Two Western Washington artists charged with misrepresenting themselves as Native American carvers

image from https://www.justice.gov/usao-wdwa/pr/two-western-washington-artists-charged-misrepresenting-themselves-native-american

In two separate criminal cases, Western Washington artists are charged with violating the Indian Arts and Crafts Act (IACA) by representing themselves as Native American artists, when they have no tribal membership or heritage, announced U.S. Attorney Nick Brown.  The men, 52-year-old Lewis Anthony Rath, of Maple Falls, Washington, and 67-year-old Jerry Chris Van Dyke aka Jerry Witten, of Seattle, made their initial appearance on the complaints in U.S. District Court in Seattle in December 2021.

Our special agents investigate crimes that violate the Indian Arts and Crafts Act on behalf of the U.S. Department of the Interior and the Indian Arts and Crafts Board,” said Edward Grace, Assistant Director of the U.S. Fish and Wildlife Service Office of Law Enforcement. “By flooding the market with counterfeit Native American art and craftwork, these crimes cheat the consumer, undermine the economic livelihood of Native American artists, and impairs Indian culture. We thank the Indian Arts and Crafts Board and the U.S. Department of Justice for their assistance with these investigations.

The investigation of Jerry Van Dyke began in February 2019, when the Indian Arts and Crafts Board received a complaint that Van Dyke was representing himself as a Nez Perce Indian Artist, when in fact, he is not an enrolled tribal member. Investigators from the U.S. Fish and Wildlife Service made undercover purchases at a gallery in the Pike Place Market area of Seattle that advertised pendants Van Dyke had made as Native American Art.  Van Dyke used the name Witten for these sales.  When interviewed by agents, Van Dyke admitted knowing about the Indian Arts and Crafts Act, and admitted he was not a tribal member.  Through the gallery Van Dyke had sold more than $1,000 worth of carved pendants represented as Native American artwork based on Aleut masks. Van Dyke is charged with two counts of Misrepresentation of Indian Produced Goods and Products.

The investigation of Anthony Rath began in May 2019, after a complaint to the Indian Arts and Crafts Board.  The investigation revealed that Rath falsely represented himself to be a member of the San Carlos Apache Tribe. Undercover agents purchased a carved totem pole and necklace from the same Pike Place Market gallery for more than $1,334.  Agents noticed the gallery had other carvings by Rath that were represented as Native produced.  At another shop on the Seattle waterfront agents purchased another carved totem pole and a mask, again represented to be Indian produced.  The biography of the artist at both shops falsely claimed that Rath was Native American.  Internet sites Rath used to sell his artwork also falsely claim he is an enrolled member of the San Carlos Apache Tribe.

When agents executed a search warrant on Rath’s Whatcom County home and studio, they found he also possessed feathers from protected birds: golden eagles and other migratory birds such as hawks, jays, owls and more. Rath is charged with four counts of Misrepresentation of Indian Produced Goods and Products, one misdemeanor count of Unlawful Possession of Golden Eagles Parts and one misdemeanor count of Unlawful Possession of Migratory Bird Parts.

Misrepresentation of Indian Produced Goods and Products is punishable by up to 5 years in prison.  The misdemeanor counts related to bird parts are punishable by up to 1 year in prison.

The charges contained in the complaints are only allegations.  A person is presumed innocent unless and until he or she is proven guilty beyond a reasonable doubt in a court of law.

The cases are being investigated by the National Fish and Wildlife Service.  The cases are being prosecuted by Assistant United States Attorney J. Tate London.

 

Contact:

Press contact for the U.S. Attorney’s Office is Communications Director Emily Langlie at (206) 553-4110 or Emily.Langlie@usdoj.gov.


WEAVE LabDays continue to support institutions safeguarding tangible and intangible heritage

text and image courtesy of Rosa Cisneros.

credits: WEAVE-CultureMoves

Over the last few months, the WEAVE team (Rosa Cisneros, Marie-Louise Crawley and Sarah Whatley) have been busy co-ordinating a series of ten project LabDays held in conjunction with partners IN2, ARCTUR, UNL, ERIAC, Europeana Foundation, PhotoConsortium, CRDI-Ajuntament de Girona, KU Leuven, TopFoto, PédeXumbo, as well as with artists and organisations such as the Early Dance Circle.

Underpinned by Communicative Methodology, these LabDays have been designed to engage a range of different communities with project activities and to reflect upon the cultural heritage content and archival collections to be aggregated to Europeana throughout the project in a collaboratively-held space where all voices are acknowledged and valued. With topics ranging from the ‘Digital Innovation of Cultural Heritage’, ‘Roma Self-Representation in the History of the Venice Biennale’, ‘Presenting Europeana’,  ‘A Workshop of Portuguese Dances’ to ‘Poetry and Photography’, ‘Castellers in the World’ and ‘Early Dance’, the LabDays have offered open spaces to discuss important questions about how communities and cultural heritage institutions can work together to safeguard and manage tangible and intangible cultural heritage. This first set of LabDays will feed into a second series of events, programmed for Spring 2022, focussing on capacity building and how we can continue to work with archives, collections, art institutions and museums.

