ESACH Talks: Communicating Culture

The sixth ESACH Talk, will be centered on communicating culture, with focus on innovative perspectives on the following topics:

  • Marketing and branding cultural heritage
  • Youth and community outreach and engagement
  • Storytelling methods
  • Communicating uncomfortable history and heritage
  • The relationship between communication, education, and action
  • Communicating across cultures
  • Audience analysis and engagement for effective communication
  • Media consumption and heritage
  • The power of public relations in cultural matters

ESACH Talks are interactive, fast-paced events that provide a platform for sharing knowledge amongst students and young professionals working within cultural heritage studies. To make things more interesting, each presentation lasts five minutes and must be accompanied by a slide presentation.
ESACH Talk has a length of 45 minutes and includes presentations by ESACH students and young professionals, as well as some time for discussions and comments. Attendance is open to everybody, not just ESACH Members!
The meeting are organized in partnership with Europa Nostra.

ESACH, “The European Students’ Association for Cultural Heritage”, is a youth-led network of students and young professionals within cultural heritage based on the principles of interdisciplinarity and peer-to-peer learning. It was established in 2017, on the occasion of the European Year of Cultural Heritage 2018, to highlight the perspective of the younger generations regarding cultural issues of European and national importance. ESACH aims to establish a mutual exchange of knowledge and experience beyond geopolitical boundaries, through collaborations with cultural institutions and an increased involvement of students, young professionals and future decision-makers.

On January 2021, in cooperation  and with the communication support of the European Heritage Tribune, the independent digital news platform for the European heritage community, it was launched the ESACH blog written by ESACH members to share young people’s perspectives on cultural heritage. The first blog posts were written by the speakers of the ESACH Talks.

More information about ESACH talk 18 March 2021 here
ESACH website
ESACH Blog
EHT  website


Challenges and opportunities for culture and the sustainable development goals

 

The report “Culture and the United Nations Sustainable Development Goals: Challenges and Opportunities” is the result of Brainstorming Meetings organized to allow the debate between the European Commission and the cultural sector, represented by a group of experienced professionals in Europe.

The meetings were organised by Voices of Culture on the 2nd and 3rd December 2020 and the report was presented to the European Commission in a dialogue meeting on the 11th February 2021.

The purpose of the report is to explore the challenges and opportunities for the sector of culture within the Sustainable Development Goals (SDGs) identified in the United Nations 2030 Agenda for Sustainable Development.

While insisting that all SDGs are relevant to culture, the report focuses, in particular, on four of the SDGs most relevant to culture:

  • SDG4 Quality Education,
  • SDG8 Decent Work, Growth and Employment,
  • SDG11 Sustainable Cities and Communities,
  • SDG13 Climate Action.

Recommendations for the European Commission are provided on the individual SDGs presented in the document, as well as, for each of these, short presentations of cases studies are included to exemplify the recommendations.

The report also shows, throught the many case studies and best practices listed, the huge opportunities and achievements offered by recent SDG-related cultural projects and programmes.

You can access the brainstorming report here.

Further information:

Voices Of Culture is the structured dialogue between the EU cultural sector and the European Commission.
This dialogue allows exchanging views and information, and ensures that the voice of civil society representatives of the cultural sector is heard and can give input to the European Commission.

A call is launched for participation in a Brainstorming Meeting on a given topic which is important in the policy making process of the European Commission.

Through this open call participants can propose their candidacies, and successful applicants are invited to a Brainstorming Meeting after which a Report is produced by participants to be presented to and discussed with the European Commission.
Calls for applications are launched regular by Voices Of Culture on different topics.


A new virtual tour at the heart of Museo Egizio in Turin

A new virtual tour is now available on the website of the Museo Egizio in Turin. It allows the public to remotely visit the most iconic sections of the collection, also including those dedicated to the village of Deir el-Medina and to the tomb of Kha.

Starting from a series of 360-degree panoramic photos in high definition, the virtual tour reconstructs the rooms dedicated to the finds from the intact tomb of the architect Kha and his wife Merit, and from the village of craftsmen and workers of Deir el- Medina. In addition to being able to move around the rooms, the user has access to multiple tools that expand the visit experience: a series of 3D models of the objects on display, that offer the possibility to observe the finds with unprecedented precision and detail.

Among the finds available it is worth mentioning the chapel of Maia, in which it is possible to “enter” for the first time, to closely observe the colorful paintings. By positioning the cursor in the rooms, it is also possible to access 18 videos, to discover more details and stories about the two sections, guided by the words and voices of the curators of the museum. The virtual tour also allows visitors to view some historical photographs and access further content through the Museum databases.

