virtual space of knowledge, can use storage and computing resources to manage their 2D and also 3D assets. Following the Recommendation 1970/2021 issued to Member States by EC, CHIs are in facts also called to improve efforts in meaningful 3D digitization, which they may not be fully acquanted with yet. A cloud-based and safely-authenticated environment as developed by EUreka3D will make it easier and more accessible for CHIs to create, manage, archive, preserve and share digitised objects, with a particular focus on 3D digitization and knowledge modelling for the semantically enriched 3D records.

3D model of Asinou church, courtesy of Cyprus University of Technology

 

The project will engage a variety of CHIs in a piloting action that will set-up and test dedicated cloud-based services for the management and preservation of cultural contents in a safe and IP-mindful environment. The pilot will also generate high-quality 3D digitization of selected items and their related para-/metadata ready to be harvested into Europeana, and perform their aggregation and publication online, also to provide exemplification of few cases for use and re-use in unique areas such as Education.

On top of that, the project will focus on the capacity building of the human resources of the museums and CHIs and develop unique training materials for the 3D digitisation, processing, preserving on the cloud and harvesting in Europeana, as part of a network effort, and by offering dedicated consultancy, webinars and training. Impact assessment and mindful sustainability planning will complement the effort of the project in enabling a long-lasting contribution to the digital transformation of the sector.


Be.CULTOUR webinar series in 2023 – first event on 24/2/2023

The Be.CULTOUR project, focused on enhancing enhancing cultural heritage and landscape values for sustainable cultural tourism, is launching a new series of webinars to boost peer learning among its Community of Interest and other followers. Various experts and on-field stakeholders will be invited to present and discuss their innovative ideas, their progress and their challenges concerning cultural tourism and beyond. The main purpose is to learn from peers and acknowledge the best practices from the field: where the challenges lay and how to face them.

The innovative and comprehensive approach to the cultural tourism sector, combined with the replicability of practices and co-creation methodology, is the added value of Be.CULTOUR webinars. The webinars are not only  intended for the scientific community and policy-makers, but also for civil society and all other interested followers.

Given that recently Be.CULTOUR and INCULTUM established a cooperation agreement for cross-dissemination and knowledge exchange, the webinar series will be promoted also via the INCULTUM Training Portal and in the INCULTUM network.

The first event of the series is entitled “Circular cultural tourism: the role of Heritage Innovation Networks for co-creation and communities’ empowerment”, and is organized on 24 February 2023. The webinar will explain how to bring together expert and local knowledge to let “hidden” cultural resources emerge and be recognized and fully exploited as a driver of local development, community empowerment and innovative entrepreneurship through circular cultural tourism.

Registration is accessible from https://becultour.eu/becultour-webinars


The list of all other topics addressed includes:

  • Understanding the European value of cultural heritage: Power of networks – 24 March 2023
  • Innovative solutions for circular cultural tourism – 21 April 2023
  • Values-based innovative marketing for less-known cultural tourism destinations – May 2023
  • Community-led and innovative entrepreneurship for circular cultural tourism – June 2023
  • Creative tourism and the role of arts, interpretation and storytelling – September 2023
  • Circular economy implementation in the tourism sector – October 2023
  • Innovative finance for circular cultural tourism – November 2023
  • Smart data management for circular cultural tourism assessment and monitoring – December 2023

Relevant information will be published in due time on the website of the project here.

Be.CULTOUR stands for “Beyond CULtural TOURism: heritage innovation networks as drivers of Europeanisation towards a human-centred and circular tourism economy”. It expresses the goal to move beyond tourism through a longer-term human-centred development perspective, enhancing cultural heritage and landscape values.

Read more about the project in the official website: https://becultour.eu/

 


EUreka3D project opening event

Europeana.eu awareness raising and training

EUreka3D is a project funded by the Digital Europe Programme of the European Union, to support the digital transformation of the cultural heritage sector, by offering capacity building and training, and new services, to Cultural Heritage Institutions facing the challenge of advancing in the digitization effort, especially in 3D digitization, access, storage, sharing.

The kick-off meeting was organized by the project coordinator PHOTOCONSORTIUM in Pisa on 23-34 January 2023, hosted at the Museo della Grafica. On the first day, the kick-off meeting served to partners to review the workplan and align tasks and activities. The Project Officer Mrs. Kyriaki Tragouda (HaDEA) also participated with an introductory talk.

On the second day, two additional events were organized in hybrid form, including a awareness raising and training session about Europeana, with nearly 80 participants either on site and online; and a networking event with the sister projects currently funded by the EC with a focus on 3D, AI and Europeana.

Kick-off meeting of EUreka3D partners

Monday 23rd January – Kick-off meeting (partners only)

Tuesday 24th January – Training Workshop and Networking (hybrid)

9.30 – 11.00: Europeana.eu, sharing digital cultural collections and fostering reuse: awareness and training session – in collaboration with Europeana Foundation – the slides presented by the speakers are available HERE.

11.00 – 12.30: Networking session of DEP projects involved with 3D digitization, capacity building and tools