Culture x Climate 2020: mobilising arts, culture and heritage for climate action

Culture x Climate 2020 is a virtual global forum for arts, culture and heritage-based climate action, presented from 12 October to 27 November, by the Climate Heritage Network.


Culture x Climate 2020 brings together leaders, practitioners, researchers, and experts from business, government, universities and civil society to promote new partnerships between cultural actors and stakeholders across sectors. It is designed to unite all those interested in the role of arts, culture and heritage in tackling the climate emergency and aims to enhance the capacity of these sectors to help build a climate-neutral and resilient world in the time of COVID-19.

Over a 45-day period, three events series will be held:

  • November Dialogues. A series of three virtual Dialogues across multiple time zones under the theme: “A Culture of Resilience: Mobilising Arts, Culture and Heritage to Win the Race to Zero” held as part of the UN November Dialogues.
  • Regional Climate Heritage Forums. A series of five Climate Heritage Network regional forums that will spotlight the work in each region of the world to mobilise arts, culture and heritage for climate action. They include Africa and the Middle East, Asia-Pacific, Europe and the Commonwealth of Independent States, Latin America and the Caribbean, and North America.
  • Climate Heritage Mobilisation Webinars. A series of 7 webinars, held in partnership with Historic England’s Climate Friday, showcasing the diverse work across the Climate Heritage Network to increase the ambition and capacity of arts, culture and heritage to engage in climate action, science and policy.

In addition, on November 16, Climate Heritage Network members and other partners will meet in an action-oriented Annual General Assembly with the aim of organizing, planning and preparing to bring the voice of arts, culture and heritage to the next UN Climate Summit (COP26).


The culture sector is committed to the climate

Cultural Heritage is a Climate Action Issue. Climate Action is a Cultural Heritage Issue” this is the premise of the event organized by the Climate Heritage Network.

 

Culture x Climate 2020 is a virtual global forum for arts, culture and heritage-based climate action, presented from 12 October to 27 November, anchored by Climate Heritage Week 2020 (16-22 November).

It is designed to unite all those interested in the role of arts, culture and heritage in tackling the climate emergency and aims to enhance the capacity of these sectors to help build a climate-neutral and resilient world in the time of COVID-19. It promotes new partnerships between cultural actors and stakeholders across sectors and encourages the culture sector to play its part in driving greater ambition at UN Climate Summit (COP26).

Over a 45-day period, attendees will have access to a variety of virtual formats:

A series of three virtual November Dialogues held as part of the UN November Dialogues. This series showcases the often-overlooked role that arts, culture and heritage play in achieving a climate-neutral and resilient world.

A series of five Climate Heritage Network Regional Forums will spotlight the work in each CHN region of the world to mobilise arts, culture and heritage for climate action. The Regional Climate Heritage Forums are being presented during Climate Heritage Week 2020.

A series of seven virtual Climate Heritage Mobilisation Webinars held in partnership with Historic England’s Climate Friday.

On November 16, the Climate Heritage Network will hold an action-oriented Annual General Assembly, that will bring together Climate Heritage Network Members and Invited Observers, with the aim of organizing, planning and preparing to bring the voice of arts, culture and heritage to the next UN Climate Summit (COP26).

More information:
https://www.culturexclimate.org/

https://climateheritage.org/

 


Digital offering at the Smithsonian National Museum of Natural History of Washington

Text by Caterina Sbrana.

The pandemic from Sars Covid-19 has accustomed us to receive messages of cultural events, exhibitions, concerts, shows that are cancelled. Museums and art galleries have also closed public visits.

However, digital technology is trying to bridge physical distances by allowing people to enjoy culture even staying at home.

From now on it begins the virtual tour of the Natural History Museum; Image from: https://naturalhistory.si.edu

There are many museums that have begun to offer digital tours and virtual exhibitions however others already had these tours before Covid-19. In this article I would like to present the Smithsonian National Museum of Natural History digital offering that ranges from virtual tours of exhibits to distance learning resources.

First I would tell you why I chose the virtual tour proposed by the Smithsonian National Museum.

The navigation in the site is simple and fast; the graphics of the site, is excellent, very clear and understandable even by people not familiar with the web; thanks to the toolbar that allows you to move your mouse left and right you can easily continue in the path choosing which section of the museum/site to visit.