The video contents are available in Italian, English, French and German, as well as the navigation, also available in Arabic.

Click HERE to discover the virtual tour!

Website: https://museoegizio.it/


Fostering Dialogue and Cooperation between Asia & Europe

The Asia-Europe Meeting (ASEM) is an intergovernmental process established in 1996 to foster dialogue and cooperation between Asia and Europe. The initial ASEM Partnership consisted of 15 EU Member States, 7 ASEAN Member States, China, Japan, Korea and the European Commission. Today, ASEM comprises 53 Partners: 30 European and 21 Asian countries, the European Union and the ASEAN Secretariat. ASEM addresses political, economic, financial, social, cultural, and educational issues of common interest in a spirit of mutual respect and equal partnership. Through its informal process ASEM facilitates and stimulates progress but does not seek to duplicate bilateral and other multilateral relationships between Asia and Europe.

In occasion of the ASEM Day 2021, The European Union (EU), together with the Asia-Europe Foundation (ASEF) and the Centre for Fine Art Brussels (BOZAR), is organising a special virtual celebration on Sunday 7th March. The online event will present the launch of digital exhibition, ‘A Passage to Asia: 25 centuries of exchange between Asia & Europe‘, followed by a live dialogue forum on the ‘State of play, perspectives and new forms of cooperation between Asian and European museums’.

More information and programme available at: https://www.aseminfoboard.org/events/asem-day-virtual-celebration
ASEMInfoBoard webpage
Link to the registration: https://www.tmabevents.be/ASEM_Day_Virtual_Celebration.php
Registration will be followed by an email with a link and password in advance of the event to access the virtual celebration.


A brief review of regulation for creative and cultural industries: the latest report of the CICERONE project

CICERONE (Creative Industries Cultural Economy Production Network, Grant No.: 822778) is a H2020 funded interdisciplinary research project focusing on Europe’s cultural and creative industries (CCI). The research team consists of sociologists, human, cultural and economic geographers, cultural study specialists, economist and historians, all of which bringing in extensive expertise on the cultural and creative industries.
CICERONE main goal is to provide an innovative way to understanding how these industries function and a new foundation for effective supportive policies at EU, national and local levels.
The project is divided into six work packages designed to produce a set of reports on distinctive research aspects; in addition, a range of case studies covering different CCIs in different countries has the goal to provide a broad empirically informed view.
In the framework of  of Work Package 3 (Policy, regulatory and governance matrix of the CCI in Europe) research activity, the CICERONE-members Thomas Borén and Dominic Power (both from Stockholm University) have finished the third in a series of papers which explores whether and to what extent the existing European, national and regional policy frameworks concerning cultural industries (and the wider economy) are appropriate for addressing the challenges of new and emergent organisational and governance forms of the creative economy.
This 3rd report, entitled “A brief review of regulation for creative and cultural industries” examines key elements of the European regulatory environment for the cultural and creative industries and their production networks.

Six key areas are discussed by the report:

1) policy hierarchies and scalar and sectorial complexity
2) regulation of work and contracts, with a focus on small actors and protected designations
3) content and production regulation, including notions of quotas, arm-length’s distance and the new political landscape in Europe
4) intellectual property rights regulation
5) competition regulation, monopolies, and platform economies
6) regulation for the digital single market

Throughout the report, possibilities are highlighted that may be considered in policy to further support the CCIs.
More information about the 3rd CICERONE report here
To download the report click here
CICERONE project website


The abandoned spaces of the Internet

Preserving Worlds is a documentary travelogue through aging but beloved virtual worlds. Join us as we explore dated chat environments, appreciate player-created art, and meet people working against obsolescence to keep the communities they care about alive and accessible.

Virtual worlds are delicate things, and they can vanish with hardly a trace. Under Capitalism, preservation is often the last priority. But even if you manage to archive the offline software, a dead world can only tell you so much. It’s just as important to document how people spent their time within it.

With this series, filmmakers Derek Murphy and Mitchell Zemil offer an entertaining glimpse into these worlds and created historical records of them that may someday be of use.

Access the episodes: https://means.tv/programs/preservingworlds

Preserving Worlds website at: www.preservingworlds.net

 


online art exhibition The Black Index

Titus Kaphar, “Redaction (San Francisco),” 2020. Etching and silkscreen on paper. Courtesy of Titus Kaphar and Reginald Dwayne Betts. Photo by Christopher Gardener.

