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SECreTour project and its associated EUreka3D project participated in the Part 2 of the Webinar promoted by the TExTOUR Project and organised by the UNESCO Chair on Digital Cultural Heritage Lab at Cyprus University of Technology. The webinar explored the potential … Continue reading
We are delighted to announce the launch of Europeana Academy, the Europeana Foundation training programme for professionals working with, in and around cultural heritage. The Academy will support professionals in the sector to develop new skills and knowledge through a comprehensive … Continue reading
Tag: RICHES
RICHES Intellectual Property Rights strategy: the move from analogue to digital and new forms of IPR
The firsts outcomes of the IPR research conducted in the framework of the RICHES project are available on the project website. The RICHES project addresses the challenges that digital cultural practices pose to existing copyright law and argues for new perspectives on IPR. Continue reading
In the 21st century the world faces epochal changes which affect every part of society, including the arenas in which Cultural Heritage is made, held, collected, curated, exhibited, or simply exists. The RICHES project is preparing a publication about these changes, and has opened a call for contributions to the book. Continue reading
On February 5, more than 100 archaeologists of the preventative archaeological public service occupied the Louvre museum and conducted a free admission operation for nearly five hours. The archaeologists chose this site because it is emblematic in the history of French preventative archaeology (the excavation of the Cour Napoléon, the Cour Carrée, and the Jardins du Carrousel from 1983 to 1990 that forged the development of this profession) to denounce the catastrophic situation into which their discipline has been plunged. Continue reading
The EuropeanaPhotography project ended 31st of January 2015. To mark the occasion, we organized a two-day conference in Leuven on Thursday 29 and Friday 30th of January, under the theme “The Impact of Digitization on Photographic Heritage: Memories Reframed“. Continue reading
Neil Forbes, RICHES Project Coordinator, presented the project during the Final Conference of Europeana Photography, which took place in Leuven on 29-30 January 2015, hosted by CS Digital (KU Leuven) and the Lieven Gevaert Centre for Photography in Campus Library Arenberg. Continue reading
To celebrate its 20th Edition Museum Expressions, the gift and cultural marking trade show, launched Museum Connections, an innovative conference programme focusing on innovation in Museums which gathered key museum and cultural heritage actors from around the world. The event was held at Paris Porte de Versailles on January 21st & 22nd, 2015. Continue reading
The first international conference of the RICHES project concluded with success. The event, organised by partner Promoter in the aristocratic venue of Palazzo Lanfranchi, was attended by over 150 people.
International experts intervened as speakers, bringing their valuable contribution and offering new cues to the project research. Continue reading
PREFORMA poster and roll-up banner ware displayed in the poster session of the first international conference of RICHES project and booklets were distributed to the over 100 attendees. Continue reading
Pisa was chosen as seat for the International Conference “Cultural Heritage: Recalibrating Relationships”. On occasion of the Italian presidency of the Council of the European Union, the international consortium RICHES chose Pisa as seat for its important conference, held at the Museum of Graphics of Palazzo Lanfranchi on 4-5 December 2014. The event was organised by RICHES Italian partner Promoter Srl with the support of: Italian Ministry of Economic Development, Tuscany Region, Municipality of Pisa, University of Pisa and Fondazione Sistema Toscana (“Tuscany System Foundation”). Continue reading
This workshop, co-organised by the Foundation i2CAT, the Government of Catalonia and the Theatre Institute of Barcelona,examined the gradual adoption of technological environments in the performing arts and how the expanding of bandwidth have given rise to new forms of creative expression, space for experimentation and new business models for performing arts, reaching other spaces such as movie screens and cultural institutions with the distribution of high-definition content. Sarah Whatley, dance professor and director of the Centre for Dance Research (C-Dare) at Coventry University intervened as speaker in representation of the European project RICHES. Continue reading
