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The Lambousa Fishing Boat case and the data managing within the scope of EUreka3D project was presented by Michał Orzechowski at the 15th International Conference on Parallel Processing & Applied Mathematics. Following the presentation, Future Generation Computer Systems journal invited … Continue reading
The Programme of the workshop on Cultural and Creative Tourism at the international conference Euromed2024 is available online. The workshop is organised by the Horizon Europe SECreTour project, in collaboration with the UNESCO Chair on Digital Cultural Heritage at Cyprus … Continue reading
Tag: Europeanaphotography
Promoter participated to LuBeC 2013 with a presentation of dr. Antonella Fresa about the creative re-use of digital cultural content and best practice for private-public-partnerships. The presentation starts from the consideration that the amount of Digital Cultural Heritage is very large and constantly growing, thanks to the digitization programmes that both private and public content holders are carrying on since the last 10 years. The return on investment should be assessed against the impact delivered to society both in terms of… Continue reading
A valuable workshop organized in the framework of EuropeanaPhotography took place in Paris on 14th-15th November 2013. The workshop was one day and half including presentations and round table discussion, focusing on IPR issues related to digital content and to the … Continue reading
The event is very wide. For this reason, to provide an effective way for participants to explore such a rich and diverse program, Digital Heritage 2013 built an interactive schedule featuring social networking, a personal agenda builder, dynamic attendee directories, and more. Users can view the schedule in list, grid, and other forms as well as on mobile devices. Continue reading
The session was intended to foster knowledge exchange and networking actions to address a very common and shared issue from different points of view and backgrounds, also in the light of enabling a true and exploitable creative re-use of the digital content available in Europeana and in other online collections. Continue reading
Intermediate objective is to deliver to Europeana a huge number of metadata, in order to publish a first batch of images to witness the history of Europe and the art of photography in the period 1839-1939. The images are supposed to be on line and accessible to everyone by early 2014, and for this reason EuropeanaPhotography content providers are working closely to the technical deadlines to allow this result. Continue reading
On 14-15 October 2013 the National Museum in Warsaw has hosted the international seminar Photography – Museum Narratives. The seminar was organized by the Archaeology of Photography Foundation, in collaboration with the National Museum in Warsaw and National Institute of Museology and Collections Protection. Continue reading
LAM is a national museum based in Vilnius, originally founded in 1933, it takes an active role in regularly organizing exhibitions and cultural events and in connection of the opening of a travelling exhibition and an internationa conference about ancient photography and digitization, it was chosen to host the third plenary meeting of EuropeanaPhotography project. Continue reading
Discussions about IPR in EuropeanaPhotography so far went through an IPR dedicated mailing list, which is restricted to the project’s members. The on-line support service is instead open to everybody and surely this website will become in a short time a benchmark for IPR issues for the whole community. Continue reading
Florence hosted an international event that includes a Conference, Workshops, Meetings & an Exhibition. The Electronic Information, the Visual Arts and Beyond (EVA Conferences) are a series of international interdisciplinary conferences mainly in Europe, but also elsewhere in the world, for people interested in the application of information technology to the cultural and especially the visual arts field. Continue reading
The vocabulary has been completed in 12 languages and consists of over 500 concepts in three facets –photographic technique, photographic practice and keywords – that are structured in a multifaceted, hierarchical way. Discussions are on-going with other projects, in particular Linked Heritage, for improvement and further development of the EuropeanaPhotography Vocabulary, that can be a starting point for other valuable multilingual tools to enrich digitization activities (both for photography and for other cultural heritage). Continue reading