This photo shows us the beginning of the tour and the rooms we can visit; Image from: https://naturalhistory2.si.edu/vt3/NMNH/z_tour-022.html

It’s great for teachers, because it contains several sections with images that allow you to know not only the different habitats and animals that inhabit them, but also the history of man and its evolution.

The quality of the photographs is excellent; the layout of the exhibition is extremely effective.

The virtual visit to the Smithsonian National Museum of Natural History allows visitors to make independent guided tours, room by room, from their desktop or mobile device.

The virtual tour is also recorded in several videos and a narrator explains with simple words the section.

The page to enter in one of the narrated virtual tours; Image from: https://naturalhistory.si.edu/visit/virtual-tour/narrated-virtual-tours

If we decide to enter the section of the museum related to Africa we can admire different animals and hunting scenes and discover the natural environments. Then, we can decide whether to continue the visit to the territories of the southern hemisphere or North America.

I suggest you to watch the video with the narrated tour of the Hall of Human Origins illustrated by the researcher Dr. Diana Pobiner. I found it very interesting because it answers some essential questions about human life “who are we?”, “how did we become human?”.

Kirk Johnson, Sant Director of the Smithsonian National Museum of Natural History, reports that this is the most visited virtual museum in the world, where people can “find detailed information about our exhibits, events, collections, scientific research and educational programs” and specifies that “the museum’s mission is understanding the natural world and our place in it”.

Once again we discover that, thanks to technology and the web, especially in this period when people move less, we can continue to increase our culture using our digital devices.

https://naturalhistory.si.edu

https://naturalhistory.si.edu/explore-at-home

https://naturalhistory.si.edu/visit/virtual-tour

https://naturalhistory2.si.edu/vt3/NMNH/z_tour-022.html


Social Platform for Holistic Heritage Impact Assessment present: the SoPHIA project

SoPHIA is a two years project started on January 2020 which aims at proposing a holistic impact assessment model for historical, environmental and cultural heritage in Europe. With the term holistic it understands that the economic, social, environmental and cultural dimensions necessary to any intervention on heritage must be addressed comprehensively. The Platform will identify the most important challenges and opportunities linked to cultural heritage interventions in Europe. It will explore the general topic and the current situation as regards policies, assessment and quality of interventions, including best practices, and the creation of a draft holistic impact assessment model. It will also analyse specific case studies, focusing on people, domains and time. To achieve its goals, the project will bring together stakeholders from different fields who will define guidelines for future policies. UNCHARTED and the SoPHIA Platform has recently started a cooperation that will be increased  by future common initiatives and mutual support. Surfing the waves of the pandemic, SoPHIA – Social Platform for Holistic Heritage Impact Assessment – held a first workshop online last June 25 and July 2 with its newly formed community of practice. The aim was to present the initial findings of the project, assess and exchange knowledges and practices, and spur the debate.
The Athens Virtual Workshop gathered around 50 professionals from the institutions part of the Consortium, members of the Advisory Board and stakeholders from different fields, such as research, education, museology, cultural management, cultural policy or entrepreneurship, among others. SoPHIA is currently bridging its first theoretical phase, during which it has collected and analyzed the literature and policies related to heritage impact assessment models and methods, with its second practical phase that foresees the design of an impact assessment model to be tested in selected cultural heritage sites, practices and events. The first phase has highlighted, among other things, the lack of models that duly address the four dimensions considered as fundamental when dealing with heritage interventions, namely the social, economic, cultural and environmental dimensions; the priority given to the economic dimension at the expense of other fundamental dimensions; the lack of consultative and participatory processes that provide for a sense of ownership by the communities; as well as the need for assessment models that take into account the long term impact of interventions, especially after so-called big events.
In the first place, the context of the SoPHIA project was presented. This was followed by a series of keynote speeches that set the framework for the issue at hand: Annalisa Cicerchia, Roma Tre University, presented “Impact Assessment Methods” and Beatriz García, Institute of Cultural Capital, University of Liverpool, shared her views on “Why do present Impact Assessment Models prove inadequate”. The gaps and opportunities identified regarding heritage impact assessment models were also presented with a summary of guidelines and programmes from the EU and other world regions. Participants debated in small groups and, based on their experiences, contributed different perspectives that will be taken into account in the drafting of the SoPHIA impact assessment model. All the material of the Athens Virtual Workshop will be shortly made available for download from the SoPHIA website.
The community of practice will meet again in future workshops, onsite if the situation allows, or virtually. At the same time, an online collaborative platform will enable for continued interaction; each member formally attached to the SoPHIA community will be able to access relevant documentation and participate in debates on topics of interest for the project. In this sense, professionals with experience in cultural heritage from any field, whether academics, practitioners or devoted to cultural policy, and with an interest to be part of this community, are welcome to contact info@sophiaplatform.eu to explore their possible participation in the project.
Follows the progress of SoPHIA on www.sophiaplatform.eu
Twitter:@sophia_platform
Facebook under SophiaPlatform


