-
Join the
Digital Meets Culture
Open Newsroom!
If you have interesting news and events to point out in the field of digital cultural heritage, we are waiting for your contribution.
The PRESENCE project aims to enhance how people interact in XR environments by developing tools that make virtual experiences feel more realistic, immersive, and engaging. PRESENCE is working in three core areas: Holoportation: We aim to improve realistic visual interactions between … Continue reading
The SECreTour Network is growing! The SECreTour project has established a new collaboration with CREATOUR® Observatory on culture and tourism for local development at the Centre for Social Studies, University of Coimbra, Portugal. The CREATOUR Observatory is an internationally recognized … Continue reading
Tag: technology
The fourth edition of the TECHNOLOGYforALL Forum will be held in Rome from 17 to 19 October 2017. Italy’s role in the development and conservation of the world Heritage is a framework where we will try to analyse the weighted … Continue reading
From the 3rd to the 7th of November, the CRe-AM project will host an online debate with its community of technology developers and creative practitioners. Each day during the #creJAM week, we will launch a challenge or ask a question … Continue reading
Capturing the Intangible was a two-part event taking place at the Institute of Contemporary Arts, in London, on the 29th May and 5th June 2014, at 6-8pm. The two discussion panels introduced the notion of intangible heritage and its relation with performance and discussed the relevance of material knowledge to virtual culture, whilst considering the future role of Cultural Institutions. Continue reading
From 15 to 17 May 2014, in Belgium, at the Troubleyn Theater and the Royal Conservatoire of Antwerp, it was held the colloquium Thinking bodies – Moving minds. The event focused on the topic of performing arts, which in the last years witnessed a proliferation of research; this colloquium aimed to make a current state of this new field of research and to critically reflect the position of artistic research in respect to the artistic practice and the academic field. Continue reading
