Digital meets Culture

The digital platform that enhances and promotes Volterra XXII is online

Volterra is the first Tuscan city of culture

Volterra, the Tuscan town studied by UNCHARTED as part of WP5 experimental and demonstrations together with the cities of Budapest, Porto and Barcelona, has been awarded the title of first Tuscan city of culture 2022.

The participatory cultural project called Volterra XXII intends to unite people, places and activities by relating them to the world and to promote the excellence and specificities of a territory that has made human regeneration the meaning of its social and cultural proposal.

Starting from April, for 9 months, over 300 events will take place, including exhibitions, shows, cultural initiatives.

In order to promote Volterra XXII and all scheduled events, the digital platform https://volterra22.it has been specially created which intends to be:

“Una nuova piattaforma digitale per valorizzare, promuovere e mettere in rete un intero territorio che vede la cultura al centro di un importante percorso sul tema della rigenerazione umana”.
“A new digital platform to enhance, promote and put online an entire territory that puts culture at the center of an important path on the theme of human regeneration”.

On the platform, the various initiatives are organized into 5 main thematic sections:

Volterra tells: initiatives to regenerate one’s roots
Volterra curates: cultural projects to regenerate the community
Volterra includes: cultural activities to regenerate intergenerational relations
Volterra innovates: cultural projects to regenerate work
Volterritorio: to regenerate cultural projects

Users have the possibility to search by time periods and by themes, even by crossing them, and for each event a description, timetables, geolocation, link to the site or social page are provided.

Thanks to this tool, created by Softhrod, the technical sponsor who conceived and developed the system, it will be possible to consult all the cultural initiatives of Volterra XXII and to know in real time which events are present in the city, in the territory and in the municipalities that support the project.

The platform is in continuous and constant evolution and updating with new events and initiatives; the Volterra22 app will also be available soon.

Visit https://volterra22.it to find out more about the initiatives organized in the coming months to enhance the great cultural, artistic and historical heritage of Volterra.

Europeana conference, 28 - 30 September 2022

Europeana 2022: call for proposals is open

The 2022 edition of the Europeana conference will take place on 28 – 30 September and a call for proposals has been launched for the occasion.

The event will be organised in a hybrid format and the conference programme will be open to professionals working in the cultural heritage sector to share expertise, knowledge and experience in varied sessions.

The conference aims to explore “how we can collaboratively build a common data Space for Cultural Heritage and raise voices from across the sector to empower digital transformation and explore the role digital cultural heritage plays in today’s and tomorrow’s world.“

A call has been opened to submit proposals for a webinar, workshop, session or interactive intervention to be held during Europeana 2022. The sessions will be 30 minutes long, can be delivered live, in person or by video, recorded or presented live online.

Proposals must cover the following themes:

Common Data Spaces
Diversity & Inclusion
Participation & collaboration
Climate Action
Storytelling
3D, multilinguality and AI
European Year of Youth

The call for proposals for the Europeana 2022 conference will be open until 27 May 2022. Here the page with the information to participate in the call.

Further information about the conference and the call are available at: https://pro.europeana.eu/page/conference

the course is focused on methods for understanding tourists' behavior analyzing spatiotemporal behavior patterns

Advanced Spatio-Temporal analysis, doctoral course

In the framework of INCULTUM project, the Uppsala University team in collaboration with Copenhagen Business School is organizing a doctoral course to run in April, May and September 2022. The course is taking place partly online and partly in hybrid form.

The doctoral course “Advanced Spatio-Temporal analysis” links research on consumer behaviour in general, using tourist behaviour as an example, with spatio-temporal analysis to create an understanding of how place, space, and time influence individuals’ and groups of individuals’ behavior. The aim of the course is to introduce different methods related to spatio-temporal analysis providing insights into research design, ethical aspects of data collection, methods for analysing GIS data combined with open source street maps.

Extended deadline for enrollment: 22nd April 2022, please contact Golondrian Janke, Golondrian.janke@fek.uu.se.

Learning objectives:
The course will enable the student to:

compare and discuss theoretical grounds and assumptions related to tourists’ behaviors and movement patterns
analyze and reflect on how sociocultural, demographic and psychographic factors affect spatio-temporal behaviours
understand how the geographies and range of activities of tourist destinations affect tourists’ spatiotemporal behaviour
be able to design survey methods for collecting spatiotemporal behavior patterns
be able to use different analytical methods related to spatiotemporal data.