Past and forthcoming LabDays, please visit https://weave-culture.eu/labdays/

The WEAVE team has also recently published a White Paper on the ‘Digital Transformation of Intangible Cultural Heritage’ available here: https://weave-culture.eu/resources/

To learn more about the digital tools being developed in WEAVE, please visit https://weave-culture.eu/weave-toolkit/

Website: https://weave-culture.eu/

 

 

 


Digi Art Award-2022

The Digi Art worldwide is one of the most renowned platform for digital artists where artists, designer, creative etc. Visit feast their eyes on some of the best digital art pieces in the world. An internationally established avenue, the Digi Art strives for building a mutual understanding amongst people through art and its beautiful language. Every year, Digi Art organize the “ANT-SANT Digital Art Prize” where several participants are called upon to show their masterpieces and build a personal network with other artists from different parts of the world.

Deadline: 1 April 2022 at 12:00 am

Call – NATURE’S INFINITY
Our nature has lot of variation which shows many infinitely in different sizes of infinite sets. Digital art world has allowed the creation of entirely new images that were very difficult to achieve using digital techniques. Submit your Digital painting, Digital art,Digital illustration, Digital Matte painting, and Concept art works, like Nature’s Infinity creations, on the edge of the dream, that delight the imagination.

Eligibility – the competition is open to amateur and professional digital artists

Entry fee – 10 $


Call for entries is open for European Heritage Awards / Europa Nostra Awards 2022

Europa Nostra, the European Voice of Civil Society Committed to Cultural Heritage, launched the entries to participate in the 2022 edition of the European Heritage Awards / Europa Nostra Awards.

The Awards were launched for the first time 20 years ago, in 2002, by the European Commission and supported by the Creative Europe Programme. Since then, Europa Nostra has been responsible for running this awards scheme.

The purpose of the Awards is to identify, recognise and support best practices in the conservation of cultural heritage and in the care and promotion of tangible and intangible cultural heritage.

The European Heritage Awards / Europa Nostra Awards will honour 30 heritage achievements, among which up to five Grand Prix will be awarded within thematic areas that are transversal to the five awards categories.

The categories of entry for this edition are:
● Conservation & Adaptive Reuse
● Research
● Education, Training & Skills
● Citizens Engagement & Awareness-raising
● Heritage Champions

Entries can be related to tangible, intangible or digital heritage.

The thematic areas of the Grand Prix for the 2022 edition are:
● Innovation
● Digital Transformation
● Sustainability & Climate Action
● Social Cohesion & Well Being
● International Relations

Each winner of a Grand Prix will receive a monetary award of €10.000.

The deadline for submissions is the 1st February 2022.

For more information: Apply – European Heritage Awards / Europa Nostra Awards


Open Call for Artists: Little Islands Festival 2022

The Festival that connects the Aegean landscape and nature with Audiovisual Arts, Little Islands Festival (LIF) is addressing an open call towards all artistic communities experimenting with hybrid artistic practices at the boundaries of the performing and digital arts.

LIF 2022’s new open call through the theme “Communality” places artistic creation at the core of Community to trace the meanings and representations of community life in space, place and time. Drawing on contemporary art and digital media, the artists are invited to create, inspired by community practices of coexistence with the environment, collective archetypes, collective wisdom and memory, thus highlighting unseen histories of communities in Greece and the world at large.

LIF 2022 is looking for proposals in the following categories:

  • AV Performances,
  • Music | VJs,
  • Interactive Installations,
  • Video Art | Animation | Silent Films with live soundscapes,
  • Virtual Reality,
  • 3D Projection Mapping –suggested location is the cycladic abandoned house that dominates the square of the settlement

image courtesy LIF

Special emphasis will be given to artistic proposals with live art interventions and works that propose the experience of participation. LIF’ s open call also offers an opportunity to execute Site Specific projects which engage with and utilize the local cycladic culture as well as bring aspects of the Cycladic communities to life through new technologies.

The selected proposals will be presented at the 4th edition of the Little Islands Festival (LIF) in the Cycladic settlement “Castle” of Sikinos in August of 2022.

Key words: communality, communal, common, socially engaged art, public art, participation, collective action, collective experience, collective consciousness,  live art, experiential art, united, shared, celebrations, rituals, myths, Community practices.

image courtesy LIF

 

Submission of entries is free of charge. Entries must be submitted online.

Submit your proposal here: https://littleislandsfest.com/2021/11/28/open-call-for-artists-4/

For any clarifications contact us at littleislandsfestival@gmail.com

Follow us on our Facebook and Instagram page (@littleislandsfestival) for updates.

 


Digital strategies for small and medium-sized European museums: the call by DOORS

DOORS, the Digital Incubator for Museums, is a project co-funded by the EU Horizon 2020 research and innovation program, aims to create an European incubator to support small and medium-sized museums. It is coordinated by ARS ELECTRONICA.

The digital transformation of museums has become necessary, urgent and DOORS wants to support museums in developing strategies to integrate technology and to enrich the online and on-site cultural offer.