The first steps of SOPHIA, the new Social Platform for Holistic Heritage Impact Assessment

SOPHIA is a two years project started on January 2020 which aims at proposing a holistic impact assessment model for historical, environmental and cultural heritage in Europe. With the term holistic it understands that the economic, social, environmental and cultural dimensions necessary to any intervention on heritage must be addressed comprehensively. The Platform will identify the most important challenges and opportunities linked to cultural heritage interventions in Europe. It will explore the general topic and the current situation as regards policies, assessment and quality of interventions, including best practices, and the creation of a draft holistic impact assessment model. It will also analyse specific case studies, focusing on people, domains and time. To achieve its goals, the project will bring together stakeholders from different fields who will define guidelines for future policies.
SOPHIA and REACH Social Platforms has recently signed an agreement for coordinating their activities and act in mutual support.
Surfing the waves of the pandemic, SoPHIA – Social Platform for Holistic Heritage Impact Assessment – held a first workshop online last June 25 and July 2 with its newly formed community of practice. The aim was to present the initial findings of the project, assess and exchange knowledges and practices, and spur the debate.
The Athens Virtual Workshop gathered around 50 professionals from the institutions part of the Consortium, members of the Advisory Board and stakeholders from different fields, such as research, education, museology, cultural management, cultural policy or entrepreneurship, among others. SoPHIA is currently bridging its first theoretical phase, during which it has collected and analyzed the literature and policies related to heritage impact assessment models and methods, with its second practical phase that foresees the design of an impact assessment model to be tested in selected cultural heritage sites, practices and events. The first phase has highlighted, among other things, the lack of models that duly address the four dimensions considered as fundamental when dealing with heritage interventions, namely the social, economic, cultural and environmental dimensions; the priority given to the economic dimension at the expense of other fundamental dimensions; the lack of consultative and participatory processes that provide for a sense of ownership by the communities; as well as the need for assessment models that take into account the long term impact of interventions, especially after so-called big events.

In the first place, the context of the SoPHIA project was presented. This was followed by a series of keynote speeches that set the framework for the issue at hand: Annalisa Cicerchia, Roma Tre University, presented “Impact Assessment Methods” and Beatriz García, Institute of Cultural Capital, University of Liverpool, shared her views on “Why do present Impact Assessment Models prove inadequate”. The gaps and opportunities identified regarding heritage impact assessment models were also presented with a summary of guidelines and programmes from the EU and other world regions. Participants debated in small groups and, based on their experiences, contributed different perspectives that will be taken into account in the drafting of the SoPHIA impact assessment model. All the material of the Athens Virtual Workshop will be shortly made available for download from the SoPHIA website.
The community of practice will meet again in future workshops, onsite if the situation allows, or virtually. At the same time, an online collaborative platform will enable for continued interaction; each member formally attached to the SoPHIA community will be able to access relevant documentation and participate in debates on topics of interest for the project. In this sense, professionals with experience in cultural heritage from any field, whether academics, practitioners or devoted to cultural policy, and with an interest to be part of this community, are welcome to contact info@sophiaplatform.eu to explore their possible participation in the project.
Follows the progress of SoPHIA on www.sophiaplatform.eu
Twitter:@sophia_platform
 Facebook under SophiaPlatform.


City of the future – STARTS Open Call for Artists

Nesta Italia, supported by Fondazione Compagnia di San Paolo and the European Commission,  is launching ‘City of the future’ – S+T+ARTS Open Call for Artists, Creatives and Collectives, addressed to creatives from all over Europe. The aim of the Open Call is to enhance the intersection between Arts, Science and Technology to experiment new approaches in the development of more emphatic, human-centred applications of new technologies in the urban context.