Read the Course syllabus (PDF)

At the workshop, the researchers presented the tourists' engagement journey visualized through trajectories of tourist movements together with other collected information

INCULTUM Pilot: meeting with stakeholders in Sweden

text and images courtesy of dr. Sabine Gebert Persson, Associatate professor
Uppsala University

On April 4, 2022 a total of 18 individuals representing different stakeholders gathered in Torsö (Sweden) to listen to and discuss data collected during the summer of 2021. The participants were representatives from a number of different organizations and associations, ranging from the local community association, the Swedish church (as the largest landowner in Sweden), the municipality, and a representative working with Leader projects to the local conference center, fishing guides, and shops selling local handicrafts.

Photo: Sabine Gebert Persson, presenting the results

At the workshop, the researchers presented the tourists’ engagement journey visualized through trajectories of tourist movements on the island together with information on eg. how the tourists’ felt that their expectations were met or not as well as their willingness to recommend the destination. The presentation resulted in a vivid discussion on how the destination can develop in a sustainable manner.

Photo: Vivid discussion on what to develop and how

A number of new areas to develop were identified related to sights/activities, information/communication, and transport/infrastructure, where new ideas and collaborations were discussed. Setting up QR codes that tourists can use for accessing information while also providing the stakeholders with information on movements is one example of a project initiated as a part of developing sustainable methods for monitoring walking and biking trails.

Learn more about INCULTUM Pilot 10 Escaping into the archipelago landscape

RURITAGE is associate partner of INCULTUM, striving to enable rural regeneration through heritage

Newly released RURITAGE “Travelling Voices” book

INCULTUM and RURITAGE projects have in common a keen focus on empowering marginal and rural areas in the promotion of their cultural and natural heritage, which not only needs to be safeguarded but also leveraged for communities-driven sustainable development.

As a great outcome of RURITAGE, a beautiful book has just been released.

image from RURITAGE website

How does cycling on an abandoned railroad in Norway sound to you? How about going on a geological wine-tour, in Germany? Maybe drinking from a miraculous healing spring in Austria and sword fighting in a shiny armour is more to your liking. If none of these entice you perhaps an Italian monster with a black body, yellow eyes and the head of a toad does! However, if shaking your feathers is more to your taste, then Turkish clarinet musicians that play for hours will certainly make you twinkle! These are just some of the curious stories you will find in the newly released RURITAGE Project “Travelling Voices” book. Apart from those, 24 other stories written by Tóth Gyula Gábor and illustrated by Livia Hasenstaub, will take you on a virtual tour of RURITAGE’s six Replicators territories.

It took months of interviews, gathering information about the regions and the project, curating images, writing and drawing to create the wonderful Travelling Voices book. The book is now ready to be shared with the world and tell the stories of six regions in Europe which are using their natural and cultural heritage as drivers of rural regeneration.

VIEW BOOK >>>

The INCULTUM project will build on RURITAGE outcomes and policy development to support strategies for participatory approaches, with the aim to unlock new opportunities of growth in peripheral areas.

Read more on RURITAGE website: https://www.ruritage.eu/

hosted by the University of Algarve, a meeting between INCULTUM partners to discuss about the local pilot

INCULTUM discovers Algarve and Campina de Faro

End of March 2022, INCULTUM partners Promoter and University of Algarve met to discuss about the work ongoing in the Pilot 2 Agrarian coastal plain: Campina de Faro. Campina de Faro is part of the coastal plain of the Algarve, with an ancient and continuous human occupation. Situated on an aquifer and with fertile soils, it is still, despite urban-touristic pressure, a living testimony of the historical interdependence between the cities and the food production space (gardens, orchards) based on the traditional irrigation system (norias, wells, aqueducts, tanks, canals) now in the process of being abandoned.

[Show as slideshow]

This hydraulic heritage, together with the old farms, is in a process of degradation, given the new irrigation methods and the strong real estate pressure on the periphery of cities. The agricultural vocation of this territory and its proximity to the Ria Formosa Natural Park, on the one hand, and the residential-tourist urban spaces on the other, make it highly important as a natural foodshed associated with urban development and sustainable tourism, both as a supplier of agricultural production (organic food) and an alternative touristic destination to sun and beach (agro-tourism, rural tourism, cultural tourism).

