Topic: riches
New Realities: Authenticity & Automation in the Digital Age In San Francisco, at the epicenter of the digital revolution, DigitalHERITAGE 2018 was organized with an amazing lineup of talks, exhibits, workshops, tutorials, special sessions and more, including: Internet Archive founder … Continue reading
Call for PAPERS, VIDEOS and e-EXHIBITIONS in the area of INTANGIBLE CULTURAL HERITAGE and e-ARCHIVES
MEMORIAMEDIA (MI/IELT) has a peer reviewed e-journal dedicated to promote, communicate and document projects, studies and archives of Intangible Cultural Heritage (ICH). Authors are now invited to submit unpublished papers, videos or e-exhibitions about all the domains of ICH: oral traditions, performative … Continue reading
by Catherine Cummings, Research Fellow (RICHES), University of Exeter From the shape of guitars, fashion brands, parody, dance, disability and re-mixing to museum collections, digitisation, data-mining and folklore, this interdisciplinary conference addressed the many varied and complex relationship between Intellectual … Continue reading
Janine Prins of WAAG Society retraces her experience as anthropologist and announces the RICHES co-creation sessions. Continue reading
Martin Patience of BBC presents one of Beijing’s latest cultural offerings: a museum dedicated to roast duck, the capital’s most famous culinary dish. The museum was built by the well-known Quanjude restaurant chain. The exhibits include clay models showing how to prepare the roast duck, restaurant advertisements from a bygone age and various pictures of famous people eating Peking duck. Continue reading
This study, held in the framework of the RICHES Project, wants to explore the transformation of Dance and Performance practice as a result of digital technologies within the European context. If you are a dance and performance practitioner, performer, educator, or researcher and are willing to reflect on how digital technologies have impacted on your experience of performance practice, please share with us your views by completing our survey. Continue reading
Many of the objects within the archive collection have been sourced directly from Davies and her collaborators’ personal collections, whilst other items have been kindly lent by institutions and private contributors. Almost all of these objects that would otherwise remain inaccessible and unavailable appear online for the first time, and in many cases represent the first time objects have been viewed by anyone since their original date of creation. Continue reading