In a first phase of its work, DOORS will carry out an in-depth analysis of the state of the art and define the general terms in which digital strategies can be embedded into existing contexts. It will call museums to submit pilot proposals to take part in a two-stage incubation program: first the museums will be involved by teaching and strengthening digital engagement, then, 20 will continue in the second stage of the incubation programme and they will work on the implementation of their digital pilots which will develop digital transformation experiments in 4 concrete innovation areas:

  • Innovating audience analysis and engagement
  • New content distribution and revenue models
  • Strategies for integrating infrastructures
  • Experimental ICT programs

As part of the first step, DOORS recently launched a call to invite small and medium-size museums across Europe to submit proposals for digital pilots that can benefit their institutions and help them initiate a long-term digital transformation.
Through this call the project will select 40 museums to take part in the first stage of the incubation programme focused on shared learning and the 20 museums to continue in the second stage of the incubation programme with the practical implementation of their digital pilots.

The deadline for submitting applications is  February 13 2022.

More information on the call is available at Open Call – DOORS
To know more about the DOORS project, this is the link.


Heritage for the Future / Science for Heritage: A European Adventure for Research and Innovation

img. from Heritage Research Hub website.

Under the French presidency of the Council of the European Union, the Foundation for Heritage Science will organise, with the European Commission and in partnership with the French Ministry of Culture and the French National Centre for Scientific Research (CNRS) and the universities of Paris-Saclay and Cergy Paris, a symposium dedicated to heritage science in Europe. It will be held on 15 and 16 March 2022, in Paris at the Louvre and the National Library of France.

Heritage science is the wide and transdisciplinary scientific field that deals with the study of cultural heritage. Bringing together the human, social, fundamental, digital, and engineering sciences, it contributes to the identification, understanding, preservation, restoration, and transmission of cultural heritage, be it tangible, intangible, natural or digital.

The aim of this symposium is to highlight the diversity of heritage science, in France and in Europe, and to show how it contributes to safeguarding heritage and unveiling its central role to understand and face major contemporary challenges (social, cultural, economic, political, and climatic). The programme builds on four main themes:

  • A reflective heritage for a resilient society
  • Sustainable management of cultural heritage
  • Cultural heritage in a changing context
  • Cultural heritage facing climate and environmental change

The symposium will be held in French and in English in the form of plenary presentation sessions and round tables, which will be accessible online.

Read also: https://www.heritageresearch-hub.eu/event-heritage-for-the-future-science-for-heritage/

This event is part of the French Presidency of the Council of the European Union 2022.

 

 


INCULTUM as part of a master course in tourism at Fondazione Campus Lucca

The master degree Progettazione e Gestione dei Sistemi Turistici Mediterranei is offered at the Fondazione Campus Lucca, a foundation participated by the Universities of Pisa, Pavia and Italian Switzerland, focused on planning and management of mediterranian tourism systems. The master degree includes various courses engaging students in a variety of activities and research on cultural tourism, strategies for social branding and community management of territories, and sustainability.

Within  the course on Territorial politics for tourism and cultural management by prof. Enrica Lemmi (University of Pisa), INCULTUM was included as a case study presented by Antonella Fresa (Promoter), where students analyzed the INCULTUM project and realized group works and presentations about the various local Pilots of the project. The outcomes of the students works will be reused in the project to support the Pilots’ promotion.

 

 


The 12 most endangered monuments and heritage sites in Europe

Collage of shortlisted heritage sites for the 7 Most Endangered programme 2022 by Europa Nostra

The 7 Most Endangered Programme, launched in 2013, is run by Europa Nostra in partnership with the European Investment Bank Institute and with the support of the Creative Europe programme of the European Union.

It is part of a civil society campaign to save Europe’s endangered heritage and provides a grant of €10,000 per listed site to assist in implementing an agreed activity that will contribute to saving the threatened site.

After the launch, last 29th June, of the Call for Nominations by Europa Nostra, the applications were discussed by an international Advisory Panel, comprising experts in history, archaeology, architecture, conservation, project analysis and finance, which selected 12 endangered heritage sites:

among these, the final list of the 7 Most Endangered heritage sites in Europe for 2022 will be unveiled in the spring of 2022.


New EU partnership to promote culture and health

A new European partnership has just started to carry out a study on the importance of cultural activities and arts in ensuring mental health and well-being both on an individual and collective level.


This project, called “CultureForHealth”, consists of major European cultural networks, organisations and a region: Culture Action Europe (the project manager), Trans Europe Halles, the Northern Dimension Partnership for Culture, Danish Central Denmark RegionCentrul Cultural Clujean from Romania and Društvo Asociacija from Slovenia.

It will run from December 2021 to May 2023 and aim to achieve key objectives:

  • improve the exchange of knowledge and experiences in the EU related to the role of culture in well-being and health
  • identify the most relevant existing practices
  • improve opportunities for actors in the field
  • make a set of policy recommendations.

During the 18 months, CultureForHealth will carry out six pilots that will include many different experiences: museum experiences for people with dementia, cultural experiences against burnout in the workplace, cultural experiences to strengthen social conditions, inclusion and mental well-being.

The “CultureForHealth” website will be online in January 2022 with updated news on the project.