The artists featured in The Black Index—Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas—build upon the tradition of Black self-representation as an antidote to colonialist images. Using drawing, performance, printmaking, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and understanding. Their works offer an alternative practice—a Black index—that still serves as a finding aid for information about Black subjects, but also challenges viewers’ desire for classification.

Visit the virtual tour: https://uag.arts.uci.edu/exhibit/black-index

The works in The Black Index make viewers aware of their own expectations of Black figuration by interrupting traditional epistemologies of portraiture through unexpected and unconventional depictions. These works image the Black body through a conceptual lens that acknowledges the legacy of Black containment that is always present in viewing strategies. The approaches used by Delgado, Henry, Hinkle, Kaphar, Lovell, and Thomas suggest understandings of Blackness and the racial terms of our neo-liberal condition that counter legal and popular interpretations and, in turn, offer a paradigmatic shift within Black visual culture.

Curator Bridget R. Cooks is Associate Professor, Department of African American Studies and the Department of Art History, University of California, Irvine. Exhibition and tour organized by Sarah Watson, Chief Curator, Hunter College Art Galleries, New York in collaboration with the University Art Galleries at UC Irvine, Palo Alto Art Center, and Art Galleries at Black Studies, University of Texas at Austin.

This exhibition is dedicated to David C. Driskell.


Prix #arselectronica 2021 Open call!

The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are eligible for the coveted Golden Nica awards and monetary prizes of up to 10,000 Euros in each category. They will also be featured at the Ars Electronica Festival from September 8 to 12, 2021! Participation in the Prix Ars Electronica is free of charge and takes place exclusively online. A submission is only valid for participation in the competition if it has been submitted online and also finally completed online. As soon as all documents have been submitted in full, a confirmation of participation will be sent by e-mail.
The 2021 categories follow:
Computer Animation
Artificial Intelligence and Life Art
Digital Music and Sounds Art
U19-Create your world
Schedule:
Submission Deadline: March 3, 2021
Jury Sessions: April 23 – 25, 2021
Notification: Winners of Golden Nicas, Awards of Distinction and Honorary Mentions will be notified before end of May, 2021 (Ars Electronica only notificate in case the project is selected for the prize).
Awards Ceremony: The Prix Ars Electronica ceremony will take place during the Ars Electronica Festival (September 8-12, 2021). Winners of Golden Nicas and Awards of Distinction must make a commitment to accepting their awards in person and to presenting their works at the Prix Ars Electronica Forum, an artist symposium. Groups and institutions are requested to nominate a representative to fulfill this commitment. As guests of Ars Electronica, winners will receive complementary hotel and economy class airline tickets for their trip to Linz. (Due to the COVID-19 situation, changes may occur in this regard.)
Email contact: prix@ars.electronica.art
Read more about the open call here
Submission webpage


NEMO overview and statement on Museum reopenings
© Arxiu Fotogràfic del Consorci del Patrimoni de Sitges

NEMO,  Network of European Museum Organisations, has published a country-specific overview of the status quo of museum operations during the pandemic. The list includes information from 31 European countries concerning reopenings, national guidelines and advocacy measures. Together with the overview, NEMO also released a statement calling for the comprehensive and sustainable reopening of all museums in Europe. NEMO wants policy makers to fully realise the potential in collaborating with museums to reactive urban life and assist people in finding the new normal.
NEMO news article: https://www.ne-mo.org/news/article/nemo/nemo-publishes-detailed-overview-of-museum-reopenings-in-europe.html
Link to the statement.
Link to the overview.
Share the social media posts:
Twitter: https://twitter.com/NEMOoffice/status/1363783476865032194
Facebook: https://www.facebook.com/NEMOoffice/posts/4077181255667874
LinkedIn: https://www.linkedin.com/feed/update/urn:li:activity:6769548568807141376


SoPHIA´s Virtual Stakeholder Conference

The SoPHIA Platform for Holistic Heritage Impact Assessment is happy to announce a two-day conference which will bring together a diverse group of stakeholders to review interventions in Europe’s urban heritage, through keynotes, thematic sessions, workshops, and artistic interventions. The meeting will offer the occasion to establish a collective reflection on the diverse impact of cultural heritage and to gather feedbacks and inputs on the Holistic Heritage Impact Assessment Model developed under the Horizon 2020 funded SoPHIA project.
Registration is free of charges.
More information are coming soon: visit the SoPHIA’s website to stay up to date and share the event on Twitter and Facebook.