Tech companies and research centres from Turin will launch a series of challenges, to which artists and collectives can respond by submitting a project proposal. An independent jury will select three winners, which will be awarded with 17,000 euros each and work on their project during a three months residency (February – May 2021), in collaboration with local curators and producers.

If you want to learn more about the Open Call, selection criteria and application process, check out Nesta Italia’s website.

Deadline: 30th November 2020

>>> APPLY here

For any further information write to starts @ nestaitalia.org

 


The first ESACH Talks series: people and heritage. In partnership with Europa Nostra

 

Last call to participate in the first ESACH Talk series that will be held online tomorrow, October 6, in partnership with Europa Nostra.

The event is planned as an interactive, very fast event (about 45 minutes) during which young perspectives on the themes related to civic involvement and democratic participation in heritage matters will be explored:
the citizens’ roles in the preservation of heritage, youth participation, participatory management strategies and participative approaches to heritage.

This first ESACH Talk series will be inspired by the work of Europa Nostra and it will include presentations by ESACH students and young professionals, and there will be time for discussions and comments.

About ESACH
The European Student’s Association for Cultural Heritage is an international network of European students and young professionals working within cultural heritage. It was established in 2017, on the occasion of the European Year of Cultural Heritage 2018, to highlight the perspective of the younger generations regarding cultural issues of European and national importance.
ESACH aims to establish enhance interdisciplinary collaboration amongst cultural heritage students, young professionals and cultural institutions through a mutual exchange of knowledge and experience beyond geopolitical boundaries.

About Europa Nostra
Europa Nostra, “The European Voice of Civil Society committed to Cultural Heritage”, was founded in 1963 to protect and celebrate Europe’s cultural and natural heritage and to promote the value of cultural heritage for society, culture,environment, economy, well-being and for the future of Europe.
Today it is today recognised as the most representative heritage organisation in Europe with members from over 40 countries.

More information about the event here.
To register for the event here.


ESACH talks! people and heritage

The ESACH (European Student’s Association for Cultural Heritage) is an international network of European students and young professionals working within cultural heritage.

It was established in 2017, on the occasion of the European Year of Cultural Heritage 2018, to highlight the perspective of the younger generations regarding cultural issues of European and national importance.
ESACH aims to establish enhance interdisciplinary collaboration amongst cultural heritage students, young professionals and cultural institutions through a mutual exchange of knowledge and experience beyond geopolitical boundaries.

ESACH has launched its first ESACH Talk, an interactive, very fast event, each Talk has a length of 45 minutes, and includes presentations by ESACH students and young professionals, as well as some time for discussions and comments.

The first ESACH Talk series will be held online the 6th October and will be inspired by the work of Europa Nostra; the event will explore young perspectives on the themes related to civic involvement and democratic participation in heritage matters: the citizens’ roles in the preservation of heritage, youth participation, participatory management strategies and participative approaches to heritage.
Everybody can participate!

More information about the event here.
More information about ESACH here.
To register for the event here.


TWA Heritage Digitisation Grant in UK

Following some excellent applications and true success stories from archives and other heritage institutions over the last four years, the TWA Digitisation Grant opened once again for 2020 submissions from UK institutions.

Working directly with the heritage sector Towns Web Archiving is acutely aware of the ongoing issue of funding, and the current climate has only served to exacerbate this, but the grant has helped numerous projects over the years to get off the ground. This year TWA have made some adaptations in an attempt to better meet the industry’s new and Emerging needs: opening early, making changes to the division of funding and to the usual timeline.

The new details are as follows:
● 3 x grants available of £3,000 each
● Deadline for applications extended to 20th November 2020
● Winners announcement 9th December 2020 .
● All shortlisted applicants to receive an optional £500 of match funding

It is hoped that these revisions will help to ensure an equitable and accessible process during a period that has seen great upheaval and uncertainty within the industry.

Applications are welcome from the following UK institutions:
● Public, private & charity Archives
● Business/corporate Archives
● Public & private Libraries
● Museums
● Galleries

The full judging panel is yet to be confirmed but will, again, include ARA chief executive – John Chambers and senior digitisation consultant at TownsWeb Archiving – Paul Sugden.
The Grant can be used to fund the digitisation of bound books, manuscripts, oversized maps and plans, 35mm slides, microfilm/fiche, glass plate negatives, and other two-dimensional cultural heritage media.

For more details and to apply, please visit TWA Digitisation Grant page.