The proposed actions in the Pilot are directed towards the survey, diagnosis and architectural and hydraulic rehabilitation of a group of norias, aqueducts and tanks in order to contribute to the preservation of the landscape’s memory and to the (re)activation of its identity. Other actions will aim at the revitalization of historic irrigation systems, practices and techniques, namely the recovery of traditional cultivation techniques and species of fruit trees are in the process of disappearing (tangerine trees, for example). The definition of cultural routes for the hydroagricultural heritage and the organization of little markets for the sale of vegetables and fruits in the villages, will be an attraction for visitors, bringing tourism closer to polyculture and to the Mediterranean diet, with an impact on the local economy.

Discover the INCULTUM Pilots: https://incultum.eu/pilots/

All photos courtesy of Promoter.

sharing the press release of the international Romani Studies Network (iRSN) by director Dr Adrian Marsh

WEAVE Team joins celebration of the International Romani day

>>> international Romani Studies Network (iRSN), Press release, 8th April 2022 >>>

On the 8th April each year, we, the Romani and Traveller people, celebrate the First World Romani Congress taking place in 1971, in Orpington (near London), when Romani activists, intellectuals and non-Romani academics and allies came together to address the issues of emancipation of the Gypsy, Roma, and Traveller peoples, promoting Romani rights and equality, and eradicating racism, discrimination and prejudice that has been a constant since shortly after the ‘Egyptians’ first arrived in Europe, c.1400. This last has been defined and described, by Roma intellectual Nicolae Valeriu (2006, ‘Towards a Definition of Anti-Gypsyism’, https://ergonetwork.org/wp-content/uploads/2019/01/Valeriu-Nicholae_towards-a-definition-of-antigypsyism.pdf), as ‘anti-Gypsyism’, a specific form of racism towards Romani and Traveller communities that are stigmatised as ‘gypsies’, a much broader spectrum of practices, expressions, and pseudo-scientific propositions that goes beyond ‘hate-speech’, and into a variety of hidden and unhidden, manifestations impacting every single aspect of Romani lives.

1971’s First World Romani Congress, organised by the International Gypsy Committee, adopted the international flag of the Romani people, the usage of the political term ‘Roma’ (rather than variations of the term ‘gypsy’, and other, derogatory terms in differing languages) by a majority of the attendees from twenty-three countries, and the international anthem of the Romani people, “Gelem, Gelem” (“I went, I went”), with lyrics that reflected the terrible suffering of Roma and Sinti during the period of the Nazi racial state (1933 to 1945), and its fascist allies throughout Europe. The International Gypsy Committee was renamed the International Committee of the Rom (Komiteto Lumniako Romano), and five commissions for education, reparations & war crimes, social affairs, language, and culture, were established to strengthen and promote Romani identity and ethnicity, and knowledge about our history, traditions, and rich heritage.

Every year since that first, extraordinary expression of the particular energy and genius that is the Romani ‘spirit’ or ‘soul’ perhaps, the 8th April has been marked as both a commemoration of the millions of Roma who have died in pogroms, persecutions, individual murderous attacks, and the ‘Porrajmos’ (the Great Devouring, in the Romani language), the Romani Holocaust of 1936 to 1945 across Europe, the Balkans, and Russia, Ukraine, and Belorussia, and a celebration of Romani resilience, resistance, and vibrancy as people, to quote historian Angus M Fraser, a diaspora with “no promised land”, who have survived in the face of all odds.

In the spirit of unity, commonweal, and challenge to the rising tide of anti-Gypsyism in Europe, and the U.K. where new legislation specifically, and in a way not seen since the notorious anti-‘Egyptian’, anti-Irish, and anti-Catholic laws of the English parliament, c.1530, targets Gypsies, Roma, and Travellers, join with the Romani and Traveller people marking today’s important anniversary, and support, in the spirit of anti-racist action, not only words, the Gypsy, Roma, and Traveller people in your local and regional areas.

Opré Roma!

guided by archaeologists, the students were introduced to the museum collection and the archaeology and history of the area

Local school students visiting the newly opened museum exhibition in the city of Përmet

text and images by Egla Serjani, CeRPHAAL

On April 7, 2022, the newly opened display room of archaeological artefact in the museum of Përmet, welcomed its first visitors. They were local school students who had the opportunity to experience a guided visit led by archaeologists, introduced to the museum collection and have a wider understanding about the archaeology and history of the area.

In the next months, CeRPHAAL will work closely with the tourist office of the city of Përmet, and built evaluative tools for measuring the impact and effectiveness of the archaeological museum space as a new destination and an instrument for improving local tourism in the Pilot area.

Discover more about INCULTUM Pilot 8: https://incultum.eu/pilots/8-vjosa-the-shared-river/

10 May - 12 June 2022

Digital Storytelling Festival

The online Digital Storytelling festival will take place from 10 May to 12 June 2022, hosted by Europeana and The Heritage Lab, the two non-profit organizations based in Europe and India with a common interest in storytelling and culture.

The festival is an international creative competition, which includes interactive workshops and incredible collections of cultural heritage, which brings people and cultural heritage together. It will be an opportunity to learn how to use open digital cultural heritage to tell stories by taking inspiration from motivating examples of online storytelling.

The best stories will be awarded, voted by the festival-goers and by a professional jury.

The opening of the festival will be launched through an online Gala on 10 and 11 May which will present the competition and give the opportunity to see inspiring examples of online storytelling online as well as meet some of the previous year’s winners.

Registration to join the opening Gala is open at the link https://heritagetribune.eu/europe/join-the-digital-storytelling-festivals-opening-gala/

If you want to know about the previous edition of the Digital Storytelling Festival this is the link: https://medium.com/digital-storytelling-festival/submissions2021/home

CRDI's mission is to know, protect, promote, offer and disseminate the Image Heritage of Girona, represented with beautiful collections of audio-visual heritage

Meet WEAVE Team: CRDI Ajuntament de Girona

all images courtesy of CRDI

CRDI, the Centre for Image Research and Diffusion in Girona, owns a large Image Archive that holds a wealth of materials reflecting different aspects of daily life in Girona and its rich cultural heritage. It is a Department inside the Record Management, Archives and Publications Service of Girona City Council. It is a member of Photoconsortium Association and is very involved in different international initiatives regarding Photography Heritage. Its mission is to know, protect, promote, offer and disseminate the Image Heritage of Girona. The main services it provides are: preservation and conservation; on-site and online consultation: reproduction of original images; advice on the organization and management of collections; assessment and selection; implementation of technologies; management of intellectual property rights; guided tours for schools and specialists, and collaboration on outreach and training activities in connection with images.

courtesy of CRDI

For WEAVE, CRDI has curated a collection of 2.895 photographs and 200 videos about castellers (human castles) which are on the 2010 UNESCO Representative List of Intangible Cultural Heritage and which, according to the UNESCO Committee, are ‘recognized by the Catalan people as an integral part of their cultural identity, transmitted from generation to generation and providing community members a sense of continuity, social cohesion and solidarity.’ In addition to aggregating photographic and audiovisual (A/V) material about castellers to Europeana, in the framework of WEAVE, CRDI has also been working with the castellers community in a participatory activity creating new A/V shorts that explain the phenomenon in Catalonia by contacting people from different associations around the country and by using archival photographic and video content.

courtesy of CRDI

Further, for WEAVE, CRDI is also curating a collection of daguerreotype photographs and is digitising 100 in 3D and aggregating them to Europeana. This is one of the biggest collections of daguerreotypes in Spain. Daguerreotype represents the very beginning of photography and as such is highly relevant and interesting for different communities. The technique consists of an image in copper and silver and it is usually presented in a case or frame. It is the first world-wide photographic technique, started in 1839, and for its high cost it was mainly used by the bourgeois class. Most of the photographs from that era are portraits, as getting out of the studio was very difficult. These portraits replace painting and miniatures, as they are completely trustworthy to the person and are also of great beauty. However, the portraits of the first decade of photography are made with the daguerreotype technique and, therefore, these are unique objects (they are direct positives that cannot be reproduced) of great heritage value. This unique experience in the history of photography wants to be recreated with the greatest possible realism in the framework of this project. Therefore, CRDI will work on this project with photogrammetry in order to show the objects as they are. The fact of being able to present these objects in 3D is an achievement of great importance to the community linked to photography, a technology in force for 170 years which has strongly marked our culture. An unprecedented technological and social phenomenon in the framework of modern visual culture that is currently developing in the digital stage.

David Iglésias Franch

Head of Department of Photography and Audiovisual Records at Girona City Council. He has the degree in History by the Universitat Autònoma de Barcelona (UAB), in Documentation by the Universitat Oberta de Catalunya (UOC) and he is postgraduate in New Information Technologies by the Foundation of Universitat Politècnica de Catalunya (UPC). He is the President of the Expert Group in Photographic and Audiovisual Archives of the International Council on archives (ICA). He is scientific coordinator and teacher of the Graduate Diploma in Management, Preservation and Dissemination of Photographic Archives (UAB) and he is Teacher of the Master Degree in Archival and Records Management (UAB). He is also an Officer at PhotoConsortium, the International Consortium for Photographic Heritage.